Welcome | Heather Fenoughty

Time 2020-07-02 11:03:01

Web Name: Welcome | Heather Fenoughty

WebSite: http://www.heather-fenoughty.com

ID:16822

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WelcomeMusic composed for, has appeared on, has been licensed for, or has been heard at: Brett Chapman s direction and Heather Fenoughty s music combine to evoke an oppressive and intimate atmosphere Fergus Morgan for The StageReview of THE GOOD BOOK (Slung Low 2020) Heather Fenoughty’s score is a wonderfully stylish feature of this film adding a theatrical but also other-worldly element of tension. Mirren Wilson for A Younger TheatreReview of THE GOOD BOOK (Slung Low, 2020) Beneath it all Heather Fenoughty’s score generate[s] a constant rumble of unease.Catherine Love for The GuardianReview of THE GOOD BOOK (Slung Low, 2020) Composer Heather Fenoughty has provided a score using guitar and strings with a touch of Celtic folk sound whose sweetness underscores the contrast between this largely restrained exchange and the violence that is being talked about British Theatre GuideReview of TERRE HAUTE (Nabokov, 2006) Heather s exemplary contribution to all of our films illustrates the mastery of her craft and the maturity of her compositions.Peter HaddonCreative Director VeryMuchSo Productions Heather has always made a significant creative contribution to our productions her originality has a chameleon-like ability to write in different styles to meet the needs of our films.Peter HaddonCreative Director VeryMuchSo Productions Heather s commitment and talent make hera joy to work with. She truly understands the power of sound.Sue EverettDirector Mother Mine (2008) What is so great about working with Heather is thatI felt at easeto express my thoughts and ideas through a few words of phrases and she interpreted them in the sound design perfectly.Victoria PrattTheatre Maker Silica (2010) Heather patiently took my fragmented thoughts andcreated something haunting, extraordinary and better than I could have imagined. Working with Heather wasfun, creative and really comfortable. The sound design for Silica stood out as a focal element but at the same time bled into the piece as if it had always been there.Victoria PrattTheatre Maker Silica (2010) Heather really understood the tone of what I was trying to create with Silica and where I was coming from Victoria PrattTheatre Maker Silica (2010) Working with Heather is a great pleasure. She has thatrare combination of extensive technical skill combined with genuine creative talent. I find myself in awe of herdedication, attention to detail and quality of output. Her scores better my expectations and heighten the project as a whole.Kevin TamsDirector Copacetik Productions Heather is easily one of the best composers for film/TV and other moving image projects living and working in Yorkshire. There s not really much more to say than that! She s also the loveliest!Ed CartledgeDirector Sort Of Films the music and sound design are exquisite. This is not incidental music; it is a soundtrack worthy of cinema Matthew TaylorReview of Tis Pity She s A Whore (2010) Heather is by some distance the most talented, most consistent, reliable and generous composer I have ever worked with.Alan LaneArtistic Director of Slung Low It was such an utter joy to work with Heather again, and this time on such a large event. She is a clever, brilliant woman. Her work is always exactly what I need and she is open to working together to make changes as we go. She was actively present throughout the event to help make it sound the very best and I am so grateful for her talent, her patience and commitment. Always a joy.Director/Movement Director Pals Dance from The National Commemoration of The Centenary of The Battle of The Somme (2016) Heather provided an excellent soundtrack ably adapting to the exacting demandsof our client’s curators and delivering acompelling, dynamic and memorable experiencethat will serve the permanent exhibit perfectly for the next decade.Adrian WardDirector V A Interactive Masquerade Ball Exhibition (Clay Interactive, 2015) She fitted in perfectly as part of our larger production team and her professionalism and dedication helped us deliver the quality our clients expected, on-time and on-budget.Adrian WardDirector V A Interactive Masquerade Ball Exhibition (Clay Interactive, 2015) It has been such a pleasure to work with Heather on The Aviatrix she constantly responded to a varying brief and delivered wonderful music within a tight timeframe.Helen MorrellProducer The Aviatrix (Nylon Films, 2014) Heather is the most exciting talent in sound design today. Just keep doing what you do in the magical way you do it.Steve NesbitDirector CURIO (2010) I am convinced that Heather’s score assisted greatly in the success of the film and I would have no hestitation inhighly recommendingHeather to other film makers.Abbe RobinsonDirector ‘Private Life’ (Mad Cat Films, 2006) In our feature length documentary, ‘Crossing The Line’…Heather s work sat effortlessly alongside original compositions from multi-award winning Craig Armstrong, whilst retaining her own distinctive score. Peter HaddonCreative Director VeryMuchSo Productions She helped push my film to the next level – and the music she wrote for the finale still gives me the chills every time.Sue EverettDirector Mother, Mine (2008) Her contribution helped evolve my film to ahigher level.Steve WaddingtonDirector Forever and a Day (2005) Her knowledge and skill definitely added to the results of my film andI would certainly work with her again.Steve WaddingtonDirector Forever and a Day (2005) Thank you so much for working with me on Terre Haute… everyone loves your composition… youcaptured everything I imaginedand have made a fantastic contribution to the production.George PerrinCreative Director Terre Haute, Nabokov Theatre Company Heather has always made a significant creative contribution to our productions… heroriginalityhas a chameleon-like ability to write in different styles to meet the needs of our films.Peter HaddonCreative Director VeryMuchSo Productions Heather’s commitment and talent make hera joy to work with. She truly understands the power of sound.Sue EverettDirector Mother, Mine (2008) Working with Heather was apleasureas well as a professional eye-opener. For me as a first time director, Heather was bothefficientandinspirational.Steve WaddingtonDirector Forever and a Day (2005) Her music was just what we were looking for.Justin RossbacherDirector Experience Wonder: Taubman Museum of Art (2009) Latest NewsSTARDOG AND TURBOCAT, the animated action-adventure feature film, released in cinemas nationwide on 6th December, 2019. Starring Gemma Arterton, Bill Nighy, Nick Frost and Luke Evans, it follows the adventures of a loyal dog and a vigilante cat who embark on a space age voyage to find their way home.STARDOG AND TURBOCAT Official Soundtrack ReleaseI m super happy to announce that the soundtrack to STARDOG AND TURBOCAT is released digitally on 6th December.Action-adventure, soaring themes, quirky, dark, happy, heartfelt and sad, this score covers it all, to outer space and back.aboutAs composer for film, TV, theatre, adverts, games and online media, I ve credits on BBC and ITV documentaries and feature films. I ve composed music for advertisements byCITV, Nissan, Land Roverand other multi-national companies. My most recent work includes StarDog TurboCat, an animated feature byRed Star 3D.Starring Gemma Arterton, Nick Frost, Bill Nighy and Luke Evans, StarDog TurboCat was released in UK cinemas in December 2019.My production music has featured on The Daily Show with Jon Stewart, CNN Newsroom, CBS News, Channels 4 and 5et al, and in games for XBox, iPad and online flash games.In the past, I ve provided full post-production audio services for shorts and online narratives, from dialogue editing and recorded sound cleanup with sound effects, to final production, mixing and mastering. Now I m focussed on music composition, these audio skills still inform my work.I create music and design sound for award-winning installation and contemporary theatre, often with Slung Low and Third Angel theatre companies. These scores have played in the West End, off Broadway, for Sundance Theatre Lab, and at Singapore Arts Festival.My scores can be heard in 4D theme park cinemas across the world in many of Red Star s 3D CG animations.I compose a growing, exclusive collection of production music for Premiumbeat. Other tracks from my back catalogue can be found on Pond5for licensing.I ve written about creativity and the business of composing music at ScoreCastOnline.com, and spoken on the use of sound and music in media at universities and film events. I ve sat on panels to judgefilm and TV music for BAFTA, BASCA, PRS and other film organisations.Subscribe for creativity hacks, album drops, self-care help for creatives and behind-the-scenes news:

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Film Music Composer | Theatre Music Composer | Television Music Composer | Music for Games | Production Library Music Composer. Music on BBC, ITV, C4, NBC, CBS; Theatre Music at Barbican, Almeida, Lowry, Crucible.

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