Antenna | Responses to Media and Culture
Time 2021-11-21 12:20:10Web Name: Antenna | Responses to Media and Culture
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keywords:wordpress,c.bavota,magazine basic,custom theme,themes.bavotasan.com,premium themes description:Responses to Media and Culture About UsComments PolicyContributorsCreditsHow to Contribute Subscribe Home Columns Antenna Kids Award Winning Breaking Bad Breakdown Digital Tools Doctor Who Authorship Feminist Media Studies From Mercury to Mars From Nottingham and Beyond Glee Club Honoring Hilmes International Journal of Cultural Studies Late to the Party LeakyCon 2013 Lost Wednesdays Mad Men Mediating the Past On Radio Radio Preservation Task Force Report From School/Work Showrunners on Twitter Sporting Goods State of Reality TV Summer Media Teach Hacks The Aesthetic Turn The Cultural Lives of Doctor Who The Middle East The Podcast Review Torchwood Treme What Are You Missing? What Do You Think? Current Events Celebrity/Stardom Film Games Global Industry Internet Music Politics Print Radio Technology TV Perspectives Academia Celebrity/Stardom Film Games Global Industry Internet Music Politics Print Radio Technology TV Goodbye to Antenna February 4, 2016 By Jonathan GrayAfter just over six years in business, Antenna is done. Goodbye and thanks!
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What's new in Amanda Lotz and Timothy Havens' Understanding Media Industries 2?
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Are networked fitness-tracking apps another tool to preserve male hegemony? Rebecca Feasey pokes at the latest trend in MAMIL (Middle-Aged Man In Lycra)–ian behavior.
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Transmedia is more than just a tool for commercial industries. Matt Freeman looks at South American views and uses of transmedia to rethink its contributions to cultural memory...
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Neil Verma discusses how Serial host Sarah Koenig's obsession was the real protagonist of the podcast's first season, and how the new second season differs narratively and tonally because...
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In Part 2 of 2, it's asked what repetition or originality even mean in a sequel, and how The Force Awakens is "nostalgic."
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What's new about The Force Awakens? Amidst criticisms of the film's adherence to A New Hope, is it all just repetition?
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In addition to increasing the possible objects of study, broadband-distributed television services have introduced new challenges to grounding the television shows we study in their industrial milieu.
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Welcome to the world of Big Copyright: Paul McDonald looks at the new regime of national, regional and global industry alliances policing intellectual property in screen media.
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Is this the end for linear TV? As television and the internet become increasingly intertwined, Catherine Johnson investigates UK broadcasters’ evolving strategies to deliver TV online.
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TV on demand: always there when you need it, but for what? Paul Grainge explores the promotional imagination of on-demand television, and the move from “platform mobility” to current...
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USC School of Cinematic Arts hosted its first forum, “On the Fringe: Understanding Alternative and Subversive Media." The two-day event had numerous panels and included special presentations on...
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Dialogue between Christina Dunbar-Hester and Sanjay Jolly about the state of radio activism and low power FM radio.
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Amid continued proclamation of 3D television's "failure," Nick Camfield looks at 3D home video's contributions to the afterlife of historical 3D films.
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We asked several scholars who have worked with the retiring Barbara Klinger, past and present, to offer some words.
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In the fourth and final installment of a limited series on Cupcakes, Pinterest, and Ladyporn: Feminized Popular Culture in the Early Twenty-First Century, contributor Elizabeth Nathanson outlines the anthology's...
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