Shot in Berlin, Four Parts of a Folding Screen explores exclusion, statelessness and the legalised theft and sale of everyday family possessions by the National Socialist regime. In part, centred around objects, this programme also includes two short films: Peter Todd's a spoon and Anthea Kennedy & Ian Wiblin’s Fenster. The filmmakers will be in conversation with Gareth Evans after the screening.
Films include: Meshes of the Afternoon (1943); At Land (1944); A Study in Choreography for Camera (1945); Ritual in Transfigured Time (1946); Private Life of a Cat (1946); Meditation on Violence (1948)
Pasolini’s disarmingly straightforward version of the life of Christ secured his reputation as a filmmaker, rather than simply a poet dabbling in cinema. Aiming to strip away the sanctimony typical of screen adaptations of the Gospels, Pasolini sought to recover the rough poetry of the original texts, pointedly omitting the “Saint” from his title to secularize Matthew.