How
often it happens these days that a young man, cast back upon himself
by outer adversity, suddenly sees his young tormentrix as though
reflected in crumpled aluminum foil, her playfully accusing eye,
sweet as rabies, with its retina of a slain cobra broken over those
brilliant facets and jumbled into the textured crust of her flytrap
vulva, motionless as any crack-veined caryatid or neon angel; so
that, summoning out of his poisoned entrails a fool's courage, he
reveals a forlorn-looking prick decorated with hieroglyphs drawn in
mascara, and deludes himself that her lips have become runes dyed
with a mystic tincture ... teeth turned black and wobbling in proxy
moonlight, grimacing ... and hears the whisper: “We are infinite,
you can divide us forever.” “I must be a strong person.” What
is reason, or reasonableness, when such events can occur so
frequently as to barely deserve mentioning? A grid-sucking sponge
infects the brain of a mammal and we are all of a sudden “Living
For The Future” when out of nowhere a pile of bones gets thrown in
the face of the parasitic hope for some kind of law or principle,
some kind of guarantee … “The true values of a society are
embodied in the junk yard dogs it creates.”
So it
was with me that morning after I had drifted back up out of my
seizure into the fangs of the newly risen sun, my elongated shadow
running fugitive ahead of me on the sidewalk as I rushed without
certain destination throughout my neighbourhood, impelled by a need
for movement pure and simple to clear my mind. I was to be given no
reprieve from my enigmatic curse by mere exercise of my limbs and
lungfuls of city air, however. The buildings watched me sternly,
their troubled histories heavy on their brows as crowns of plutonium.
It was already past rush hour, the nine-to-fivers were by now all
safely nestled in their hives, leaving the truant dreamers and the
dangerously dispossessed to wander the streets unhindered, desire
squirming under their nerveless skins, not even bothering to avoid
the occasional yellow blob of puke or dark trail of blood underfoot.
And I was among them, a brother.
Then
came the sinister miracle. “Vous êtes
toujours la même!”
I breathed. For there she was again, my Kali Pigeon as I liked to
call her (a pun on the Greek 'callipygian', meaning 'one with
beautiful buttocks', I know, I know) -- the girl in the sky blue
tights! As before, I had only the briefest glimpse of her, though I
registered that a) this time she was going in through the door I'd
seen her exiting before, and b) she was carrying a rolled up mat
under one arm. When I reached the storefront I discovered that it was
the entrance to a Yoga studio. I made a mental note of the time and
day of the week. Now I knew when and where to find her!
As
soon as my initial excitement had passed, however, I was left feeling
drained and confused. The coincidence linking my partly Hindu-derived
nickname for her and her enthusiasm for Yoga took on a monstrous
significance, as though this sighting had been staged by hidden
agencies who I could not be sure had my best interests at heart, who
somehow had gained access to my private thoughts ... It all seemed a
bit too tidy, a bit too convenient. Kali: the destroyer-goddess.
Pigeon: a flying vermin unlawful to kill in this city, a filthy bird
that always returns to its master ... I began deliberately and
slowly placing one thought after another, as though building a stone
wall … but the phantom still rose panicking inside me …
At
these moments, it is common for some worldstruck old soul to approach
you, with the kindliest of motives, and announce: “A spider has
taken over residence in my eye! A goddamned spider!” And you look.
There are the lines, the jointed dark lines over the irises, blurring
into a memory when someone stood, naked to herself yet clothed to the
gazes of the impure, knowing her own silhouette against a redblack
sky, and muttered something about winning the game, something about
the best of times …
And
then there are the fuckbones and alternative bones and the other tiny
skeletons to deal with, mounting up and surfing on red heat and
radioactivity, family picnics and extracurricular handshakes, always
ready with the glad sensibility and the joy-buzzer of immortality
expertly concealed in their cold palms. And then there are the
bleeding eyes of the starving children to face, and you (and by you I
mean I) wonder if it is lawful to fall in love under such conditions
...
I was
listening and watching. None of the facts would escape. All of the
facts would be punished according to the crime.
I saw
them. I heard them. The Meat Vandals. Busking. As usual.
A
tintinnabulation lost in the contours of a well motored lonely
street.
“Pierogies,”
a woman sighed as she limped up to the street musicians, and dropped
a handful of the dumplings in the guitar case that had been left open
for donations. The mixture of the hornrimmed refractions on the
slight mustache of the dreary chanteuse with the rollicking demeanor
of the off time guitar ninja jellied the air around the ear of the
listener. Endless turbulence of fat, waves of fatty flesh with a
smile in the middle, floating and poignant eyes, sincere and homeless
eyes, beseeching, while the tumult rose in the carefully sculpted
vocal hopelessness. They were playing a bunch of broken instruments
in front of the grocery store. Spare change. We are The Meat Vandals.
Applause. The limping old lady, nodding vigorously, dropped a
two-dollar coin. Applause.
But
there was a secret. In fact, their innocuous appearance, their
nincompoopery and outright hipness was a disguise. It takes a mind
such as mine to recognize a secret code. Take the hex-transliteration
of the name Meat Vandals itself. Scary to me. But everything scares
me...
There
was a time when I was still true to myself, when I remembered my
mission: to observe and experience the world through the eyes, ears,
tongues, nostrils, and skins of others. Things have become cloudier
lately, more complex. No, simpler. Much simpler. Simpler than an
honest living, but not simpler than crime.
Sherry
Plus was singing, “God Wasted His Time On You” (I, nodding my
head for rhythmic support, only had nowhere else to be) when the Kali
Pigeon appeared.
She
stood a few moments with her head cocked, her face bearing a
contrived expression of serious contemplation, while I did my best to
hide my agitation, from time to time sneaking glances at her. “These
guys are all right,” she said. Had she really just spoken to me?
I felt as though lightning was surging through my groin, and it
seemed that she and I were somehow destined to become hopelessly,
stupidly intertwined.
I
looked into her eyes. That seemed like something to do. She looked
like a sailor's nightmare, and I telepathically broadcast to her that
she had already been clawing at me, ripping apart my dry and brittle
fibers, the congested dust and insulation, ripping through the
ratshit and vapour barrier, ripping apart the joists of my skull …
“Hey, I've seen you around before,” she told me. “You always
walk by when I'm on my way to yoga. Our schedules must synch up
somehow.”
“Or
maybe I'm stalking you.”
She
laughed. “You're funny.” Then, extending her hand, “Amy.”
I took
it. “My name's Eureka.” Now she laughed harder than before. “No,
really, that is my name. My parents are kind of … peculiar.”
“I
should say so, raising a stalker for a son and all.” Dumbfounded, I
pretended to yawn, to search in my pocket for something. “Anyways,
I'm having a barbecue at my place tonight around seven. Are you free?
I know it's kind of … oh, I don't know … forward, or short
notice, or something, but there'll be a lot of very cool people
there, and I think you'll fit right in.”
“I
suppose I could ...”
“Great!
It's at 124 James Avenue. Seven o'clock. You'll remember all that?”
“Oh
yes. My memory is excellent. Better than photographic. Sometimes I
even remember things that haven't even happened yet.”
“Funny
guy,” she said with a wink; which puzzled me, for I had made no
joke. “Ok, see you then, I have to run.” I returned her wave,
feeling sullen and filled with dread.
I had
made no joke.
When I
knocked on the door of Amy's sooty-bricked, semi-detached house, I
was still laughing at what had just transpired, and was eager to tell
her about it.
Hurried
footsteps inside, and the door swung open. “Oh, hi!” she greeted
me.
I
stepped into the foyer. “A funny thing happened to me on the way
here tonight,” I said.
“Oh
really? What happened?”
“I
was looking for your house, but somehow got lost in this network of
alleyways. So I stopped to get my bearings, and noticed a woman
washing dishes in the window of a basement apartment. There was
something hypnotic about the way she handled the silverware, and I
must have been watching her for a good while before she started
screaming at me to go away. So what did I do? I began jogging on the
spot and yelled down to her, 'Sorry Ma'am, just catching my breath
for a moment!' Then I turned and jogged away. Can you believe it?”
“Okay
… That is pretty weird ...” She looked me quickly up and
down. “Well, you got here … Come on through to the back and meet
the other guests.”
I
followed her through a living room with yellow drapes and furniture
that struck me as having been designed for maximum discomfort. My
eyes, momentarily confused, quickly recoiled from a painting that
dominated one of the room's walls: an enormous portrait of a wizened
lady staring out at the viewer with an absurd sidelong grin, the face
in radical foreground against a distant seascape, a truly screwed up
resurrection of the Mona Lisa. We proceeded onward through a
disorganized kitchen and out through a sliding glass door to a stone
patio where a mismatched group of six people sat in folding chairs,
arranged in a semi-circle around a large table. Amid the smells of
meat grilling on a futuristic barbecue they sipped out of plastic
cups; they seemed reluctant to make eye contact or conversation with
one another, or with me.
“Want
some punch?” my hostess asked while already ladling out some into a
cup, which she promptly thrust toward me.
I began
to compile mental dossiers on my fellow guests as I was introduced to
each. First, there was Tina, a gaunt woman in her late fifties with
brightly dyed, reddish-orange curls, viridian eyeshadow, and
lipstick applied beyond the bounds of her actual lips. Psychically, I
sussed out her loneliness, alcoholism, weakness for abusive men. Then
came Raj, a young bespectacled south Asian man whose beige,
office-ready clothing indicated an ascetic sense of duty and a
facility with numbers and computers. Next, I was introduced to
Lynette: short, chubby, blond, thoroughly matronly in the careworn
sense, the dark circles under her eyes like upper echoes of her
baby-ravaged breasts. She exuded internalized panic and a readiness
to complain, to scold and to preach, and I concluded that her husband
had not bedded her in many months, preferring to protect his frazzled
mind from her exhortations by falling asleep on the couch, night
after night, in front of the television. Fourth in line was a
thirtysomething man named Rick, clad in a denim jacket and jeans and
sporting a head of heavily gelled, spiky dark hair. I could tell he
considered himself a seducer, a rebel, the life of any party,
chronically underappreciated for his supreme ability to innately know
everything while doing nothing for anyone else. And here I was
presented with an unsettling before-and-after snapshot; for, seated
beside Rick and next in the introductions, I met Rick twenty years in
the future, in the form of Doyle. Yes, Doyle was the inevitable
outcome of Rick, as time would surely transform him. Doyle was fat,
balding, sheened in the sweat of desperately believing himself to
still be a “Rick” -- a belief which he no doubt preserved by
bribing strippers with cocaine to accompany him to his hotel room
during his eternal business travels. Finally, there was Kamiko, a
Japanese woman in her early twenties, dressed in black, her face
painted in a vampiric palette of black on beyond-pale, which gave a
ceramic look to her round cheeks and forehead. All but this last
guest shook my hand eagerly as I was introduced, each with a strained
smile that was the horizon of a dying world of which they were
citizens and unwitting architects. Kamiko merely said “Hey...”
in a gloomy voice. She was the hardest for me to telepathically
probe, and I guessed she was either a performance artist or a
connoisseur of hallucinogens that were so obscure or so newly
developed that they could be legally procured. Perhaps she was both.
Before
I had a chance to sit down, Amy grabbed my arm. “Not so fast! Come
over here, yes, stand right here where everyone can hear you. Now,
Eureka, we have a little tradition here, which is that any newcomer
to the group has to tell us something interesting about themselves.
So, go ahead, don't be shy, tell us a little something interesting
about Eureka. We've all done it in the past; now it's your turn.”
“Is
everyone going to share something interesting?” I asked, mortified.
“No,
like I said, we've all done it before, it's only newcomers who have
to do it.”
“Well,
that seems unfair, to be singled out just for being new,” I
protested.
“When
you bring newcomers of your own, then you can hear their
interesting stories, or details, or whatever. Now, go ahead.”
I
thought furiously for a moment, reeling, hating their wretched eyes.
But then I suddenly perceived a glorious opportunity in this
otherwise dismal predicament, and I began in a loud, oratorical tone:
“My
father's hair – that is, the hair he has now
– is, in fact, the hair of the film actor Michael Douglas. By which
I mean not only the hair, but the entire scalp, the living skin from
which the hair of Michael Douglas continues to grow atop my father's
head. Allow me to explain. Many years ago, after seeing the film The
Star Chamber, my father (a man
of no small means) became much enamoured with the eagle-esque sweep
of the young actor's coiffure. In vain, he tried to have it
reproduced on his own head by the most skilled stylists he could
find; but his congenital locks resisted the sought-after form, being
themselves of a staunchly wavy inclination. So, armed with his
considerable wealth and even more considerable influence, he
approached the then relatively unknown actor with a bold proposition:
an incredible sum of money and guaranteed fame in exchange for a
surgical transplant of his scalp onto my father's head. He would
ensure that Mr. Douglas would have his own hair replaced with a
reasonable facsimile, taken from the head of a newly deceased
homeless man. You may ask why my father did not himself take the
homeless hair, which would have saved him much expense and effort;
but in asking such a question you would reveal your ignorance of my
father's tenacity, of how unstoppable he is when seized by an idée
fixe. There was no alternative:
he had to have the actual hair he had seen in the film.
Mr. Douglas, who was struggling at the time to take his career to the
next level, was surprisingly receptive to the procedure, and, despite
some initial misgivings over what would happen should the surgery
fail (which my father quickly allayed by upping the offer), finally
agreed. A team of plastic surgeons were enlisted; they conferred,
planned, and dreamed; there were arguments, tears of both
disheartened frustration and joyful breakthrough. When the fateful
day arrived, they worked for six hours in the operating room to pull
off the feat. And behold, it was a success! Now, I can see by your
faces that you find this difficult to believe, but I say to you:
watch The Star Chamber
and Romancing the Stone back-to-back!
Watch them, and compare the hair – or, I should say, hairs
– of Michael Douglas! You will
not fail to detect a subtle difference, a coarser quality to those
strands cresting the head of the later Michael Douglas, attributable
to their poorer upbringing. Yes, you will notice, if you pay close
attention, the faintest aura of a hobo's resignation when the light
hits the actor's head at certain angles. Go ahead, perform the
exercise: it will prove most illuminating!”
Revealing
such a hallowed family secret to this group of strangers had put me
in a state of great passion, and I took a second to catch my breath
before I turned to Amy and asked, “Now, can I please sit down?”
“Why
yes … yes, please do ...” she replied dreamily, perhaps a bit
dazed.
As
I sank into my chair, I was suffused with a beautiful sense of
well-being, as though I now truly saw, for the first time, the
rightness of everything; and the universe opened before me as an
entity perfectly arranged and unfolding exactly as it should. This
must be what group therapy is like,
I thought, this catharsis, this vulnerability, this open
and innocent trust that the truth will always conquer the hardness
and fear in the damaged hearts of people.
Amy
was turning meat on the barbecue, smoke enshrouded, in agitated
squiggles of movement, and her buttocks loomed, attacked, throttling
my spirit, entering my skull to digest and usurp the very hemispheres
therein. She went into the house and returned with paper plates and
plastic forks, which she unceremoniously set down on the table, and a
hinged wooden box, which she now held out before us in both hands, as
though it might contain gold, or frankincense, or myrrh.
“The
moment we've all been waiting for!” her voice lilted teasingly.
Slowly she lifted the lid to reveal a set of steak knives nestled in
two rows of plastic velveteen slots. “The new line has arrived
folks!”
My
fellow guests leaned forward to get a better look. “Everybody take
one!” Their eager fingers went squid-like toward the handles. I
waited for the others before taking one of my own. It felt light and
delicate in my hand, as though hammered out of aluminum foil.
With
startling violence, Amy stabbed one of the steaks and lifted it from
the grill, plopped it steaming on the bare tabletop, and halved it in
a single, samurai gesture. “Like hot butter,” she cooed. “Just
like goddamned hot butter!” With a kind of defiant and brutal
ecstasy she proceeded to stab one steak after another, transferring
each by knife-point onto a paper plate which was then virtually
tossed in the direction of each of the guests in turn.
“Try
for yourself!” she commanded.
They
began cutting into the meat. Doyle and Lynette nodded approvingly;
Rick's eyebrows lifted in delighted surprise; I heard Tina murmur
excitedly, I'm gonna sell the shit out of these;
even Raj and Kamiko, though more reserved than the others, were
nonetheless visibly impressed -- whether by the knives or by Amy's
pageantry, I could not tell.
“The
workmanship speaks for itself,” Amy continued, “but, sadly, these
knives will not sell themselves. That's where you
come in. Your talent,
your
single-mindedness, your hunger
to make the sale, your refusal
to take no for an answer.” With each your
she thrust the point of knife in her hand toward one of the guests.
“But all of you know that we face one major obstacle to our
success. Let me hear you: what is it?”
“PREJUDICE!”
the others shouted in unison.
“That's
right. Those pesky little letters written on the blades of these
finely crafted instruments, that tiny sentence that, through no fault
of its own, tends to turn off the North American market, and deny us
from getting the price we deserve for these awesome knives.” I
stole a quick glance at the blade before me: it read 'Made in China'.
“But,
as we all know, there is a way. A way, not to fight prejudice
directly, but to turn it back on itself, to use prejudice
against itself.” Amy trailed
off, giving her audience a chance for reflection, to let hope grow,
and for them to really get the hang of what she was about to say
next. “Now, I know you've been through the drill before, and I know
some of you are probably thinking, 'Oh, but Amy, it's such a pain in
the ass, it's too much work, why don't we just sell the darn things
as is.' But that won't do, and that's why I have to emphasize the
importance of The Transformation -- over, and over, and over again.
And since we have a newbie in our midst, I'm going to take the
opportunity to go over The Transformation with you again tonight. I
call it a transformation, because that's exactly what it is. We are
transforming prejudice into a weapon against prejudice. And when we
transform prejudice into anti-prejudice, we transform low sales and
low earnings into high sales and high earnings.” I hadn't noticed
earlier the small table beside the barbecue on which stood a small
array of bottles and a bag of cotton balls, toward which she now
strode. “Now, remember, The Transformation is easy. The
Transformation, in fact, has only two steps! So people, tell me: what
is the first step in The Transformation?”
“DROP
THE BOMB ON CHINA!” they shouted.
Amy
was pleased. “Of course, we aren't really
going to drop the bomb on China...” (here there was general
laughter; myself, aghast, excepted) “… but, with a little bit of
acetone--” she grabbed a cotton ball, stuck it in the neck of one
of the bottles, inverted the configuration, set down the bottle, and
began to rub the dampened wad against the blade “--we can at least
kick that scary word out of our path to wealth!” She held up the
knife. “See? No more China! Gone! Obliterated! Now that's step one.
Who can tell me step two?”
“ONE
HIT WONDERFUL!”
“Oh,
you guys catch on fast! That's right. But remember, this step takes a
little preparation. We know you need black nail polish--” she held
up a phial of the substance “-- but in order to get the best
results, you have to remove most of the bristles from the brush until
only three or four remain.” She unscrewed the lid, showed each of
us in turn, close up, how she had thinned the applicator brush to a
fine point; the smell of the stuff made me feel dizzy, unpleasantly
intoxicated. “Then, with a very steady hand, we make a small
vertical stroke in the space on the blade between the word 'Made' and
the word 'in'. What does our knife say now?”
“MADELIN!”
replied the jubilant chorus.
“Zounds
German, ja?” she
asked in a profoundly hokey accent.
“JA!
JA! JA! JA! ...”
While
they chanted this syllable, all sharing in the mirth of the occasion,
Amy went into the house and returned with several boxes of knives,
which she put on the table in front of us, along with cotton balls
and bottles of acetone and nail polish.
“Now,
I want you all to practice The Transformation. I want you each to do
at least three boxes of knives, right here, right now. Not only will
you get better and faster at The Transformation, but you'll walk away
with some sale-ready merchandise!”
“But,”
I ventured, “that isn't even how you spell that name. There's
supposed to be a letter 'e' at the end at least, if not also before
the 'i'! Even in Germany, as far as I know.”
But
Amy was intractable. “Ha! You
try writing an 'e' that small with a nail polish brush! Anyways, most
people don't know as far as you know, as far as I
know! It's just our brand name, it doesn't have to make sense, it
just has to suggest to the buyer the idea of quality, and get around
the negative attitudes people have about Chinese manufacturing, which
are obviously totally unjustified!”
Furious,
I stood up from my chair and began walking backwards toward the
yard's exit at the side of the house, solemnly pronouncing: “Thou
mermaid! You have enchanted the imaginations of these poor souls lost
upon the sea of life, yet you don't … even … really ... exist!”
Amy waved her cheap little blade, shining with cruelty, above her
head while screaming insults at me to the effect that I'd never be a
success story, that people like me were destined to be penniless
losers, that I was a dodo bird in a world of tigers; I turned and
ran; and my last image of that hapless cabal was of Tina as she
shuddered and fell sideways in a kind of thunderstruck coma, her hair
waving across her face, its finest and most shocking orange filaments
gilded in pre-sunset light.