Car Seat Headrest

Time 2020-11-12 05:03:15

Web Name: Car Seat Headrest

WebSite: http://carseatheadrest.bandcamp.com

ID:113107

Keywords:

Car,Seat,Headrest,

Description:

Sorry, Bandcamp no longer supports the version of Internet Explorer that you're using (7.0). Please upgrade your browser to the latest version and try again. shoegazetrash °˖✧◝(⁰▿⁰)◜✧˖° Favorite track: Can t Cool Me Down. nidefatt humor, despair, hope, CSH does all of this at the same time and succeeds. -_- What a great album with a transition to a new style. Favorite track: Can t Cool Me Down. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Includes unlimited streaming of Making a Door Less Open via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Includes unlimited streaming of Making a Door Less Open via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.I like Chopin won’t you sing me to sleepNo don’t Daniel you think you see a light butThere is nothing in a flame but fireIs it satisfaction is it onlyPractice for the real thing snap out of the drug trip screamingHEY! We’re not supposed to be here(we’re not supposed to be here)Hey! We’re not supposed to be here!(we’re not supposed to be here)My blood is dirty water drain it bleed it wash it down the drainThe devil in the other, somebody else’s mistakeI am dripping with sweat, my handsI can’t hold anything in my handsI’ve only made one mistake in my lifeI’ve only made one mistake, I’m going Cool water on my brow can’t cool me downI was thinking people never changeBut there’s a new taste of dread that I cannot explainAnd the thoughts that make up my lifeGet reflected in others from time to timeNow I’ve got another questionand if we run out of time can we make an exception?I’ve got a piece that needs completion I want to hear more from you, here’s what I’d like to doOh temptationI could be a part of youOh completionCome in closer, let the candle burn right through(If you can’t get what you’re after any other way)Am I on your mind?Is it what you like?Covered under your sleeve sometimesAm I on your mind?Is it what you like?I’m alright, I was really in a state last nightI won’t speak I don’t know what to sayI can see in your prayers it’s the same things we pay forgot a currency that you acceptSo if you want to exchange we can try to connectGive me the number to your room and leave the door on the latchThere are tigers in the jungle there’s a knife in the mattressI don’t think we broke the glassBut hell if I knowI never learned to danceWhat the hell do I know?I knowI won’t always need you like thisI swear I’m not always falling to bitsBut in the hallway the moment hitsAnd the setup clicks like a safetyYeah you could hear a pinFeel itI feel itYou feel it...Am I on your mind?Is it what you like?I was really in a state tonightAm I on your mind?Is it what you like?I’m alright, put me up your sleeve sometimeSometimeOther timeNo timeOh temptationI could take a piece from youOh completionLet it burn let the candle burn right throughEverywhere I go I’m oppressed by these energies Like it yes I love it I hear music in my headWas that a gun?Uhhh gamelan drum?Are my earbuds on the fritz? There’s a hiss on the bus and it goes roundHollywood makes me wanna pukeFaces form facesPhrases come in phasesTake me to the palaceMake me think I’m famousOkay hop inside (come see my movie)hop inside (come see my movie)hop inside (come see my movie)hop inside (come see my movie)You can’t disengage with one single aspectWatching from the sidelinesSupervising linesWhy don’t you take what you can getNo disruptions on the setYou’re gonna wind up back homeWhere the fear splits in two like MosesInto Mansons and MonroesesLogic and hypnosisgood and evilOnly peopleThey don’t talk about the12 year olds on pills waking up in beds of big producers“I can make you famous I can make you something don’t go back to Oklahoma what’s in Oklahoma?You know this is not for public consumption you know nothing this is nothing that’s our slogan if you’re suffering if you’re hungry for something it’s nothing don’t you watch the news or read the movies? You do? Me too”There was a predestined set of symbols ticking into placeA prom queen crowned in the backgroundStepping out of framea pair of hands took me to your faceyour eyesHeld meOh, compassionIs transforming me intoNo reflectionSwearing all I see is youOh, compassionIs transforming me intoBut he doesn’t know the first thingYou know a couple of the guys were thinking about moving awayBecause there’s less and less here that seems like it’s a reason to stayYou’re not the only one who’s angryYou shut the door they call you crazyYou always said “they’ll never break me”What’s with you lately?Break down the door and it’s yours for the takingI held it back til you stopped asking My eyes are blurred the clock is tickingI’m coming up short in a life worth nothingI hear women in my head with ordinary namesThat ring like magicThrough some malfunction in my brainYour hands were warmThough you came in from the coldI took one and held itAnd suddenly start to shakeshake...I feel it break I feel the waves of anger pain and sorrowBreaking over meThe flags are raised, we part with no goodbyes and no tomorrowsThis is destinyMemories of the best regrets I played my song in every single restEvery noteOf the symphonyMend the fence with the best of grace it’sPleasantries to the bottom of the pageI’m sorryWhen you’re down for a while trying to get dried outYou feel the time pass by but you don’t look aroundWhen you’re out for a while trying to get dried outYou feel the time pass by but you keep your head downYou were playing your music but you got drowned outYou go back to the old house but you’ve been locked outAnd it wasn’t for love that you went back homeIt was the guilt in your throat like you swallowed a boneThey had all of your life to get it rightThey had all of that time just to change their minds you’re grateful for the bus it’s a place to sit downlike a spider in the winter trying not to be foundNo use trying to heal when you’re getting stepped onNo use selling your soul when you’re getting passed onHow could they treat you like a forgotten card?“Dear Dad” “I’m sorry” “Thank you very much”What difference does it make when they throw you away?Will anyone ever hear what you had to say?I was flying on a red-eyeMy hand dropped to the aisleI could see myself clearly for the first time in a whileThere was nothing but lines, nothing but outlinesMy gut sank like a stoneBut I heard another voice sayWe all walk aloneThere must be more than bloodThat holds us togetherThere must be more than windThat takes us awayThere must be more than tearsWhen they pull back the curtainThere must be more than fearThis album was made from January 2015 to December 2019, starting as a collection of vague ideas that eventually turned into songs. I wanted to make something that was different from my previous records, and I struggled to figure out how to do that. I realized that because the way I listened to music had changed, I had to change the way I wrote music, as well. I was listening less and less to albums and more and more to individual songs, songs from all over the place, every few days finding a new one that seemed to have a special energy. I thought that if I could make an album full of songs that had a special energy, each one unique and different in its vision, then that would be a good thing.Andrew, Ethan, Seth and I started going into the studio to record songs that had more finished structures and jam on ideas that didn’t. Then I would mess with the recordings until I could see my way to a song. Most of the time on this album was spent shuttling between my house and Andrew’s, who did a lot of the mixing on this. He comes from an EDM school of mixing, so we built up sample-heavy beat-driven songs that could work to both of our strengths.Each track is the result of an intense battle to bring out its natural colors and transform it into a complete work. The songs contain elements of EDM, hip hop, futurism, doo-wop, soul, and of course rock and roll. But underneath all these things I think these may be folk songs, because they can be played and sung in many different ways, and they’re about things that are important to a lot of people: anger with society, sickness, loneliness, love...the way this album plays out is just our own interpretation of the tracks, with Andrew, Ethan and I forming a sort of choir of contrasting natures.I think my main hope for the world of music is that it will continue to grow by taking from the past, with a consciousness of what still works now. Exciting moments in music always form at a crossroads - a new genre emerges from the pieces of existing ones, an artist strips down a forgotten structure and makes something alien and novel. If there is a new genre emergent in our times, it has not yet been named and identified, but its threads come from new ways of listening to all types of music, of new methods of creating music at an unprecedented level of affordability and personal freedom, of new audiences rising up through the internet to embrace works that would otherwise be lost, and above all from the people whose love of music drives them to create it in the best form they possibly can. Hopefully it will remain nameless for some time, so it can be experienced with that same newness and strangeness that accompanies any and all meaningful encounters with music. Yea but what s with the mask? Bob Dylan said, “if someone’s wearing a mask, he’s gonna tell you the truth...if he’s not wearing a mask, it’s highly unlikely.” He never actually wore a mask onstage so I don’t know why he said that. But I decided to start wearing a mask for a couple of reasons. One, I still get nervous being onstage with everybody looking at me. If everyone is looking at the mask instead, then it feels like we’re all looking at the same thing, and that is more honest to me. Two, music should be about enjoying yourself, especially live music, and I think of this costume as a way to remind myself and everyone else to have some fun with it. I don’t think it changes anything else about the songs or how you feel about them to be able to drop it for a second and have fun with it. If you can’t do that then you’re in a bad place...The character comes from another project Andrew and I have been working on called 1 TRAIT DANGER. This is something Andrew started doing on tour¬—recording ideas for his own songs as they came to him, and forcibly enlisting everyone else to participate. It appealed to me because it was nothing like Car Seat Headrest, and the ideas cracked me up. Before we knew it we had two albums released, a video game that was almost impossible to beat, and a growing number of people who seemed to be enjoying it all. It’s been a great outlet for weird and untenable musical experiments, and the live performances have been a blast. I play a character called TRAIT, and we’ve been working out the backstory as we go. I think he spent a lot of time in classified government facilities before getting into the music business.This is the kind of stuff that kept us going while we were working on MADLO. We were in our own little world and free to try any idea we wanted. A lot of the ideas for 1 Trait bled over to the Car Seat tracks, and vice versa. You just can’t make music without first creating your own environment around it...sound’s always gotta travel through something. This time it was a mask. —trait Written by Will Toledo.“Hollywood” written by Will Toledo and Andrew Katz.Published by Mattitude.Will Toledo – vocals, synths, keyboards, organ, guitar, piano, drum programmingAndrew Katz – vocals, drums, drum programmingEthan Ives – guitar, vocalsSeth Dalby – bass guitar Violin on “Can’t Cool Me Down” by John Huggins. Guitar on “Hollywood” and “There Must Be More Than Blood” by Gianni Aiello.Recorded in January and October 2019 at Avast Recording Co. in Seattle, WA.Produced by Will Toledo and Andrew Katz.Engineered by Will Toledo and John McRae.Mixed by Will Toledo and Andrew Katz.Mastered by Andrew Katz.Artwork by Cate Wurtz. This surprise album from the New York alternative band is an archival collection of previously unreleased recordings. Bandcamp New Notable Oct 9, 2020 The Boston lo-fi psych-pop artist goes full dark synth on this immersive and catchy new release. Bandcamp New Notable Mar 19, 2019 Big Ups: Will Toledo Picks His Favorite Records on Bandcamp

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Car Seat Headrest MADLO 2020. Band pic by Carlos Cruz. Making a Door Less Open, released 01 May 2020 1. Weightlifters 2. Can&#39;t Cool Me Down 3. Deadlines (Hostile) 4. Hollywood 5. Hymn (Remix) 6. Martin 7. Deadlines (Thoughtful) 8. What&#39;s With You Lately 9. Life Worth Missing 10. There Must Be More Than Blood 11. Famous Newness and Strangeness This album was made from January 2015 to December 2019, starting as a collection of vague ideas that eventually turned into songs. I wanted to make something that was different from my previous records, and I struggled to figure out how to do that. I realized that because the way I listened to music had changed, I had to change the way I wrote music, as well. I was listening less and less to albums and more and more to individual songs, songs from all over the place, every few days finding a new one that seemed to have a special energy. I thought that if I could make an album full of songs that had a special energy, each one unique and different in its vision, then that would be a good thing. Andrew, Ethan, Seth and I started going into the studio to record songs that had more finished structures and jam on ideas that didn’t. Then I would mess with the recordings until I could see my way to a song. Most of the time on this album was spent shuttling between my house and Andrew’s, who did a lot of the mixing on this. He comes from an EDM school of mixing, so we built up sample-heavy beat-driven songs that could work to both of our strengths. Each track is the result of an intense battle to bring out its natural colors and transform it into a complete work. The songs contain elements of EDM, hip hop, futurism, doo-wop, soul, and of course rock and roll. But underneath all these things I think these may be folk songs, because they can be played and sung in many different ways, and they’re about things that are important to a lot of people: anger with society, sickness, loneliness, love...the way this album plays out is just our own interpretation of the tracks, with Andrew, Ethan and I forming a sort of choir of contrasting natures. I think my main hope for the world of music is that it will continue to grow by taking from the past, with a consciousness of what still works now. Exciting moments in music always form at a crossroads - a new genre emerges from the pieces of existing ones, an artist strips down a forgotten structure and makes something alien and novel. If there is a new genre emergent in our times, it has not yet been named and identified, but its threads come from new ways of listening to all types of music, of new methods of creating music at an unprecedented level of affordability and personal freedom, of new audiences rising up through the internet to embrace works that would otherwise be lost, and above all from the people whose love of music drives them to create it in the best form they possibly can. Hopefully it will remain nameless for some time, so it can be experienced with that same newness and strangeness that accompanies any and all meaningful encounters with music. &quot;Yea but what&#39;s with the mask?&quot; Bob Dylan said, “if someone’s wearing a mask, he’s gonna tell you the truth...if he’s not wearing a mask, it’s highly unlikely.” He never actually wore a mask onstage so I don’t know why he said that. But I decided to start wearing a mask for a couple of reasons. One, I still get nervous being onstage with everybody looking at me. If everyone is looking at the mask instead, then it feels like we’re all looking at the same thing, and that is more honest to me. Two, music should be about enjoying yourself, especially live music, and I think of this costume as a way to remind myself and everyone else to have some fun with it. I don’t think it changes anything else about the songs or how you feel about them to be able to drop it for a second and have fun with it. If you can’t do that then you’re in a bad place... The character comes from another project Andrew and I have been working on called 1 TRAIT DANGER. This is something Andrew started doing on tour¬—recording ideas for his own songs as they came to him, and forcibly enlisting everyone else to participate. It appealed to me because it was nothing like Car Seat Headrest, and the ideas cracked me up. Before we knew it we had two albums released, a video game that was almost impossible to beat, and a growing number of people who seemed to be enjoying it all. It’s been a great outlet for weird and untenable musical experiments, and the live performances have been a blast. I play a character called TRAIT, and we’ve been working out the backstory as we go. I think he spent a lot of time in classified government facilities before getting into the music business. This is the kind of stuff that kept us going while we were working on MADLO. We were in our own little world and free to try any idea we wanted. A lot of the ideas for 1 Trait bled over to the Car Seat tracks, and vice versa. You just can’t make music without first creating your own environment around it...sound’s always gotta travel through something. This time it was a mask. —trait

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