Irish, classical early flutes by wooden flute makerTerry McGee
Time 2021-10-15 23:04:12Web Name: Irish, classical early flutes by wooden flute makerTerry McGee
WebSite: http://www.mcgee-flutes.com
ID:204552
Keywords:
early,flutes,Irish,classical,by,makerTerry,McGee,wooden,Description:
keywords: description:Flutesfor Irish, Classical and Early Music
About Terry McGee...
Terry McGee makes wooden flutes for Irish, early and classicalmusic based onthe best of original instruments, including the popular Rudall Rose, Pratten'sPerfected and Grey Larsen Preferred models. Based in Malua Bay, New South Wales, Australia, Terry has been aflute makersince the mid seventies and exports his instruments to the four cornersof theglobe.
Terry's instruments are one-off craftsman-built instrumentsusing the finest materials and a combination of traditional andmodern techniques. They show the benefit of the vast andcontinuing research he has undertaken in Australia and incollections around the world. The most rigorous attention totuning makes his instruments the most precise and vibrantavailable, and incorporation of new techniques makes them farmore rewarding to play than the best of the originals. On thepractical side, he has developed a new tuning slide which doesnot cause splitting as did the traditional slide, and new key shapes toimprove ease of playing.
Terry also makes replacement parts and carries out repairs andrebuilds for original instruments. This site includes extensiveinformation on flute care, history, research, choosing a flute,fingering charts and links to other important flute resources.
Contents My Flutes Flutes for Irish Music:
Introduction, and a closelook at an Irish flute About My Irish Flutes
My Models: D Eb Bb B C Materials Of Heads and Barrels About Keys Foot Considerations Accessories
Ordering a flute Prices and order form
Flutes available now!
Piccolos New Heads for Existing Flutes Flutes for Classical Music
About Terry McGee - flute maker How My Wooden Flutes are Made My Innovations The New Improved Tuning Slide The Modern Cut Embouchure The McG# Key The Revised C Foot
The Improved Cleaning Rod The Smoothflow tone hole The Great Australian Bight Mic Clip The MinimumDisruption Tenon
Solar powered flute making FluteRepairs and Restorations Flute Repairs and Restorations A repair for cracked heads andbarrels A repair for cracked sockets The immovable slide Broken and Missing keys,Impossible pads "Cures" for High Pitch flutes FluteInformation and Resources Getting the hard dark tone Gunn, on tone and holding the flute Nicholson on Flute Tone and holding the flute Rockstro onHolding the Flute Rockstro onTone
Humidifying Flutes Cocus wood
Real Time Tuning Analysis(RTTA) RTTA Systems, Polygraph Flutini The RTTA Polygraph RTTA Polygraph Download Setup Using the RTTA Polygraph Customising the RTTA Polygraph Historical Flute Syndromes Flute Myths Exploded!
Frequently Asked Flute Questions Choosing a Flute for Irish Music A guide to the lengths of flutes Flute ergonomics
Learning to Play Irish Flute Learning to use the keys Breaking in and Getting Used to aNew Flute Care of 19th century flutes Care of McGee flutes
Fingering Charts: Modern Keyless Flute Modern6-key flute French Five Key Flute (forCharanga) Eight Key Flute (19th Century) Pratten's Perfected OriginalFingering Chart Pseudo Old-System Fingerings Radcliff flute Richard Potter's Patent Flute Fingering Siccama's Fingering Chart (rough - four overlapping pages) Siccama's Fingering Chart (compiled and reduced to single page)
The Preface, Ceol Rince nahireann, Vol 1 Resources for Irish Flute Players Miking Your Flute for Stage andRecordings
Flute and Flute-Making Bibliography Wooden flute plans How to Repad Your Wooden Flute Photographing flutes Measuring rotational angles in the field
Recollections of Paul Davies: About Paul Terry McGee's Recollections Other People's Recollections Historical Flute Studies Introduction to the HistoricalFlute Studies My Research Colleagues Historical Veracity in the Documentation of the Flute
Interpreting HoleDistribution Charts An Introduction to Venting Charts Cents to Hertzconversion
Movers and Shakersin 19thCentury 8-key flute development Sales of flutes in the 19th century Original 8-key Flute Prices
Gunn, on tone
Charles Nicholson Nicholson on Flute Tone C. Nicholson's Improved - theturning point Development of C.Nicholson's Improved Nicholson's OwnFlutes
Bainbridge's Observations Thomas Lindsay's: A Few PracticalHints
Rudall, Rose, Carte et al:
Before Rudall met Rose Before Rose met Rudall Rudall Rose: Flute-MakingIcons Rockstro analyses the intonation of a flute from Rudall Rose
Rudall Rose No 519 - earlysuccess Rudall and Rose No 742 - aparticularly famous Rudall An Imposition against the Public- a Rudall Fake! Rudall Rose Bb flutes
Rudall Rose 1832 Patent Head Inside the Patent Head Rudall Rose Patent Head Maintenance (New 2017!) The Search for Rose's ImprovedConoidal Bore Rose's Perfected Flute? Rudall Carte 916 - an "old-system"flute Development of the Rudall flute
Rudall Carte Workshop views(big!) Some unusual Rudalls Rudall's Workers Rose versus Camp at the Old Bailey A Rudall CarteTransplant
The Rudall, Rose or CarteModels Study The Questionnaire The Conclusions Richard Carte Carte's "Sketch of theSuccessive Improvements in the Flute" General Remarks from Rudall Carte's catalogue
Richard Carte - Saint or Sinner? Introduction and Biography The Saga of Boehm’s 1847 “Essay” Richard Carte’s Claims in Relation to the Exhibition of 1851 Rudall Carte’s Comments on Clinton's Extreme Holes Richard Carte’s Comments regarding the 1847 Boehm Patent Claim to Priority as an English-born Player of the Boehm Flute Carte’s Credibility – A Summary
Cornelius Ward - Writings andInstruments Cornelius Ward Contents Page
The Life and Work of John Clinton Clinton story Contents Page Alexander Liddle
The Metzlers and their flutes The Metzler family Metzler Flutes
The Siccama Flute Story Introduction to Siccama and his flute Siccama's 1845 Patent Siccama's Newly InventedDiatonic Flute Siccama's 1-key Flute - A Reconstruction More on Siccama's 1-key flute Extant Siccama flutes Siccama-style flutes byother makers
The Pratten Flute Story Robert Sidney Pratten, the man. Hudson - Pratten's able coadjutor? Pratten's Perfected FingeringChart TheMysterious AnonymousPratten-style flute Extant Pratten Flutes
John Pask John Pask, Flute Maker Ribas's Improved Flute Pask defends the old flute A long-body flute by Pask American Flutemakers: American Flute maker, William Hall An Interesting Collaboration onFirth, Pond Co Firth Pond Co, New YorkMakers Christman's Christmas Day
Rockstro: onHolding the Flute onTone
The Radcliff flute Genesis of the Radcliff Model Flute
Modern Cylindrical Flutes Boehm's Schema Boehm Flute Head Bore Cylindrical flutes - a History of Holes Some letters from Boehm Letter to Broadwood from Theobald Boehm, 17 March 1866 Letters to Musical Opinion, 1889-90 Benjamin Wells' letter to Musical Opinion, January 1890
Important Flute Exhibitions: 1851 World Exposition Flutes at the 1851 Exposition
The 1862 London Exhibition A Visit to the 1862 London Exhibition
Wind Instrument Exhibitors 1851 – 1862
Flutes at the Royal Military Exhibition, London, 1890
Richard Potter's Patent Flute Henry Potter Ball, Beavon Co - a PostBoehm cylinder flute
Jordan Wainwright - Australia'sFirst Flutemaker? An interesting Danish flute Señor Giorgi's Flute Patent A Liturgical Look at the Flute Keith, Prowse Co - the otherperfected 8-key Later Bb Flutes
Left-Handed Flutes Flute key marks and makers Numerical Key Marks
Unusual flutes The McGee-Flutes ResearchCollection Links to other historical flutesites Flute Research 2002 Self-Indulgent Flute-maker'sTour Solomon Blackwood - a new woodwind timber? Purse Pads or Elastic Balls?
The Rise and Fall of English Pitch Society of Arts Pitch 19th Century Flute Tuning
The Great Flat Foot Experiment Determining Best Pitch in flutes C# to D# - a more useful indicatorof flute pitch? Changes in Flute Scaling in the 18th and 19th centuries
Effect of thread wrapping on flute tenons, Series 1 A Survey Analysis A test tenon Recovery Musings Restoration Issues Your flute Conclusions
Effect of thread wrapping on flute tenons, Series 2 Introduction Original Bore Shape Musings A Plan Plan B Plans A C Hysteresis? Plan D A Test Tube Ovality
A comparison of flute types Introduction Classical Bores (I have known) A comparison of Venting A comparison of Scaling Comparison Summary
Effect of Heat and Cold on WoodenFlutes Effect of Stopper Position Effects of Shrinkage on 19th Century Flutes (In progress)
Effects of Humidity onBlackwood A Comparison of Oils as a Moisture Barrier in Flutes (inprogress) A pine Prattens?
Investigations into flute tone
1. Introduction
2. Analysing an existing recording
...
n. A Picklist of Potential Investigations
Appendix 1 - Technical Resources
Appendix 2 - Further Reading
Appendix 3 - Audio Lab Control Unit Flute research by others AcousticImpedances of Classical and Modern flutes
(University of New South Wales Music Acoustics Group) Boehm flute Revised Scale 2011 - Wye, Bennett, Spell Rick Wilson's Historical Flute Page Robert Bigio's Flute Pages Music and Arts CDs of Wooden Flute Music Fixing Scratched CDs Other Interesting Music and Arts Sitesin Canberra and Australia Audio Electronics Introduction to Visual Analyser Visual Analyser - Oscilloscope Visual Analyser - The Second Channel Visual Analyser - Calibration Carillon Australian Carillon Studies (Introduction)
Bellclapper impact dynamics and the voicing of a carillon (pdf) Carillon Bells - List of Partials
Internal versus External Clappers High Clapper Comparison of electronic and real bell sounds Effect of slightly worn clappers Concertina Studies Introduction to Concertina Studies Concertina issues to be investigated Concertina Pneumatics Laboratory Lachenal Duet Concertina Reeds Tin Whistle Tin Whistle Buttons Tin Whistle Retuning Guitar Straighten a curved capo Personal The Family: Terry'spartner Jesse Rowan, Jesse's Mum's House
A new home for McGee flutes! But where? Finding a builder Building at Malua Bay! Moving Settling in Jesse's Sewing Room/Creative Space Music Ballyhooley The name Ballyhooley
Jesse Singing Old Gold Folk Club The Canberra Ceili Band Community The Malua Bay Improvement Group Eurobodalla Woodcraft Guild Malua Bay Rural Fire Brigade
Terry McGee
talking about flutes at the
National Folk Festival, Canberra
By email: terry(at)mcgee-flutes.com (replace (at) with @)
By Phone from overseas:+612 4471 3837
By Phone in Australia: 02 4471 3837
By Post:35 Bunderra Circuit, Malua Bay, NSW, 2536 Australia
Malua Bay is about 15 minutes south of Batemans Bay on the NSW Nature Coast
If phoning, please call between 9.00am and 9.00pmAustralian Eastern Standard Time to avoid waking the family. Here is aneasy time reckoner.
Terry's work is assisted by the ACTGovernmentthrough its Cultural Council.
This projecthas been assisted by the Commonwealth Government through the AustraliaCouncil, its arts funding and advisory body.
This web site archived by the NationalLibrary of Australia at http://nla.gov.au/nla.arc-24785
TAGS:early flutes Irish classical by makerTerry McGee wooden
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