post | notes on art in a global context

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Asia | Transnational Histories and Non-aligned NetworksSoviet Architectural Presence in Southeast AsiaDa Hyung Jeong proposes a reading of Soviet-built structures in the region. He attempts to reveal the intentions behind their construction through an analysis of Soviet-era cultural criticism, socioeconomic studies, and encyclopedia entries.Da Hyung JeongThe Americas | Contemporary Crisis and DissentCumbre Aconcagua. Part I: Digna Rabia and Moral HazardThis conference series, organized by the Cisneros Institute, looks at the history of water management in the Americas through the interdisciplinary work of artists, theorists, historians, and local communities.Camila Marambio, Carolina Caycedo and Ignacio ValeroAfrica | One Work, Many VoicesMichael Armitage and the Ghosts of Past PicturingThe complicated history of painting is taken up by British-Kenyan artist Michael Armitage, whose work respond to contemporary issues and events in Kenya through the ghosts of past picturing.Gabriella NugentSubscribe to our newsletterPlease enable JavaScript in your browser to complete this form.Email *EmailSign up The Americas | One Work, Many VoicesClaudio Perna: The Son of the Immigrant
Beginning with the Autocurriculum, this essay examines Claudio Perna’s conceptual fixation on the fluid boundaries between documentation, artistic expression, and self-representation.Silvia BenedettiAsia | Art and GenderHorizons of queerness, auspicious socialityThrough analyses of works by David Medalla, Nick Deocampo, and Yason Banal, art historian and curator Carlos Quijon, Jr. looks beyond categorical genres of queerness, proposing instead irreducible, methodological modes that embrace its felicitous potential.Carlos Quijon, Jr.Africa | A Global MuseumThinking and re-thinking institutions: an interview with Clémentine Deliss and Azu NwagboguIn this short virtual interview, C-MAP Fellow Nancy Dantas discusses Generator—a conceptual and infrastructural proposal, hinged on restitution—envisioned by curators Azu Nwagbogu and Clémentine Déliss as part of their long-term program for the AAF, Lagos.Nancy Dantas, Clémentine Deliss and Azu NwagboguThe Americas | One Work, Many VoicesThe Right to Appear: Alejandro Paz Navas’s The Bodyguard (2002) and the Guatemalan Postwar Art SceneAlejandro Paz Navas’s The Bodyguard is a testament to a generation of artists who mobilized conceptual performances in public spaces to respond to the socio-economic changes in postwar Guatemala.Madeline TurnerAsiaTrue JestersIn an effort to consider the variegated impacts of COVID-19, post has interviewed curators and directors from vital institutions around the world about how the pandemic has affected their conceptions and practices of programming, civic engagement, and care. Wong Binghao, Zoe Butt and Sean AndersonCentral Eastern EuropeScreening Series Part 3: From Matter to Data: Ecology of InfrastructuresArtists reflect on the environmental damage caused by socialist modernization and capitalist industrialization.Inga Lāce and Lukas BrasiskisCentral Eastern EuropeScreening Series Part 2: From Matter to Data: Ecology of InfrastructuresArtists reflect on the intersections between historic Soviet architecture and newly built infrastructures.Inga Lāce and Lukas BrasiskisAfricaInterview with Storm Janse van RensburgIn an effort to consider the variegated impacts of COVID-19—a virus with a global reach—we interviewed curators and directors from institutions around the world about how the pandemic has affected their institutions. Nene Aissatou Diallo and Storm Janse van RensburgCentral Eastern EuropeScreening Series: From Matter to Data: Ecology of Infrastructures Artists reflect upon the role infrastructures of energy play in implementation of (geo)politics and emphasize the effects that exerts on the environment. Lukas Brasiskis and Inga Lāce Posts navigation Show More Articles postnotes on art in a global contextpost is The Museum of Modern Art’s online resource devoted to art and the history of modernism in a global context. It is the public face of Contemporary and Modern Art Perspectives (C-MAP), a cross-departmental, internal research program at MoMA that fosters the multiyear study of art histories outside North America and Western Europe.TwitterPlease enable JavaScript in your browser to complete this form.Email *NameSubscribe MoMAPrivacy PolicyTerms Conditions 2020 The Museum of Modern ArtTopWelcome to the redesigned post website. We are updating content items from most recent to oldest.If there is work in particular that you are looking for, please email us. Thanks!

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post is the public face of C-MAP: Contemporary and Modern Art Perspectives, a research project at MoMA that explores art across geographies (currently Asia, Latin America, and Central and Eastern Europe). post is a space for sharing critical responses and testing ideas, designed to stimulate open-ended exploration. Publish texts, images, and videos throughout the site to join the conversation!

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