abroadwritersconference

Uncategorized

16

Sep

2018

abroadwritersconference

Unfortunately, we will not be holding a conference this year because of a family illness. Hopefully, well be having another event next summer.

I look forward to seeing you next year.

Best,

Nancy

Uncategorized

29

Mar

2018

abroadwritersconference

Books Jeff Kleinman is looking for:

A great story can allow you to enter other people’s thoughts and lives – and, when you close the book with a sigh, transform you: maybe you’re a little more grateful, or a little kinder, or a little wiser. I love books that inspire me to become better, smarter, more present. This has been the case with many of the books I’ve represented, and it’s something I seek in new projects. I believe strongly that books can make a difference. Good writing and smart ideas can change our world.

Uncategorized

19

Jul

2017

abroadwritersconference

JOHN BANVILLE

JOHN BANVILLE will be joining us at the Abroad Writers Conference in Kinsale, Ireland, August 6th at Blue Haven Hotel. Tickets will be 15 euros. 

William John Banville was born in Wexford, Ireland, in 1945, the youngest of three siblings. He was educated at Christian Brothers schools and St Peter’s College, Wexford. After college John worked as a clerk for Ireland’s national airline, Aer Lingus, before joining The Irish Press as a sub-editor in 1969. Continuing with journalism for over thirty years, John was Literary Editor at The Irish Times from 1988 to 1999.

John’s first book, Long Lankin, a collection of short stories and a novella, was published in 1970. His first novel, Nightspawn, came out in 1971, followed byBirchwood (1973), Doctor Copernicus (1976), Kepler (1981), The Newton Letter(1982), Mefisto (1986), The Book of Evidence (1989), Ghosts (1993), Athena(1995), The Untouchable (1997), Eclipse (2000), Shroud (2002), The Sea (2005),The Infinities (2009) and Ancient Light (2012). His non-fiction book, Prague Pictures: Portraits of a City, was published in 2003 as part of Bloomsbury’s ‘The Writer and the City’ series. In 2012, an anthology comprising extracts from John’s fifteen novels to date, together with selections drawn from his dramatic works and various reviews, was published under the title, Possessed of a Past: A John Banville Reader.

Among the awards John’s novels have won are the Allied Irish Banks fiction prize, the American-Irish Foundation award, the James Tait Black Memorial Prize, theGuardian Fiction Prize. In 1989 The Book of Evidence was shortlisted for the Booker Prize, and was awarded the first Guinness Peat Aviation Award; in Italian, as La Spiegazione dei Fatti, the book was awarded the 1991 Premio Ennio Flaiano. Ghostswas shortlisted for the Whitbread Fiction Prize 1993; The Untouchable for the same prize in 1997. In 2003 John was awarded the Premio Nonino. He has also received a literary award from the Lannan Foundation in the US. In 2005, John won the Man Booker Prize for The Sea. In 2011 he was awarded the Franz Kafka Prize. Last year, John was awarded the Irish Pen Award for Outstanding Achievement in Irish Literature.

Under the pseudonym Benjamin Black, John has published the following crime novels: Christine Falls (2006), The Silver Swan (2007), The Lemur (2008), Elegy for April (2010), A Death in Summer (2011) and Vengeance (2012). Later this year, Mantle will publish Holy Orders, the sixth book in the Quirke series. The first three have been adapted by Andrew Davies and Conor McPherson for the BBC, and will be broadcast later this autumn, starring Gabriel Byrne in the title role.

John (again writing as Benjamin Black) has also been commissioned by theRaymond Chandler Estate to pen a new Philip Marlowe novel which will be published by Holt in the US in 2014.

John Banville

02

Jun

2017

abroadwritersconference

ABROAD WRITERS CONFERENCE

READING SCHEDULE

August 4th

PRIM BOOKSTORE

5:00 – 7:00

SARAH GRISTWOOD

After leaving Oxford, Sarah Gristwood began work as a journalist, writing at first about the theatre as well as general features on everything from gun control to Giorgio Armani. But increasingly she found herself specialising in film interviews – Johnny Depp and Robert De Niro; Martin Scorsese and Paul McCartney. She has appeared in most of the UK’s leading newspapers – The Times, the Guardian, the Telegraph (Daily and Sunday) – and magazines from Sight and Sound to The New Statesman.

Turning to history she wrote two bestselling Tudor biographies, Arbella: England’s Lost Queen and Elizabeth and Leicester; and the eighteenth century story Bird of Paradise: The colourful career of the first Mrs Robinson which was selected as Radio 4 Book of the Week. She also published a book on iconic dresses, Fabulous Frocks (with Jane Eastoe); and a 50th anniversary companion to the film Breakfast at Tiffany’s, as well as co-authoring The Ring and the Crown, a book on the history of royal weddings. Her most recent non-fiction books are Game of Queens: The Women Who Made Sixteenth-Century Europe (2016) Blood Sisters: the Women Behind the Wars of the Roses (2012) and The Story of Beatrix Potter (2016). She has also published a historical novel, The Girl in the Mirror.

A regular media commentator on royal and historical affairs, Sarah was one of the team providing Radio 4’s live coverage of the royal wedding; and has since spoken on royal and historical stories from the royal babies to the reburial of Richard III for Sky News, Woman’s Hour, BBC World, Radio 5 Live, and CBC. She has contributed to a number of television documentary series on cinema and fashion, as well as on history and the monarchy. Shortlisted for both the Marsh Biography Award and the Ben Pimlott Prize for Political Writing, she is a Fellow of the RSA, and an Honorary Patron of Historic Royal Palaces.

DEREK MALCOLM

Malcolm was educated at Eton College and Merton College, Oxford. He worked for several decades as a film critic for The Guardian, having previously been an amateur jockey and the paper’s first horse racing correspondent. In 1977, he was a member of the jury at the 27th Berlin International Film Festival. In the mid-1980s he was host of The Film Club on BBC2, which was dedicated to art house films, and was director of the London Film Festival for several years.
After leaving The Guardian in 2000, he published his final series of articles, The Century of Films, in which he discusses films he admires from his favourite directors from around the world. After The Guardian he became chief film critic for the Evening Standard, before being replaced in 2009 by novelist Andrew O’Hagan. He still contributes film reviews for the newspaper, but it emerged in July 2013 that his contribution to the title was to be reduced further.[5]
In 2008 he was a member of the jury at the 30th Moscow International Film Festival.
Malcolm is president of the British Federation of Film Societies and the International Film Critics’ Circle. In 2003 he published an autobiographical book, Family Secrets, which recounts how in 1917 his father shot his mother’s lover dead, but was found not guilty of murder.

August 5th

BLUE HAVEN 
5:00 – 7:00

TICKETS 15 euros

BILLY O’CALLAGHAN

Billy O’Callaghan was born in Cork in 1974, and grew up in Douglas village, where he still lives. His first collection of short stories, In Exile, was published by Mercier Press in 2008. This was followed a year later by a second collection, In Too Deep (also published by Mercier Press).[5][6] Then, in 2013, his third collection, The Things We Lose, The Things We Leave Behind, was published by New Island Books. It earned him a 2013 Bord Gáis Energy Irish Book Award.

O’Callaghan’s short stories have been published in: Absinthe: New European Writing, Alfred Hitchcock Mystery Magazine, the Bellevue Literary Review, Bliza, Confrontation, The Fiddlehead, Hayden’s Ferry Review, the Kenyon Review, the Kyoto Journal, the London Magazine, the Los Angeles Review, Narrative Magazine, the Southeast Review, Southword, Underground Voices, Versal, and Yuan Yang: a Journal of Hong Kong and International Writing, and many other literary journals and magazines around the world. His stories have also been translated into Polish and Turkish, and have been broadcast on RTÉ Radio 1’s The Book On One,[9] Sunday Miscellany and the Francis McManus Award series.

O’Callaghan compiled a non-fiction book, Learning from the Greats: Lessons on Writing, from the Great Writers, which was published in 2014 by Cork City Libraries as part of their Occasional Series. He also regularly reviews books for the Irish Examiner.

In March 2016, it was announced that O’Callaghan’s first novel, The Dead House, would be released by Brandon Books in Spring 2017.

A novella, A Death In The Family, has been announced as a Ploughshares Solo, forthcoming in 2017.

In November 2013, the title story of O’Callaghan’s most recent collection, The Things We Lose, The Things We Leave Behind won the inaugural Short Story of the Year Award at the 2013 Bord Gáis Energy Irish Book Award. In January 2017, he was awarded second place for the Costa Short Story Award 2016 for his story The Boatman.

Listed among his other honours are The Molly Keane Creative Writing Award, the George A. Birmingham Award, and Bursaries for Literature from the Arts Council of Ireland and the Cork County Council. He has also been shortlisted for many other awards both in Ireland and abroad, including the Seán Ó Faoláin Award, the Glimmer Train Prize, the Faulkner-Wisdom Prize and – on four occasions – the RTÉ/P.J. O’Connor Radio Drama Award. In addition, one of his stories was selected, in 2014, as Ireland’s representative in the ongoing UNESCO Cities of Literature project.

“I know of no writer on either side of the Atlantic who is better at exploring the human spirit under assault than Billy O’Callaghan. The stories in The Things We Lose, the Things We Leave Behind are at once harrowing and uplifting, achingly sad and surpassingly beautiful. O’Callaghan is a treasure of the English language.”

— Robert Olen Butler, author of the Pulitzer Prize-winning A Good Scent from a Strange Mountain,
“The elegant force of Billy O’Callaghan’s prose is immediate and impossible to recover from. He is one of Ireland’s finest short story writers.”

— Simon Van Booy, Frank O’Connor Award-winning author of Love Begins in Winter,
Short story collections[edit]
In Exile (2008)
In Too Deep (2009)
The Things We Lose, The Things We Leave Behind (2013)
Non-fiction[edit]
Learning from the Greats: Lessons on Writing, from the Great Writers (2014)

August 6th

PRIM BOOKSTORE

5:00 – 6:00

MICHELE ROBERTS

Michele was born in 1949, twenty minutes after my twin sister Marguerite, to a French mother and an English father. She grew up in Edgware, a suburb of north-west London. She attended two local convent schools. Summer holidays were spent at the house of our French grandparents in Normandy, near Etretat in the Pays de Caux.

Michele read for a B.A. in English Language and Literature at Somerville, Oxford. In those days this was a women’s college: the majority of Oxford colleges did not accept women. Next, she spent two years studying to become a librarian. She knew that she wanted to write but knew, too, how important it was to be able to support herself. She spent a year working for the British Council in South-East Asia. The Vietnam War was devastating the area. She gave up her job and went travelling instead.

After this she gave up any idea of working as a librarian and began earning my living from a variety of part-time jobs. Often she wrote at night. She got involved in a writers’ group, writing short stories, and worked on my first novel, A Piece of the Night, which came out in 1978. It’s always been important her to be financially independent, and she worked as a hospital cleaner, temp secretary, clerk, teacher, journalist, reviewer and critic.

Life as a writer was very hard at first. Still, a chosen poverty is easier to bear than the enforced sort. When Daughters of the House was shortlisted for the Booker Prize in 1992 and won the W.H.Smith Literary Award in 1993, Michele started making more money, and could finally give up the part-time jobs.

Michele lived in many different places, including Italy and North America, but at the age of forty-four I bought her first home: a small house in France. At the moment she lived in both France and England, moving back and forth between the two, and also spend some time at the University of East Anglia, where she’s currently Emeritus Professor of Creative Writing.

Recently she turned down an O.B.E. because she’s a republican, but she was honoured to be made a Chevalier de l’Ordre des Arts et des Lettres by the French government. Michele a Fellow of the Royal Society of Literature and a member of PEN and The Society of Authors. As well as writing, she serves as a judge for literary prizes, have presented radio arts programmes such as Night Waves, have chaired the British Council’s Literature Advisory Committee, and have travelled abroad extensively with other writers on tours organised by the British Council.

Essays
Food, Sex God: on Inspiration and Writing, 1988, Virago Press
Novels
A Piece of the Night, 1978, Women’s Press
The Visitation, 1978, Women’s Press
The Wild Girl (Also known as The Secret Gospel of Mary Magdalene), 1984, Methuen
The Book of Mrs Noah, 1987, Methuen
In the Red Kitchen, 1990, Methuen
Psyche and the Hurricane, 1991, Methuen
Daughters of the House, 1992, Virago and Morrow (USA)
During Mother’s Absence, 1992, Virago
Flesh Blood, 1994, Virago
Impossible Saints. Hopewell, 1998, Ecco Press
Fair Exchange, 1999, Little, Brown
The Looking Glass, 2000, Little, Brown
The Mistressclass, 2002, Little, Brown
Reader, I Married Him, 2006, Little, Brown
Ignorance, 2012, Bloomsbury Publishing [6]
Poetry
Touch Papers: Three Women Poets (with Michelene Wandor and Judith Kazantzis), 1982, Allison and Busby
The Mirror of the Mother, 1986, Methuen
Psyche and the Hurricane , 1991, Methuen
All the Selves I Was, 1995, Virago
Short stories
Your Shoes, 1991
During Mother’s Absence, 1993, Virago
Playing Sardines, 2001, Virago
Mud: Stories of Sex and Love, 2010, Virago
Memoir
Paper Houses: A Memoir of the 70s and Beyond, 2007, Virago, ISBN 978-1844084074; paperback 2008, ISBN 978-1844084081

August 7th

PRIM BOOKSTORE

5:00 – 6:00

JACQUELYN MITCHARD

Born and raised in a suburb of Chicago, Illinois, Mitchard’s father was a plumber, from Newfoundland, Canada, and her mother a hardware store clerk, a competitive horsewoman, and a member of the Lac du Flambeau Chippewa Cree tribe. She studied creative writing for three semesters under Mark Costello (author of The Murphy Stories) at the University of Illinois at Urbana-Champaign.
She became a newspaper reporter in 1979, eventually achieving a position as lifestyle columnist for the Milwaukee Journal Sentinel newspaper. Her weekly column, The Rest of Us: Dispatches from the Mother Ship, appeared in 125 newspapers nationwide until she retired it in 2007. Mitchard is a contributing editor for More (magazine) and is featured regularly in Reader’s Digest, Good Housekeeping, Hallmark, Real Simple and other publications. Her nonfiction work includes the 1986 memoir ‘Mother Less Child’ (WW Norton) and essays in more than 30 anthologies.
Mitchard married Dan Allegretti, a reporter for The Capital Times, and the couple had three children (Robert, Daniel, and Martin). Dan also had a daughter, Jocelyn, from a previous marriage. After 13 years of marriage, Allegretti died of cancer at the age of 45 in 1993.
After the death of Allegretti, while working freelance for the Milwaukee Journal Sentinel and a part-time public relations position at the University of Wisconsin–Madison, she started writing her first novel, The Deep End of the Ocean.[5] The idea for the story had come to her in a dream in the summer of 1993.[6] She is an alum and distinguished fellow of the Ragdale Foundation, an artist’s colony in Lake Forest, Illinois, where she went to write the first two chapters on the encouragement of author Jane Hamilton.[5] After finishing the first six chapters, 70 pages, she received a contract with Viking Press in December 1994, for that book and a second one to be written later (The Most Wanted).
Bolstered by being featured by Oprah, the novel sold close to 3 million copies by May 1998. It has been Mitchard’s only #1 New York Times Bestseller, on the list for 29 weeks, including 13 weeks at number 1. The book had originally reached number 14, but after being selected by Winfrey, sales jumped. The paperback would spend 16 weeks on the list. The film rights were sold to Mandalay Entertainment, and the story later became a feature film starring Michelle Pfeiffer.
But all of her other novels have been bestsellers as well as garnering critical acclaim—particularly for The Most Wanted, Cage of Stars and The Breakdown Lane. The Most Wanted was nominated for Britain’s Orange Prize for Fiction and Cage of Stars for Britain’s Spread The Word Prize.
In 2004 Mitchard published her first book for children and young adults. Her first children’s picture book, Baby Bat’s Lullaby, appeared in 2004 from HarperChildren’s. Her two middle-grade novels, also published by HarperChildren’s, Starring Prima!: The Mouse of the Ballet Jolie, and Rosalie, My Rosalie: The Tale of a Duckling appeared in 2004 and 2005. Her second children’s picture book, Ready, Set , School!, appeared in 2007.
Now You See Her, Mitchard’s first Young Adult novel, was published in 2007 by HarperTeen. All We Know of Heaven (HarperTeen) appeared in spring 2008, and the first in a series of Young Adult mysteries, The Midnight Twins (Razorbill/Penguin), based on the bewildering clairvoyant gift of twins Mallory and Meredith Brynn, debuted in summer 2008.

For adults
Non-fiction/biography:
1985: Mother Less Child — (W.W. Norton Co.)
Fiction:
1996: The Deep End of the Ocean — (Viking Press)
1998: The Most Wanted — (Viking Press)
2001: A Theory of Relativity — (HarperCollins)
2003: Christmas, Present — (HarperCollins)
2003: Twelve Times Blessed — (HarperCollins)
2005: The Breakdown Lane — (HarperCollins)
2006: Cage of Stars — (Warner Books; ISBN 978-0-446-57875-2)
2007: Still Summer — (Warner Books; ISBN 978-0-446-57876-9)
2009: No Time to Wave Goodbye — (Random House; ISBN 978-1-4000-6774-9)
2011: Second Nature: A Love Story – (Random House; ISBN 978-1-4000-6775-6)
2016: Two if by Sea : A Novel – (Simon Schuster; ISBN 978-1-5011-1557-8)
For young adults
Non-Fiction/biography:
1992: Jane Addams: Pioneer in Social Reform and Activist for World Peace — (Gareth Stevens Children’s Books)
Fiction:
2007: Now You See Her — (HarperCollins)
2008: All We Know of Heaven — (HarperTeen)
2008: The Midnight Twins — (Razorbill)
2009: Look Both Ways — (Razorbill)
2010: Watch For Me By The Moonlight – (Razorbill)
2013: What We Saw at Night – (Soho Teen)
For children
2004: Baby Bat’s Lullaby — (with Julia Noonan; HarperCollins)
2004: Starring Prima!: The Mouse of the Ballet Jolie — (with Tricia Tusa; HarperCollins)
2005: Rosalie, My Rosalie: The Tale of a Duckling — (with John Bendall-Brunello; HarperCollins)
2007: Ready, Set, School! — (with Paul Rátz de Tagyos; HarperCollins)
Essays
Mitchard’s essays have appeared in:
1997: The Rest of Us: Dispatches From the Mother Ship — (Viking Press; ISBN 978-0-670-87662-4)
2005: A Love Like No Other: Stories from Adoptive Parents, edited by Pamela Kruger and Jill Smolowe (Riverhead)
2006: My Father Married Your Mother, edited by Anne Burt (W.W. Norton)
2007: Mr. Wrong: Real Life Stories About Men We Used to Love, edited by Harriet Brown (Ballantine)
2007: Choice: True Stories of Birth, Contraception, Infertility, Adoption, Single Parenthood and Abortion, edited by Karen E. Bender and Nina de Gramont (McAdam Cage)
2007: Altared: Bridezillas, Bewilderment, Big Love, Breakups and What Women Really Think About Contemporary Weddings, edited by Collen Curran (Vintage)

August 8th

PRIM BOOKSTORE

5:00 – 6:00

CONNIE MAY FOWLER

CONNIE MAY FOWLER is an award-winning novelist, memoirist, screenwriter, and teacher. Her most recent book, A Million Fragile Bones, is a memoir that details her experience during the Gulf oil spill and explores the close ties between place, spirituality, family, and environmental devastation. It will be published by Twisted Road Publications in 2017.

Connie is the author of seven other books: six critically praised novels and one memoir. Her novels include How Clarissa Burden Learned to Fly, Sugar Cage, River of Hidden Dreams, The Problem with Murmur Lee, Remembering Blue—recipient of the Chautauqua South Literary Award—and Before Women had Wings—recipient of the 1996 Southern Book Critics Circle Award and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. Connie adapted Before Women had Wings for Oprah Winfrey. The result was an Emmy-winning film starring Ms. Winfrey and Ellen Barkin.

In 2002 she published When Katie Wakes, a memoir that explores her descent and escape from an abusive relationship.

Her work has been translated into 18 languages and is published worldwide. Her essays have been published in the New York Times, London Times, International Herald Tribune, Japan Times, Oxford American, BestLife, and elsewhere. For two years she wrote “Savoring Florida,” a culinary and culture column for FORUM, a publication of the Florida Humanities Council.

In 2007, Connie performed in New York City at The Player’s Club with actresses Kathleen Chalfont, Penny Fuller, and others in an adaptation based on The Other Woman, an anthology that contains her essay “The Uterine Blues.” In 2003, Connie performed in The Vagina Monologues alongside Jane Fonda and Rosie Perez in a production that raised over $100,000 for charity.

Domestic violence shelters and family violence organizations have honored her with numerous awards. Throughout the 1990s she directed the Connie May Fowler Women with Wings Foundation, an organization that was dedicated to aiding women and children in need. In 2009, she received the first annual Peace, Love, and Understanding Award from WMNF Community Radio.

She teaches at the Vermont College of Fine Arts low residency creative writing MFA program and directs the College’s VCFA Novel Retreat held each May in Montpelier, Vermont. Connie, along with her husband Bill Hinson, is founder and director of the newly minted Yucatan Writing Conference. For ten years, she directed various writing conferences in Florida, including the prestigious St. Augustine Writers Conference, which she recently closed in order to concentrate her efforts in the Yucatan. She and Bill reside in Cozumel, Florida, and Vermont with their two dogs, Ulysses and Pablo Neruda, and Catalina The Cat.

“We think our palette is words and paper, but it’s not. It’s the sensations and memories that reside in the dark vaults of our hearts.”~~Connie May Fowler

Novels and memoirs
A Million Fragile Bones, 2017;
How Clarissa Burden Learned to Fly, 2010;
The Problem with Murmur Lee, 2005;
When Katie Wakes, 2002;
Remembering Blue, 2000;
Before Women had Wings, 1996;
River of Hidden Dreams, 1994;
Sugar Cage, 1992
Poetry
Two Thing Thing Poets: Steve Sleboda and Connie May, UT Review, Vol. 5, 1977.
“A Soliloquy of a Seven Year Old,” “Crowded Closets,” Ann Arbor Review, Vol. 27, Washtenaw Community College, 1977.
“You Have Created Me,” Goethe’s Notes: A Literary Magazine, Vol. 6, 1978.
“A Purity of Crabs,” “America: The Invitation and Rejection,” “A Celebration of Nothingness,” Outside the Museum: Contemporary Writings — An Anthology, Ann Arbor Review, Vol. 28, Washtenaw Community College, 1978.
“Genetic Lace,” “The Fear,” Open Twenty-four Hours: Collective Consciousness, Vol. 3, 1984.
“Kateland,” “Ybor City Number One,” The Midwest Quarterly, A Journal of Contemporary Thought, Vol. XXIX, Pittsburg State University, 1988.
“Homesick,” Roberts Writing Awards 1988, The H.G. Roberts Foundation, 1988.

August 9th

PRIM BOOKSTORE

5:00 – 6:00

DEBORAH HENRY

Deborah Henry is the author of the critically acclaimed debut, The Whipping Club, which appeared on Kirkus Reviews’ Best of 2012 list, was praised by Publishers Weekly and selected for Oprah’s Summer Reading List.. She holds an MFA from Fairfield University. Her first short story was published in the Copperfield Review, was a historical fiction finalist for Solander Magazine, and was long listed in the Fish Short Story Prize. She has been an expert guest on radio programs as well as on NBC, FOX and CBS television in top markets nationally. An active member of The Academy of American Poets, a patron of the Irish Arts Center in New York, she recently founded the Deborah Henry Scholarship Fund for the Abroad Writers Conference in Dublin. She has traveled extensively in Ireland, and divides her time between New York and New England. She is currently working on a book to film project as well as completing her second novel.

ELLE MORGAN

Elle Morgan, is an adjunct faculty instructor at Pennsylvania State University. She teaches Civic Engagement and Public Speaking. She is also a certified IMMC Yoga instructor.

Elle is the creator and director of The Elements of New Life Scripts, a one of a kind personal development program which focuses on stress reduction through mindfulness, work/home balance, and life purpose as a guiding principle. Using theatre as the medium, people can change their paradigms by changing their life scripts and acting out the stories we tell ourselves and others.

With a background in theatre and public speaking, Elle is unique in the field, bringing a special expressiveness to the arena of self-help. Through her groundbreaking Yoga of Public Speaking video series, she synthesizes ancient wisdom with current theories in neuroscience and positive psychology to provide a program that meets everyones need for comfort and joy.

New Life Scripts was developed at Diakon Wilderness Center where Elle served as a counselor for adjudicated youth. She currently provides rehabilitative re-entry programs to prisons. While in Ireland, she will be giving a workshop at Wheatfield Prison, Dublin for 11 incarcerated men.

Her book, The Elements of New Life Scriptsa Retreat Guide is available on Amazon.Information on Destination retreats, retreat-in-a-box, and You the Movie self discovery party game are all on her website, NewlLifeScripts.com.

August 10th

PRIM BOOKSTORE

5:00 – 6:00

CLARIE KEEGAN

Born in County Wicklow in 1968, she is the youngest of a large Roman Catholic family. She travelled to New Orleans, Louisiana when she was seventeen and studied English and Political Science at Loyola University. She returned to Ireland in 1992 and later lived for a year in Cardiff, Wales, where she undertook an MA in creative writing and taught undergraduates at the University of Wales.
Her first collection of short stories was Antarctica (1999). Her second collection of stories, Walk the Blue Fields, was published in 2007. September 2010 brought the publication of the ‘long, short story’ “Foster”. American writer Richard Ford, who selected “Foster” as winner of the Davy Byrnes Irish Writing Award 2009, wrote in the winning citation of Keegan’s “thrilling” instinct for the right words and her “patient attention to life’s vast consequence and finality”.

Keegan has won the inaugural William Trevor Prize, the Rooney Prize for Irish Literature, the Olive Cook Award and the Davy Byrnes Irish Writing Award 2009. Other awards include The Hugh Leonard Bursary, The Macaulay Fellowship, The Martin Healy Prize, The Kilkenny Prize and The Tom Gallon Award. Twice was Keegan the recipient of the Francis MacManus Award. She was also a Wingate Scholar. She was a visiting professor at Villanova University in 2008. She is a member of Aosdána.

1999 – Antarctica
2007 – Walk the Blue Fields
2010 – “Foster”

Uncategorized

01

Jun

2017

abroadwritersconference

KINSALE, IRELAND

Were so excited about holding our next event in Kinsale, Ireland, August 4th – 11th. This is going to be a true gourmet adventure. Great authors, wonderful food, stimulating discussions in a surrounding of absolute beauty.

In 2014, Kinsale was selected as the Prettiest Small Town in Ireland. Originally a medieval fishing port, historic Kinsale in County Cork, Ireland is one of the most picturesque, popular and historic towns on the south west coast of Ireland. It has been hailed as the Gourmet Capital of Ireland, with no shortage of pubs, cafes, and restaurants. Kinsale is still a fishing village. Located some 25 km (18 m) south of Cork City on the coast near the Old Head of Kinsale, it sits at the mouth of the River Bandon and has a population of more than 2000. Kinsale is a popular holiday resort for Irish and foreign tourists.

When youre not busy in workshops, theres so many things to do in Kinsale, on and off the water. From historical walking tours, castles, forts, galleries and shops, arts crafts, golf and the recently launched Kinsale Gourmet Academy – you’ll never be bored in Kinsale! With three marinas, a yacht club, two outdoor activity centres, boat and yacht hire, harbour cruises, beaches, sailing, kayaking, fishing and scuba diving there is so much to see and do in this busy harbour town.

Participants will be staying at a lovely boutique hotel collection, the Blue Haven, located in the heart of town. It consist of two hotels and three restaurants. The antique Georgian townhouse, the Old Bank House is part of the Blue Haven collection. Every bedroom is uniquely decorated.

Wake-up every morning to a fabulous breakfast buffet plus your choice of a full Irish breakfast, eggs benedict, eggs florentine or a selection of omelettes. All the pastries, scones and breads are freshly made daily in-house.

CONNIE MAY FOWLER Three time finalist for the Dublin Int. Literary Award

SARAH GRISTWOOD Bestselling British Historian

DEBORAH HENRY Oprahs Summer favorite

CLAIRE KEEGAN Trevor Prize, Rooney Prize and Davy Byrnes for Irish Literature

JACQUELINE MITCHARD NY TIMES Bestselling author

MICHELE ROBERTS Man Booker Prize finalist

IRISH International GUEST AUTHORS giving readings:

JOHN BANVILLE TentativeBooker Prize winner

BILLY OCALLAGHAN Costa Short Story Award finalist

DEREK MALCOLM Renown Film Theatre Critique

AUTHORS

CONNIE MAY FOWLER FULL MANUSCRIPT Edit Critique

Connie May Fowler is an award-winning novelist, memoirist, screenwriter, and teacher. Her most recent book, A Million Fragile Bones, is a memoir that details her experience during the Gulf oil spill and explores the close ties between place, spirituality, family, and environmental devastation. It will be published by Twisted Road Publications in 2017.

Connie is the author of seven other books: six critically praised novels and one memoir. Her novels include How Clarissa Burden Learned to Fly, Sugar Cage, River of Hidden Dreams, The Problem with Murmur Lee, Remembering Blue—recipient of the Chautauqua South Literary Award—and Before Women had Wings—recipient of the 1996 Southern Book Critics Circle Award and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. Connie adapted Before Women had Wings for Oprah Winfrey. The result was an Emmy-winning film starring Ms. Winfrey and Ellen Barkin.

In 2002 she published When Katie Wakes, a memoir that explores her descent and escape from an abusive relationship.

Her work has been translated into 18 languages and is published worldwide. Her essays have been published in the New York Times, London Times, International Herald Tribune, Japan Times, Oxford American, BestLife, and elsewhere. For two years she wrote “Savoring Florida,” a culinary and culture column for FORUM, a publication of the Florida Humanities Council.

In 2007, Connie performed in New York City at The Player’s Club with actresses Kathleen Chalfont, Penny Fuller, and others in an adaptation based on The Other Woman, an anthology that contains her essay “The Uterine Blues.” In 2003, Connie performed in The Vagina Monologues alongside Jane Fonda and Rosie Perez in a production that raised over $100,000 for charity.

Domestic violence shelters and family violence organizations have honored her with numerous awards. Throughout the 1990s she directed the Connie May Fowler Women with Wings Foundation, an organization that was dedicated to aiding women and children in need. In 2009, she received the first annual Peace, Love, and Understanding Award from WMNF Community Radio.

She teaches at the Vermont College of Fine Arts low residency creative writing MFA program and directs the Colleges VCFA Novel Retreat held each May in Montpelier, Vermont. Connie, along with her husband Bill Hinson, is founder and director of the newly minted Yucatan Writing Conference. For ten years, she directed various writing conferences in Florida, including the prestigious St. Augustine Writers Conference, which she recently closed in order to concentrate her efforts in the Yucatan. She and Bill reside in Cozumel, Florida, and Vermont with their two dogs, Ulysses and Pablo Neruda, and Catalina The Cat.

SARAH GRISTWOOD – Historical Fiction Non fiction

After leaving Oxford, Sarah Gristwood began work as a journalist, writing at first about the theatre as well as general features on everything from gun control to Giorgio Armani. But increasingly she found herself specialising in film interviews – Johnny Depp and Robert De Niro; Martin Scorsese and Paul McCartney. She has appeared in most of the UK’s leading newspapers – The Times, the Guardian, the Telegraph (Daily and Sunday) – and magazines from Sight and Sound to The New Statesman.

Turning to history she wrote two bestselling Tudor biographies, Arbella: England’s Lost Queen and Elizabeth and Leicester; and the eighteenth century story Bird of Paradise: The colourful career of the first Mrs Robinson which was selected as Radio 4 Book of the Week. She also published a book on iconic dresses, Fabulous Frocks (with Jane Eastoe); and a 50th anniversary companion to the film Breakfast at Tiffany’s, as well as co-authoring The Ring and the Crown, a book on the history of royal weddings. Her most recent non-fiction books are Game of Queens: The Women Who Made Sixteenth-Century Europe (2016) Blood Sisters: the Women Behind the Wars of the Roses (2012) and The Story of Beatrix Potter (2016). She has also published a historical novel, The Girl in the Mirror.

A regular media commentator on royal and historical affairs, Sarah was one of the team providing Radio 4’s live coverage of the royal wedding; and has since spoken on royal and historical stories from the royal babies to the reburial of Richard III for Sky News, Woman’s Hour, BBC World, Radio 5 Live, and CBC. She has contributed to a number of television documentary series on cinema and fashion, as well as on history and the monarchy. Shortlisted for both the Marsh Biography Award and the Ben Pimlott Prize for Political Writing, she is a Fellow of the RSA, and an Honorary Patron of Historic Royal Palaces.

DEBORAH HENRY – Connecting With Your Readers

Deborah Henry attended American College in Paris and graduated cum laude from Boston University with a minor in French language and literature. She received her MFA at Fairfield University. She is an active member of The Academy of American Poets, a Board member of Cavankerry Press and a patron of the Irish Arts Center in New York.

Curious about the duality of her own Jewish/Irish heritage, Henry was inspired to examine the territory of interfaith marriage and in so doing was led to the subject of the Irish Industrial School system. She has traveled to Ireland where she has done extensive research and interviews, including those with Mary Raftery (States of Fear documentary filmmaker and co-author of Suffer the Little Children) and Mike Milotte (award-winning journalist), as well as first-hand reports from the survivors of the Magdalene Laundries, Mother Baby Homes, Orphanages and the Industrial Schools.

Her first short story was published by The Copperfield Review, was a historical fiction finalist for Solander Magazine of The Historical Novel Society and was longlisted in the 2009/10 Fish Short Story Prize.

THE WHIPPING CLUB is her first novel. She is currently at work on her next book.

CLAIRE KEEGAN (born 1968) is an Irish short stories writer. She was born in County Wicklow in 1968, the youngest of a large Roman Catholic family. She travelled to New Orleans, Louisiana when she was seventeen and studied English and Political Science at Loyola University. She returned to Ireland in 1992 and lived for a year in Cardiff, Wales, where she undertook an MA in creative writing and taught undergraduates at the University of Wales. Her first collection of short stories was Antarctica (1999). Her second collection of stories is Walk the Blue Fields (2007). Her latest publication is Foster which at over 120 pages she describes as a long short story and which we will be launching at the festival. She has won the William Trevor Prize, the Rooney Prize for Irish Literature, the Olive Cook Award and the Davy Byrnes Irish Writing Award 2009. Other awards include The Hugh Leonard Bursary, The Macaulay Fellowship, The Martin Healy Prize, The Kilkenny Prize and The Tom Gallon Award. Twice was Keegan the recipient of the Francis MacManus Award. She was also a Wingate Scholar. The American writer Richard Ford, who selected her short story Foster as winner of the Davy Byrnes Irish Writing Award 2009, wrote in the winning citation of Keegan’s “thrilling” instinct for the right words and her “patient attention to life’s vast consequence and finality”.

DEREK MALCOLM born in 1932 and was educated at Eton and Merton College, Oxford, having been sent to various boarding schools from the age of four. On leaving university, where he studied history, he attempted to get into publishing but couldn’t get a job and instead became an amateur steeplechase rider, winning 13 races over three seasons before trying a professional acting career in the theatre. Later, he became a journalist, being engaged as a show biz correspondent by the Daily Sketch. From there he went to Cheltenham and worked for the Gloucestershire Echo as general reporter and theatre critic.

In the late fifties, he went to The Guardian in Manchester as an arts page sub-editor under Brian Redhead. A few years later, he moved to The Guardian in London, again as arts sub-editor and was eventually made deputy drama critic to Philip Hope-Wallace, then deputy film critic to Richard Roud. When The Guardian started horse racing, he became the first racing correspondent of the paper until appointed film critic in the early sixties. He remained film critic for over 25 years until his enforced retirement at 65.

A few years later he succeeded Alexander Walker as film critic of the Evening Standard. Earlier this year, he left regular reviewing to become the Standard‘s critic at film festivals. During his time at The Guardian, he won the IPC Critic of the Year title, directed the London Film Festival, became a Governor of the BFI, President of the International Association of Film Critics (Fipresci) and President of the British Federation of Film Societies. He has also served on juries at the three main European Festivals in Berlin, Cannes and Venice, as well as at the Moscow, Istanbul, Goa, Singapore, Chicago, Dinard and Rio Festivals.

He has written three books — Robert Mitchum, 100 Years of Cinema and Family Secrets. The last was a personal memory of his father’s marriage to his mother and the famous case during the First World War during which his father was accused at the Old Bailey of shooting his wife’s lover. In 2001 he was named by an American film trade paper as one of the six most influential film critics in the world.

Outside the world of film, he has been a keen cricketer, tennis and squash player, and was Captain of The Guardian cricket team for some years, touring India, Sri Lanka and California with the team.

JACQUELINE MITCHARD will be returning. She’ll be teaching her extremely successful workshop, FULL MANUSCRIPT EDIT CRITIQUE. This workshop fills-up rapidly since she only accepts 6 participants.

Jacqueline is a New York Times Bestselling Author, was short-listed for the Orange Prize for Fiction, winner, The Bram Stoker and Shirley Jackson Aware, nominated two times for Pulitzer Prize for Commentary, Anne Powers Award for Fiction, New York Times notable books, Banks Street Notable Books, Bluebonnet Prize

Jacqueline has published 13 Bestselling novels, 7 Young Adult books, 4 Children Books and numerous articles in journals in newspapers.

MICHELE ROBERTS, BOOKER FINALIST – Fiction

Michèle Roberts is the author of twelve highly acclaimed novels, including The Looking Glass and Daughters of the House which won the WHSmith Literary Award and was shortlisted for the Booker Prize. Her memoir Paper Houses was BBC Radio 4’s Book of the Week in June 2007. She has also published poetry and short stories, most recently collected in Mud- stories of sex and love (2010). Half-English and half-French, Michèle Roberts lives in London and in the Mayenne, France. She is Emeritus Professor of Creative Writing at the University of East Anglia.

DAILY SCHEDULE

AUGUST 4TH

Arrival

Morning workshops will begin at 8:00 12:00

Secret Garden at Blue Haven, Connie May Fowler

Beach House, Gazebo    Sarah Gristwood/Historical Fiction Non-FictionI will be picking up Sarahs participants at 7:50 am. Please be on time. Otherwise, youll have to take a taxi.

Afternoon Workshop 12:30 4:30

Secret Garden at Blue Haven, Michele Roberts

5:00 7:00

Readings at Prims Bookstore in Kinsale

Welcome Dinner Party at LEMON LEAF in Kinsale

~

AUGUST 5TH

Breakfast 7:30 10:30

Morning Workshops 8:00 12:00

Secret Garden at Blue Haven, Connie May Fowler

Beach House, Gazebo Sarah Gristwood/Historical Fiction Non-FictionI will be picking up Sarahs participants at 7:50 am. Please be on time. Otherwise, youll have to take a taxi.

Afternoon Workshop 12:30 4:30

Secret Garden at Blue Haven, Michele Roberts

5:00 6:00

Readings at Prims Bookstore in Kinsale

Dinner at Beach House

~

AUGUST 6TH

Breakfast 7:30 10:30

Morning Workshops 8:00 12:00

Secret Garden at Blue Haven,  Connie May Fowler

Beach House, Gazebo,  Deb HenryI will be picking up Debs participants at 7:50 am. Please be on time. Otherwise, youll have to take a taxi.

Afternoon Workshop 12:30 4:30

Secret Garden at Blue Haven, Michele Roberts/Fiction

5:00 6:00

Readings at Prims Bookstore in Kinsale

Harbor Cruise 6:00 7:00

Dinner free night out

~

AUGUST 7TH

Breakfast 7:30 10:30

Morning Workshop 8:00 12:00

Secret Garden at Blue Haven, Jacquelyn Mitchard

Afternoon Workshop 12:30 4:30

Secret Garden at Blue Haven, Deb Henry

5:00 6:00

Readings at Prims Bookstore in Kinsale

Dinner at the Beach House

~

AUGUST 8TH

Breakfast 7:30 10:30

Morning Workshop 8:00 12:00

Secret Garden Jacquelyn Mitchard

Afternoon Workshop 12:30 4:30

Secret Garden, Claire Keegan/Intensive workshop

 5:00 6:00

Prims Bookstore in Kinsale

Dinner Free night out

~

AUGUST 9TH

Breakfast 7:30 10:30

Morning Workshop 8:00 12:00

Secret Garden at Blue Haven, Jacquelyn Mitchard

Afternoon Workshop 12:30 4:30

Secret Garden at Blue Haven, Claire Keegan

5:00 6:00

Readings at Prims Bookstore in Kinsale

Dinner at Beach House

~

AUGUST 10TH

Breakfast 7:30 10:30

Morning Workshops 8:00 12:00

Secret Garden at Blue Haven, Jacquelyn Mitchard

Afternoon Workshops 12:30 4:30

Secret Garden at Blue Haven, Claire Keegan

 5:00 6:00

Readings at Prims Bookstore in Kinsale

Farewell dinner at Lemon Leaf 

~

AUGUST 11TH

Breakfast 7:30 10:30

Departure 10:30

Price

Package Price

$2,600 Shared Twin Room includes full breakfast, 5 dinners, workshops and readings

$3,600 Single youre welcome to bring a companion for a fee of $300 includes full breakfast, 5 dinners, workshops and readings

Price without hotel room

$1,500 only includes workshops and readings

$350 5 Dinners with Wine

WORKSHOP DESCRIPTION

~

SARAH GRISTWOOD HISTORICAL NON-FICTION FICTION

This workshop is about, exploring the ground between historical fact and historical fiction, is led by Sarah Gristwood who has worked widely in both fields. For many years a film journalist (working for the Guardian and The Times among others), she is now a bestselling Tudor and royal historian, with half a dozen biographies and two historical novels to her name.

The workshop, at once practical and theoretical, will explore questions such as:
the use of historical research in historical fiction
the way fiction bleeds into historical fact
new forms in historical narrative
the creation of a saleable narrative from the messy world of history.

~

DEBORAH HENRY Connecting With Your Readers

We will discuss in three part sections the myriad ways we can find our niche and connect with our readers in the digital age.

Part One: Four to Six months before publication date.

Part Two: Before and After Launch Date.

Part Three: After initial launch and onward How to build a wider audience.

Throughout the three segments, we will have Q A which will be organic to the flow of discussion as we share the journey including utilizing traditional and social media skills to land an agent, an editor, a publisher, blurbs and much more as well as how to build a global writing community with ever increasing innovative marketing models.

~

CLAIRE KEEGAN 3,000 WORD MANUSCRIPT OR SHORT-STORY EDIT

Claire Keegan, internationally acclaimed author and teacher of creative writing, will run a three day fiction workshop. This three day workshop will concentrate on works-in-progress submitted by the participants.

Keegan will spend between 3-5 hours on each text before the workshop begins, and will then examine and discuss every text with the group during the weekend.

Discussion will concentrate on structure of a narrative, paragraph structure, time, tension, drama, melodrama, statement,description, suggestion, conflict, character, humour, point of view, place, time and setting.

The aim, always, is to help each author with the next draft. The workshop will be of particular interest to those who write, teach, read or edit fiction — but anyone with an interest in how fiction works,improving their prose and/or helping others to do so, is welcome to attend. While most participants like to submit a manuscript, this is not a requirement.

~

JACQUELYN MITCHARD -Full Manuscript Edit Critique

LIMITED to six students, #1 New York Times Bestselling author Jacquelyn Mitchard will host a full-manuscript intensive critique. Each student will receive advance digital copies of the other writers’ manuscripts and, at Lismore Castle, Mitchard will lead a full half-day session on each completed book of fiction or creative non-fiction. Admission to this class is based on individual manuscript potential, and application must be made well in advance of the conference in order to assure that the extra demands of a full-book seminar can be met. Mitchard also will provide a written critique with editing and revision suggestions to each participant. Contact conference organizer Nancy Gerbault for guidelines and specifics.

This is an intensive workshop. Plan on only taking this workshop along with a second workshop at the end of the week.

~

MICHELE ROBERTS Fiction

One of the pieces of advice I offer in the morning workshop to students tackling writers block is to have something delicious to eat. Another tip is to practise automatic writing. Given a phrase, you then write non-stop for three minutes, whatever comes up, without censoring. A good way to get the juices flowing is to begin with I hate or I am disgusted by . . . Hate and disgust are helpful energies and provoke original writing.

None of us gets nostalgic about school dinners, do we? From primary school, I remember fatty mutton in greasy gravy. Rice pudding, tapioca pudding, semolina pudding, macaroni in warmish sweetened milk. Slimy and disgusting. At secondary school, a convent, the nuns speciality was carrots boiled to a pulp, tasting of soap. Slimy. Or spinach, bitter and sour and, yes, slimy. Too close in texture and appearance to spit and sick, to all those bodily wastes we shun, which the feminist author Julia Kristeva calls the abject. Giving an abstract name to wanting to throw up helps keep it at bay. Kristeva refers somewhere to those currents of bodily feeling we call emotion. In the writing workshop, we begin by translating abstract words like bliss and desire and contentment into sensual, physical images.

READING SCHEDULE

August 4th

PRIM BOOKSTORE

5:00 7:00

SARAH GRISTWOOD

After leaving Oxford, Sarah Gristwood began work as a journalist, writing at first about the theatre as well as general features on everything from gun control to Giorgio Armani. But increasingly she found herself specialising in film interviews – Johnny Depp and Robert De Niro; Martin Scorsese and Paul McCartney. She has appeared in most of the UK’s leading newspapers – The Times, the Guardian, the Telegraph (Daily and Sunday) – and magazines from Sight and Sound to The New Statesman.

Turning to history she wrote two bestselling Tudor biographies, Arbella: England’s Lost Queen and Elizabeth and Leicester; and the eighteenth century story Bird of Paradise: The colourful career of the first Mrs Robinson which was selected as Radio 4 Book of the Week. She also published a book on iconic dresses, Fabulous Frocks (with Jane Eastoe); and a 50th anniversary companion to the film Breakfast at Tiffany’s, as well as co-authoring The Ring and the Crown, a book on the history of royal weddings. Her most recent non-fiction books are Game of Queens: The Women Who Made Sixteenth-Century Europe (2016) Blood Sisters: the Women Behind the Wars of the Roses (2012) and The Story of Beatrix Potter (2016). She has also published a historical novel, The Girl in the Mirror.

A regular media commentator on royal and historical affairs, Sarah was one of the team providing Radio 4’s live coverage of the royal wedding; and has since spoken on royal and historical stories from the royal babies to the reburial of Richard III for Sky News, Woman’s Hour, BBC World, Radio 5 Live, and CBC. She has contributed to a number of television documentary series on cinema and fashion, as well as on history and the monarchy. Shortlisted for both the Marsh Biography Award and the Ben Pimlott Prize for Political Writing, she is a Fellow of the RSA, and an Honorary Patron of Historic Royal Palaces.

DEREK MALCOLM

Malcolm was educated at Eton College and Merton College, Oxford. He worked for several decades as a film critic for The Guardian, having previously been an amateur jockey and the papers first horse racing correspondent. In 1977, he was a member of the jury at the 27th Berlin International Film Festival. In the mid-1980s he was host of The Film Club on BBC2, which was dedicated to art house films, and was director of the London Film Festival for several years.
After leaving The Guardian in 2000, he published his final series of articles, The Century of Films, in which he discusses films he admires from his favourite directors from around the world. After The Guardian he became chief film critic for the Evening Standard, before being replaced in 2009 by novelist Andrew OHagan. He still contributes film reviews for the newspaper, but it emerged in July 2013 that his contribution to the title was to be reduced further.[5]
In 2008 he was a member of the jury at the 30th Moscow International Film Festival.
Malcolm is president of the British Federation of Film Societies and the International Film Critics Circle. In 2003 he published an autobiographical book, Family Secrets, which recounts how in 1917 his father shot his mothers lover dead, but was found not guilty of murder.

August 5th

PRIM BOOKSTORE
5:00 6:00

BILLY OCALLAGHAN

Billy OCallaghan was born in Cork in 1974, and grew up in Douglas village, where he still lives. His first collection of short stories, In Exile, was published by Mercier Press in 2008. This was followed a year later by a second collection, In Too Deep (also published by Mercier Press).[5][6] Then, in 2013, his third collection, The Things We Lose, The Things We Leave Behind, was published by New Island Books. It earned him a 2013 Bord Gáis Energy Irish Book Award.

OCallaghans short stories have been published in: Absinthe: New European Writing, Alfred Hitchcock Mystery Magazine, the Bellevue Literary Review, Bliza, Confrontation, The Fiddlehead, Hayden’s Ferry Review, the Kenyon Review, the Kyoto Journal, the London Magazine, the Los Angeles Review, Narrative Magazine, the Southeast Review, Southword, Underground Voices, Versal, and Yuan Yang: a Journal of Hong Kong and International Writing, and many other literary journals and magazines around the world. His stories have also been translated into Polish and Turkish, and have been broadcast on RTÉ Radio 1s The Book On One,[9] Sunday Miscellany and the Francis McManus Award series.

OCallaghan compiled a non-fiction book, Learning from the Greats: Lessons on Writing, from the Great Writers, which was published in 2014 by Cork City Libraries as part of their Occasional Series. He also regularly reviews books for the Irish Examiner.

In March 2016, it was announced that OCallaghans first novel, The Dead House, would be released by Brandon Books in Spring 2017.

A novella, A Death In The Family, has been announced as a Ploughshares Solo, forthcoming in 2017.

In November 2013, the title story of OCallaghans most recent collection, The Things We Lose, The Things We Leave Behind won the inaugural Short Story of the Year Award at the 2013 Bord Gáis Energy Irish Book Award. In January 2017, he was awarded second place for the Costa Short Story Award 2016 for his story The Boatman.

Listed among his other honours are The Molly Keane Creative Writing Award, the George A. Birmingham Award, and Bursaries for Literature from the Arts Council of Ireland and the Cork County Council. He has also been shortlisted for many other awards both in Ireland and abroad, including the Seán Ó Faoláin Award, the Glimmer Train Prize, the Faulkner-Wisdom Prize and – on four occasions – the RTÉ/P.J. OConnor Radio Drama Award. In addition, one of his stories was selected, in 2014, as Irelands representative in the ongoing UNESCO Cities of Literature project.

“I know of no writer on either side of the Atlantic who is better at exploring the human spirit under assault than Billy O’Callaghan. The stories in The Things We Lose, the Things We Leave Behind are at once harrowing and uplifting, achingly sad and surpassingly beautiful. O’Callaghan is a treasure of the English language.”

— Robert Olen Butler, author of the Pulitzer Prize-winning A Good Scent from a Strange Mountain,
“The elegant force of Billy O’Callaghan’s prose is immediate and impossible to recover from. He is one of Ireland’s finest short story writers.”

— Simon Van Booy, Frank O’Connor Award-winning author of Love Begins in Winter,
Short story collections[edit]
In Exile (2008)
In Too Deep (2009)
The Things We Lose, The Things We Leave Behind (2013)
Non-fiction[edit]
Learning from the Greats: Lessons on Writing, from the Great Writers (2014)

August 6th

PRIM BOOKSTORE

5:00 6:00

MICHELE ROBERTS

Michele was born in 1949, twenty minutes after my twin sister Marguerite, to a French mother and an English father. She grew up in Edgware, a suburb of north-west London. She attended two local convent schools. Summer holidays were spent at the house of our French grandparents in Normandy, near Etretat in the Pays de Caux.

Michele read for a B.A. in English Language and Literature at Somerville, Oxford. In those days this was a womens college: the majority of Oxford colleges did not accept women. Next, she spent two years studying to become a librarian. She knew that she wanted to write but knew, too, how important it was to be able to support herself. She spent a year working for the British Council in South-East Asia. The Vietnam War was devastating the area. She gave up her job and went travelling instead.

After this she gave up any idea of working as a librarian and began earning my living from a variety of part-time jobs. Often she wrote at night. She got involved in a writers group, writing short stories, and worked on my first novel, A Piece of the Night, which came out in 1978. Its always been important her to be financially independent, and she worked as a hospital cleaner, temp secretary, clerk, teacher, journalist, reviewer and critic.

Life as a writer was very hard at first. Still, a chosen poverty is easier to bear than the enforced sort. When Daughters of the House was shortlisted for the Booker Prize in 1992 and won the W.H.Smith Literary Award in 1993, Michele started making more money, and could finally give up the part-time jobs.

Michele lived in many different places, including Italy and North America, but at the age of forty-four I bought her first home: a small house in France. At the moment she lived in both France and England, moving back and forth between the two, and also spend some time at the University of East Anglia, where shes currently Emeritus Professor of Creative Writing.

Recently she turned down an O.B.E. because shes a republican, but she was honoured to be made a Chevalier de lOrdre des Arts et des Lettres by the French government. Michele a Fellow of the Royal Society of Literature and a member of PEN and The Society of Authors. As well as writing, she serves as a judge for literary prizes, have presented radio arts programmes such as Night Waves, have chaired the British Councils Literature Advisory Committee, and have travelled abroad extensively with other writers on tours organised by the British Council.

Essays
Food, Sex God: on Inspiration and Writing, 1988, Virago Press
Novels
A Piece of the Night, 1978, Womens Press
The Visitation, 1978, Womens Press
The Wild Girl (Also known as The Secret Gospel of Mary Magdalene), 1984, Methuen
The Book of Mrs Noah, 1987, Methuen
In the Red Kitchen, 1990, Methuen
Psyche and the Hurricane, 1991, Methuen
Daughters of the House, 1992, Virago and Morrow (USA)
During Mothers Absence, 1992, Virago
Flesh Blood, 1994, Virago
Impossible Saints. Hopewell, 1998, Ecco Press
Fair Exchange, 1999, Little, Brown
The Looking Glass, 2000, Little, Brown
The Mistressclass, 2002, Little, Brown
Reader, I Married Him, 2006, Little, Brown
Ignorance, 2012, Bloomsbury Publishing [6]
Poetry
Touch Papers: Three Women Poets (with Michelene Wandor and Judith Kazantzis), 1982, Allison and Busby
The Mirror of the Mother, 1986, Methuen
Psyche and the Hurricane , 1991, Methuen
All the Selves I Was, 1995, Virago
Short stories
Your Shoes, 1991
During Mothers Absence, 1993, Virago
Playing Sardines, 2001, Virago
Mud: Stories of Sex and Love, 2010, Virago
Memoir
Paper Houses: A Memoir of the 70s and Beyond, 2007, Virago, ISBN 978-1844084074; paperback 2008, ISBN 978-1844084081

August 7th

PRIM BOOKSTORE

5:00 6:00

JACQUELYN MITCHARD

Born and raised in a suburb of Chicago, Illinois, Mitchards father was a plumber, from Newfoundland, Canada, and her mother a hardware store clerk, a competitive horsewoman, and a member of the Lac du Flambeau Chippewa Cree tribe. She studied creative writing for three semesters under Mark Costello (author of The Murphy Stories) at the University of Illinois at Urbana-Champaign.
She became a newspaper reporter in 1979, eventually achieving a position as lifestyle columnist for the Milwaukee Journal Sentinel newspaper. Her weekly column, The Rest of Us: Dispatches from the Mother Ship, appeared in 125 newspapers nationwide until she retired it in 2007. Mitchard is a contributing editor for More (magazine) and is featured regularly in Readers Digest, Good Housekeeping, Hallmark, Real Simple and other publications. Her nonfiction work includes the 1986 memoir Mother Less Child (WW Norton) and essays in more than 30 anthologies.
Mitchard married Dan Allegretti, a reporter for The Capital Times, and the couple had three children (Robert, Daniel, and Martin). Dan also had a daughter, Jocelyn, from a previous marriage. After 13 years of marriage, Allegretti died of cancer at the age of 45 in 1993.
After the death of Allegretti, while working freelance for the Milwaukee Journal Sentinel and a part-time public relations position at the University of Wisconsin–Madison, she started writing her first novel, The Deep End of the Ocean.[5] The idea for the story had come to her in a dream in the summer of 1993.[6] She is an alum and distinguished fellow of the Ragdale Foundation, an artists colony in Lake Forest, Illinois, where she went to write the first two chapters on the encouragement of author Jane Hamilton.[5] After finishing the first six chapters, 70 pages, she received a contract with Viking Press in December 1994, for that book and a second one to be written later (The Most Wanted).
Bolstered by being featured by Oprah, the novel sold close to 3 million copies by May 1998. It has been Mitchards only #1 New York Times Bestseller, on the list for 29 weeks, including 13 weeks at number 1. The book had originally reached number 14, but after being selected by Winfrey, sales jumped. The paperback would spend 16 weeks on the list. The film rights were sold to Mandalay Entertainment, and the story later became a feature film starring Michelle Pfeiffer.
But all of her other novels have been bestsellers as well as garnering critical acclaim—particularly for The Most Wanted, Cage of Stars and The Breakdown Lane. The Most Wanted was nominated for Britains Orange Prize for Fiction and Cage of Stars for Britains Spread The Word Prize.
In 2004 Mitchard published her first book for children and young adults. Her first childrens picture book, Baby Bats Lullaby, appeared in 2004 from HarperChildrens. Her two middle-grade novels, also published by HarperChildrens, Starring Prima!: The Mouse of the Ballet Jolie, and Rosalie, My Rosalie: The Tale of a Duckling appeared in 2004 and 2005. Her second childrens picture book, Ready, Set , School!, appeared in 2007.
Now You See Her, Mitchards first Young Adult novel, was published in 2007 by HarperTeen. All We Know of Heaven (HarperTeen) appeared in spring 2008, and the first in a series of Young Adult mysteries, The Midnight Twins (Razorbill/Penguin), based on the bewildering clairvoyant gift of twins Mallory and Meredith Brynn, debuted in summer 2008.

For adults
Non-fiction/biography:
1985: Mother Less Child — (W.W. Norton Co.)
Fiction:
1996: The Deep End of the Ocean — (Viking Press)
1998: The Most Wanted — (Viking Press)
2001: A Theory of Relativity — (HarperCollins)
2003: Christmas, Present — (HarperCollins)
2003: Twelve Times Blessed — (HarperCollins)
2005: The Breakdown Lane — (HarperCollins)
2006: Cage of Stars — (Warner Books; ISBN 978-0-446-57875-2)
2007: Still Summer — (Warner Books; ISBN 978-0-446-57876-9)
2009: No Time to Wave Goodbye — (Random House; ISBN 978-1-4000-6774-9)
2011: Second Nature: A Love Story (Random House; ISBN 978-1-4000-6775-6)
2016: Two if by Sea : A Novel (Simon Schuster; ISBN 978-1-5011-1557-8)
For young adults
Non-Fiction/biography:
1992: Jane Addams: Pioneer in Social Reform and Activist for World Peace — (Gareth Stevens Childrens Books)
Fiction:
2007: Now You See Her — (HarperCollins)
2008: All We Know of Heaven — (HarperTeen)
2008: The Midnight Twins — (Razorbill)
2009: Look Both Ways — (Razorbill)
2010: Watch For Me By The Moonlight (Razorbill)
2013: What We Saw at Night (Soho Teen)
For children
2004: Baby Bats Lullaby — (with Julia Noonan; HarperCollins)
2004: Starring Prima!: The Mouse of the Ballet Jolie — (with Tricia Tusa; HarperCollins)
2005: Rosalie, My Rosalie: The Tale of a Duckling — (with John Bendall-Brunello; HarperCollins)
2007: Ready, Set, School! — (with Paul Rátz de Tagyos; HarperCollins)
Essays
Mitchards essays have appeared in:
1997: The Rest of Us: Dispatches From the Mother Ship — (Viking Press; ISBN 978-0-670-87662-4)
2005: A Love Like No Other: Stories from Adoptive Parents, edited by Pamela Kruger and Jill Smolowe (Riverhead)
2006: My Father Married Your Mother, edited by Anne Burt (W.W. Norton)
2007: Mr. Wrong: Real Life Stories About Men We Used to Love, edited by Harriet Brown (Ballantine)
2007: Choice: True Stories of Birth, Contraception, Infertility, Adoption, Single Parenthood and Abortion, edited by Karen E. Bender and Nina de Gramont (McAdam Cage)
2007: Altared: Bridezillas, Bewilderment, Big Love, Breakups and What Women Really Think About Contemporary Weddings, edited by Collen Curran (Vintage)

August 8th

PRIM BOOKSTORE

5:00 6:00

CONNIE MAY FOWLER

CONNIE MAY FOWLER is an award-winning novelist, memoirist, screenwriter, and teacher. Her most recent book, A Million Fragile Bones, is a memoir that details her experience during the Gulf oil spill and explores the close ties between place, spirituality, family, and environmental devastation. It will be published by Twisted Road Publications in 2017.

Connie is the author of seven other books: six critically praised novels and one memoir. Her novels include How Clarissa Burden Learned to Fly, Sugar Cage, River of Hidden Dreams, The Problem with Murmur Lee, Remembering Blue—recipient of the Chautauqua South Literary Award—and Before Women had Wings—recipient of the 1996 Southern Book Critics Circle Award and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. Connie adapted Before Women had Wings for Oprah Winfrey. The result was an Emmy-winning film starring Ms. Winfrey and Ellen Barkin.

In 2002 she published When Katie Wakes, a memoir that explores her descent and escape from an abusive relationship.

Her work has been translated into 18 languages and is published worldwide. Her essays have been published in the New York Times, London Times, International Herald Tribune, Japan Times, Oxford American, BestLife, and elsewhere. For two years she wrote “Savoring Florida,” a culinary and culture column for FORUM, a publication of the Florida Humanities Council.

In 2007, Connie performed in New York City at The Player’s Club with actresses Kathleen Chalfont, Penny Fuller, and others in an adaptation based on The Other Woman, an anthology that contains her essay “The Uterine Blues.” In 2003, Connie performed in The Vagina Monologues alongside Jane Fonda and Rosie Perez in a production that raised over $100,000 for charity.

Domestic violence shelters and family violence organizations have honored her with numerous awards. Throughout the 1990s she directed the Connie May Fowler Women with Wings Foundation, an organization that was dedicated to aiding women and children in need. In 2009, she received the first annual Peace, Love, and Understanding Award from WMNF Community Radio.

She teaches at the Vermont College of Fine Arts low residency creative writing MFA program and directs the Colleges VCFA Novel Retreat held each May in Montpelier, Vermont. Connie, along with her husband Bill Hinson, is founder and director of the newly minted Yucatan Writing Conference. For ten years, she directed various writing conferences in Florida, including the prestigious St. Augustine Writers Conference, which she recently closed in order to concentrate her efforts in the Yucatan. She and Bill reside in Cozumel, Florida, and Vermont with their two dogs, Ulysses and Pablo Neruda, and Catalina The Cat.

We think our palette is words and paper, but its not. Its the sensations and memories that reside in the dark vaults of our hearts.~~Connie May Fowler

Novels and memoirs
A Million Fragile Bones, 2017;
How Clarissa Burden Learned to Fly, 2010;
The Problem with Murmur Lee, 2005;
When Katie Wakes, 2002;
Remembering Blue, 2000;
Before Women had Wings, 1996;
River of Hidden Dreams, 1994;
Sugar Cage, 1992
Poetry
Two Thing Thing Poets: Steve Sleboda and Connie May, UT Review, Vol. 5, 1977.
“A Soliloquy of a Seven Year Old,” “Crowded Closets,” Ann Arbor Review, Vol. 27, Washtenaw Community College, 1977.
“You Have Created Me,” Goethe’s Notes: A Literary Magazine, Vol. 6, 1978.
“A Purity of Crabs,” “America: The Invitation and Rejection,” “A Celebration of Nothingness,” Outside the Museum: Contemporary Writings — An Anthology, Ann Arbor Review, Vol. 28, Washtenaw Community College, 1978.
“Genetic Lace,” “The Fear,” Open Twenty-four Hours: Collective Consciousness, Vol. 3, 1984.
“Kateland,” “Ybor City Number One,” The Midwest Quarterly, A Journal of Contemporary Thought, Vol. XXIX, Pittsburg State University, 1988.
“Homesick,” Roberts Writing Awards 1988, The H.G. Roberts Foundation, 1988.

August 9th

PRIM BOOKSTORE

5:00 6:00

DEBORAH HENRY

Deborah Henry attended American College in Paris and graduated cum laude from Boston University with a minor in French language and literature. She received her MFA at Fairfield University. She is an active member of The Academy of American Poets, a Board member of Cavankerry Press and a patron of the Irish Arts Center in New York.

Curious about the duality of her own Jewish/Irish heritage, Henry was inspired to examine the territory of interfaith marriage and in so doing was led to the subject of the Irish Industrial School system. She has traveled to Ireland where she has done extensive research and interviews, including those with Mary Raftery (States of Fear documentary filmmaker and co-author of Suffer the Little Children) and Mike Milotte (award-winning journalist), as well as first-hand reports from the survivors of the Magdalene Laundries, Mother Baby Homes, Orphanages and the Industrial Schools.

Her first short story was published by The Copperfield Review, was a historical fiction finalist for Solander Magazine of The Historical Novel Society and was longlisted in the 2009/10 Fish Short Story Prize.

THE WHIPPING CLUB is her first novel. She lives in Fairfield, Connecticut with her husband and their three children. She is currently at work on her next book.

August 10th

PRIM BOOKSTORE

5:00 6:00

CLARIE KEEGAN

Born in County Wicklow in 1968, she is the youngest of a large Roman Catholic family. She travelled to New Orleans, Louisiana when she was seventeen and studied English and Political Science at Loyola University. She returned to Ireland in 1992 and later lived for a year in Cardiff, Wales, where she undertook an MA in creative writing and taught undergraduates at the University of Wales.
Her first collection of short stories was Antarctica (1999). Her second collection of stories, Walk the Blue Fields, was published in 2007. September 2010 brought the publication of the long, short story Foster. American writer Richard Ford, who selected Foster as winner of the Davy Byrnes Irish Writing Award 2009, wrote in the winning citation of Keegans “thrilling” instinct for the right words and her “patient attention to lifes vast consequence and finality.

Keegan has won the inaugural William Trevor Prize, the Rooney Prize for Irish Literature, the Olive Cook Award and the Davy Byrnes Irish Writing Award 2009. Other awards include The Hugh Leonard Bursary, The Macaulay Fellowship, The Martin Healy Prize, The Kilkenny Prize and The Tom Gallon Award. Twice was Keegan the recipient of the Francis MacManus Award. She was also a Wingate Scholar. She was a visiting professor at Villanova University in 2008. She is a member of Aosdána.

1999 – Antarctica
2007 – Walk the Blue Fields
2010 – Foster

Uncategorized

30

May

2017

abroadwritersconference

Connie May Fowler will be joining us in Kinsale, Ireland. Connie will be teaching a Full Manuscript Edit Critique Workshop.

Connie May Fowler is an award-winning novelist, memoirist, screenwriter, and teacher. Her most recent book, A Million Fragile Bones, is a memoir that details her experience during the Gulf oil spill and explores the close ties between place, spirituality, family, and environmental devastation. It will be published by Twisted Road Publications in 2017.

Connie is the author of seven other books: six critically praised novels and one memoir. Her novels include How Clarissa Burden Learned to Fly, Sugar Cage, River of Hidden Dreams, The Problem with Murmur Lee, Remembering Blue—recipient of the Chautauqua South Literary Award—and Before Women had Wings—recipient of the 1996 Southern Book Critics Circle Award and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. Connie adapted Before Women had Wings for Oprah Winfrey. The result was an Emmy-winning film starring Ms. Winfrey and Ellen Barkin.

In 2002 she published When Katie Wakes, a memoir that explores her descent and escape from an abusive relationship.

Her work has been translated into 18 languages and is published worldwide. Her essays have been published in the New York Times, London Times, International Herald Tribune, Japan Times, Oxford American, BestLife, and elsewhere. For two years she wrote “Savoring Florida,” a culinary and culture column for FORUM, a publication of the Florida Humanities Council.

In 2007, Connie performed in New York City at The Player’s Club with actresses Kathleen Chalfont, Penny Fuller, and others in an adaptation based on The Other Woman, an anthology that contains her essay “The Uterine Blues.” In 2003, Connie performed in The Vagina Monologues alongside Jane Fonda and Rosie Perez in a production that raised over $100,000 for charity.

Domestic violence shelters and family violence organizations have honored her with numerous awards. Throughout the 1990s she directed the Connie May Fowler Women with Wings Foundation, an organization that was dedicated to aiding women and children in need. In 2009, she received the first annual Peace, Love, and Understanding Award from WMNF Community Radio.

She teaches at the Vermont College of Fine Arts low residency creative writing MFA program and directs the Colleges VCFA Novel Retreat held each May in Montpelier, Vermont. Connie, along with her husband Bill Hinson, is founder and director of the newly minted Yucatan Writing Conference. For ten years, she directed various writing conferences in Florida, including the prestigious St. Augustine Writers Conference, which she recently closed in order to concentrate her efforts in the Yucatan. She and Bill reside in Cozumel, Florida, and Vermont with their two dogs, Ulysses and Pablo Neruda, and Catalina The Cat.

Uncategorized

06

Mar

2017

abroadwritersconference

KINSALE, IRELAND

AUGUST 4TH 11TH, 2017

Its official, we have a date, August 4th 11th. Were going to Kinsale, Ireland.

In 2014, Kinsale was selected as the Prettiest Small Town in Ireland. Originally a medieval fishing port, historic Kinsale in County Cork, Ireland is one of the most picturesque, popular and historic towns on the south west coast of Ireland. It has been hailed as the Gourmet Capital of Ireland, with no shortage of pubs, cafes, and restaurants. Kinsale is still a fishing village. Located some 25 km (18 m) south of Cork City on the coast near the Old Head of Kinsale, it sits at the mouth of the River Bandon and has a population of more than 2000. Kinsale is a popular holiday resort for Irish and foreign tourists.

Well be staying at that the Lovely Georgian hotel, Old Bank House. Its situated in the center of the town.

Shared twin room: $2,600 includes hotel, buffet breakfast, 5 dinners, workshops and readings. Plus, a harbor boat cruise.

Singles: $3,500 If youre interested in bringing a non-participating companion it will be $300 extra. includes hotel, buffet breakfast, 5 dinners, workshops and readings. Plus, a harbor boat cruise

Im still waiting to hear back from several authors. We will have 3 poetry workshops, 2 Fiction/non-fictiion workshops, Historical fiction nonfiction, Memoir workshop, Travel workshop and more.

AUTHORS

SARAH GRISTWOOD Historical Fiction Non fiction

After leaving Oxford, Sarah Gristwood began work as a journalist, writing at first about the theatre as well as general features on everything from gun control to Giorgio Armani. But increasingly she found herself specialising in film interviews – Johnny Depp and Robert De Niro; Martin Scorsese and Paul McCartney. She has appeared in most of the UK’s leading newspapers – The Times, the Guardian, the Telegraph (Daily and Sunday) – and magazines from Sight and Sound to The New Statesman.

Turning to history she wrote two bestselling Tudor biographies, Arbella: England’s Lost Queen and Elizabeth and Leicester; and the eighteenth century story Bird of Paradise: The colourful career of the first Mrs Robinson which was selected as Radio 4 Book of the Week. She also published a book on iconic dresses, Fabulous Frocks (with Jane Eastoe); and a 50th anniversary companion to the film Breakfast at Tiffany’s, as well as co-authoring The Ring and the Crown, a book on the history of royal weddings. Her most recent non-fiction books are Game of Queens: The Women Who Made Sixteenth-Century Europe (2016) Blood Sisters: the Women Behind the Wars of the Roses (2012) and The Story of Beatrix Potter (2016). She has also published a historical novel, The Girl in the Mirror.

A regular media commentator on royal and historical affairs, Sarah was one of the team providing Radio 4’s live coverage of the royal wedding; and has since spoken on royal and historical stories from the royal babies to the reburial of Richard III for Sky News, Woman’s Hour, BBC World, Radio 5 Live, and CBC. She has contributed to a number of television documentary series on cinema and fashion, as well as on history and the monarchy. Shortlisted for both the Marsh Biography Award and the Ben Pimlott Prize for Political Writing, she is a Fellow of the RSA, and an Honorary Patron of Historic Royal Palaces.

DEBORAH HENRY  Connecting With Your Readers

Deborah Henry attended American College in Paris and graduated cum laude from Boston University with a minor in French language and literature. She received her MFA at Fairfield University. She is an active member of The Academy of American Poets, a Board member of Cavankerry Press and a patron of the Irish Arts Center in New York.

Curious about the duality of her own Jewish/Irish heritage, Henry was inspired to examine the territory of interfaith marriage and in so doing was led to the subject of the Irish Industrial School system. She has traveled to Ireland where she has done extensive research and interviews, including those with Mary Raftery (States of Fear documentary filmmaker and co-author of Suffer the Little Children) and Mike Milotte (award-winning journalist), as well as first-hand reports from the survivors of the Magdalene Laundries, Mother Baby Homes, Orphanages and the Industrial Schools.

Her first short story was published by The Copperfield Review, was a historical fiction finalist for Solander Magazine of The Historical Novel Society and was longlisted in the 2009/10 Fish Short Story Prize.

THE WHIPPING CLUB is her first novel.  She is currently at work on her next book.

JACQUELINE MITCHARD will be returning. Shell be teaching her extremely successful workshop, FULL MANUSCRIPT EDIT CRITIQUE. This workshop fills-up rapidly since she only accepts 6 participants. 

Jacqueline is a New York Times Bestselling Author, was short-listed for the Orange Prize for Fiction, winner, The Bram Stoker and Shirley Jackson Aware, nominated two times for Pulitzer Prize for Commentary, Anne Powers Award for Fiction, New York Times notable books, Banks Street Notable Books, Bluebonnet Prize

Jacqueline has published 13 Bestselling novels, 7 Young Adult books, 4 Children Books and numerous articles in journals in newspapers.

JOSIP NOVAKOVICH Fiction

Novakovich is a recipient of the Whiting Award, a Guggenheim fellowship, two fellowships from the National Endowment of the Arts, panelist of National Endowment of the Arts, an award from the Ingram Merrill Foundation, and an American Book Award from the Before Columbus Foundation. Novakovich was a finalist for The Man Booker International Prize in 2013. He was anthologized in Best American Poetry, Pushcart Prize (three times), and O.Henry Prize Stories. Kirkus Reviews called Novakovich the best American short stories writer of the decade.

JACOB POLLEY, 2016 T.S. ELIOT PRIZE WINNER  POETRY

Jacob is an English poet from Carlisle, Cumbria, United Kingdom.

His first four books of poems, all published by Picador, are The Brink (2003), Little Gods (2006), The Havocs (2012), and Jackself (2016). Jackself won the 2016 T. S. Eliot Prize.

He graduated with an MA in Creative Writing from Lancaster University in 1997.

Polley won an Eric Gregory Award, and the BBC Radio 4/Arts Council ‘First Verse’ Award, in 2002. His first book, The Brink (Picador 2003), was a Poetry Book Society Choice, and went on to be shortlisted for the T.S. Eliot Prize, the Forward Prize and the John Llewellyn Rhys prize.

Polley was selected as one of the Next Generation Poets in 2004.

His second book, Little Gods (Picador 2006), was a Poetry Book Society Recommendation.

Jacob Polley’s first novel, Talk of the Town, was published in June 2009 by Picador. The book went on to win the 2010 Somerset Maugham Award and was also shortlisted for the Desmond Elliott Prize.

The Havocs (2012), his third book of poetry, was a Poetry Book Society Recommendation and won the 2012 Geoffrey Faber Memorial Prize. It was also shortlisted for the Forward Prize for Best Collection and for the T.S. Eliot Prize in 2012.

MICHELE ROBERTS, BOOKER FINALIST  Fiction 

Michèle Roberts is the author of twelve highly acclaimed novels, including The Looking Glass and Daughters of the House which won the WHSmith Literary Award and was shortlisted for the Booker Prize. Her memoir Paper Houses was BBC Radio 4s Book of the Week in June 2007. She has also published poetry and short stories, most recently collected in Mud- stories of sex and love (2010). Half-English and half-French, Michèle Roberts lives in London and in the Mayenne, France. She is Emeritus Professor of Creative Writing at the University of East Anglia.

DECLAN RYAN POETRY

Declan Ryan was born in County Mayo, Ireland. Hes published four pamphlets with Faber and Faber. Declan was included in Fabers New Poets series. He is poetry editor at Ambit and teaches at King’s College London. He was highly recommended by poet Ruth Patel, one of our instructors. Ruth judges the T. S. Eliot Prize.

GABRIELLE SELZ Memoir Biography

Gabrielle Selz is a writer and a live storyteller. Combining her dual passions for words and images, she holds a BA in art history from the University of California, Santa Cruz and an MA in writing from City College of New York. She has worked in commercial television and on the political campaigns of two Greek democratic presidential candidates: Michael Dukakis and Paul Tsongas. She is the recipient of a fellowship in Nonfiction Literature from the New York Foundation for the Arts and a Moth Story Slam winner. She has published in magazines and newspapers including, The New Yorker, The New York Times, More magazine, Los Angeles Times, Fiction, Newsday, and Art Papers. She now writes art reviews for The Huffington Post, and you can read her blog about art and life here.

Unstill Life is her first book. She is currently writing a biography on the American painter, Sam Francis.

DELTA WILLIS Travel Writing 

Delta has published more than 30 articles in Audubon, Outside, Natural History, PEOPLE,The New York Times Book Review,( SOME PRIMATES WEREN’T TO BE TRUSTED – New York Times ) The Explorer’s Journal, Diversion and Omni’s Exploration column. For two decades she was chief contributor to Fodor’s Guide to Kenya Tanzania. See her reports from Kenya

A member of the Explorers Club, Willis crossed the Sahara for a London Zoological Society/World Wildlife Fund expedition which led to the establishment the largest nature reserve in Africa. When China first opened to American travelers, Lindblad Travel recruited her to guide their clients for 30 day tours. She organized the first expedition to East Africa for the late Stephen Jay Gould. En route to Nairobi, the evolutionary biologist served as her guide to the home of Charles Darwin, now a museum, near London.

Interviewed on NPR’s “All Things Considered,” “Pulse of the Planet,” and “New York Company,” Willis has lectured at The American Museum of Natural History, New York University, The Explorers Club, The 92nd Street Y, and the Fulbright Institute.

Her memoirs, “My Boat in the City,” begun when her base camp was a houseboat moored on the edge of Manhattan.

Finishing Line Press Authors will also be joining us.

Addition list of authors teaching workshops will follow shortly.

WORKSHOP DESCRIPTION 

DEBORAH HENRY  Connecting With Your Readers

We will discuss in three part sections the myriad ways we can find our niche and connect with our readers in the digital age.

Part One: Four to Six months before publication date.

Part Two: Before and After Launch Date.

Part Three: After initial launch and onward How to build a wider audience.

Throughout the three segments, we will have Q A which will be organic to the flow of discussion as we share the journey including utilizing traditional and social media skills to land an agent, an editor, a publisher, blurbs and much more as well as how to build a global writing community with ever increasing innovative marketing models.

JACQUELYN MITCHARD -Full Manuscript Edit Critique

LIMITED to six students, #1 New York Times Bestselling author Jacquelyn Mitchard will host a full-manuscript intensive critique. Each student will receive advance digital copies of the other writers’ manuscripts and, at Lismore Castle, Mitchard will lead a full half-day session on each completed book of fiction or creative non-fiction. Admission to this class is based on individual manuscript potential, and application must be made well in advance of the conference in order to assure that the extra demands of a full-book seminar can be met. Mitchard also will provide a written critique with editing and revision suggestions to each participant. Contact conference organizer Nancy Gerbault for guidelines and specifics. 

This is an intensive workshop. Plan on only taking this workshop along with a second workshop at the end of the week.

JOSIP NOVAKOVICH  Fiction/Nonfiction 

The Art of the Microforms

A Multi-genre course, concentrating on the short forms, from a short paragraph to vignettes up to approximately 1500 words. The boundaries between narrative poems, lyrical essay, and flash fiction are frequently arbitrary, so let’s not worry about the definition of what we do in the short form, and play. The definition can come later.

Course Objective: To play with words in order to come up with good moments.

Come to class with several short pieces for us to give you constructive feedback now how to revise and improve.

The class time will be divided among the following activities:

Critiquing your work constructively.
Analyzing published paradigms of short form writing.
Sketching and writing vignettes from prompts and assignments.
Even in the short form, the elements of fiction, poetry, and creative nonfiction can be at play productively, so we will concentrate on plotting stories from the basic motives. Man is his desire, sid Aristoteles. We’ll sketch several stories based on primary motives, desire and fear.

Paradigms of microforms to be discussed and covered:

Examples of quick writing
Grace Paley, Robert Coover

2. Myths, Parables

Story of Jonah, Prodigal Son. Tolstoy’s, Three Parables. Johann Peter Hebe, Man is a Strange Creature.

3. Fables and Fairy Tales

Aesop, Brothers Grimm

4. Short-Shorts

Franz Kafka, Kurt Vonnegut, John Cheever, Eudora Welty, Hemingway

5. Flash Fiction

Lydia Davis, Jonathan Wilson, Diane Williams, Dave Eggers

6. Absurdist and Surrealist Stories

Etgar Keret, Daniil Kharms, Dino Buzzati, Aimee Bender

7. The Lyrical Essay

Death of the Moth, Virginia Woolf

8. Very Short Essay, True Story

Mikhail Iossel, Why…, JN, “Ice”

9 Story as one scene:

The Use of Force by William Carlos William. http://www.classicshorts.com/stories/force.html

10. Prose Poems

Sandra Cisneros, Monkey Garden

Reading list:

Parables:

Prodigal Son: http://www.allaboutjesurchrist.org/parable-of-the-prodigal-son-faq.htm

Story of Jonah: http://www.mechon-mamre.org/p/pt/pt1704.htm

Johann Peter Hebel: http://www.amazon.ca/The-Treasure-Chest-Unexpected-Reunion/dp/1870352432 and http://johnshaplin.blogspot.ca/2011/07/two-stories-by-johann-peter-hebel.html

Tolstoy, Three Parables: http://www.nonresistance.org/docs_pdf/Tolstoy/Three_Prables.pdf

Aesop’s Fable: http://www.gutenberg.org/files/21/21-h.htm#link2H_4_0001

Brothers Grimm, Fairy Tales: http://www.pit.edu/~dash/grimm001.html

Franz Kafka Short Shorts: http://franzkafkastories.com/shortStories.php?story_jd=kafka_passers_by

Dino Buzzati, Falling Girl: https://docs.google.com/document/edit?id=1tb7kGoJ3mhPONLIMeWj7ugYJGpJtILy3C5o2uHCQj4k

Lydia Davis: http://www.conjunctions.com/archives/c24-Id.htm

Aimee Bender: http://www.missourireview.com/anthology/we-content/uploads/2011/10/theremembererwithmaterials.pdf

JN: http://www.thebluemoon.com/4/spr99prevnovakovich.html

Mikhail Iossel: http://www.newyorker.com/books/page-turner/why-why-why and http://www.classicshorts.com/stories/mouse.html

Daniil Kharms: http://www.sevaj.dk/kharms/kharmseng.htm

John Cheever, Reunion: http://www.puffchrissy.com/wp-content/uploads/2011/03/REUNION.pdf

Ernest Hemingway, A Very Short Story: http://records.viu.ca/~lanes/english/hemingway/veryshort.htm

Robert Coover: http://www.newyorker.com/magazine/2011/03/14/going-for-a-beer

Diane Williams: http://www.brooklynrail.org/2005/11/fiction/stories

Eudora Welty: http://grammar.about.com/od/shortpassagesforanalysis/a/Weltyteacher07.htm

Virginia Woolf: http://bcs.bedfordstmartins.com/everythingsanargument4c/content/cat_020/Woolf_DeathoftheMoth.pdf

Jonathan Wilson: http://www.esquire.com/fiction/napkin-project/wilson-napkin-fiction

Etgar Keret: http://www.theguardian.com/books/interactive/2012/feb/23/unzipping-etgar-keret-short-story

Grace Paley: http://www2.southeastern.edu/Academics/Faculty/scraig/paley.html and http://biblioklept.org/2014/03/08/wants-grace-paley/ and http://radashort.blogspot.ca/2008/06/mather-by-grace-paley.html

Dave Eggers: http://www.theguardian.com/books/2005/jun/11/shortshortstories.fiction

Kurt Vonnegut: http://www.tnellen.com/cybereng/harrison.html

MICHELE ROBERTS Fiction

One of the pieces of advice I offer in the morning workshop to students tackling writers block is to have something delicious to eat. Another tip is to practise automatic writing. Given a phrase, you then write non-stop for three minutes, whatever comes up, without censoring. A good way to get the juices flowing is to begin with I hate or I am disgusted by . . . Hate and disgust are helpful energies and provoke original writing.

None of us gets nostalgic about school dinners, do we? From primary school, I remember fatty mutton in greasy gravy. Rice pudding, tapioca pudding, semolina pudding, macaroni in warmish sweetened milk. Slimy and disgusting. At secondary school, a convent, the nuns speciality was carrots boiled to a pulp, tasting of soap. Slimy. Or spinach, bitter and sour and, yes, slimy. Too close in texture and appearance to spit and sick, to all those bodily wastes we shun, which the feminist author Julia Kristeva calls the abject. Giving an abstract name to wanting to throw up helps keep it at bay. Kristeva refers somewhere to those currents of bodily feeling we call emotion. In the writing workshop, we begin by translating abstract words like bliss and desire and contentment into sensual, physical images.

GABRIELLE SELZ  3 Day Memoir Intensive and Biography workshop

The American essayist and poet, Kenneth Rexroth wrote, “Against the ruin of the world, there is only one defense: The creative act.” Memoir is a creative act, one that marks the intersection of truth and storytelling.

Whether writing personal essay-length pieces or a book, this workshop will show you how to best tell the stories from your life.Together, we will analyze methods for creating a narrative through imaginative reconstruction. Participants will be asked to submit a 2,500-word sample—a stand-alone essay or an excerpt.

After introductions, we will begin with a series of essential questions that will guide us in clarifying and defining our projects. The answers are meant to be flexible, opening us up to an ongoing process that will help illuminate our material and choices as we progress.

Over the course of our three days together, each writer’s work will be work- shopped in a safe, honest environment. The whole group will help the writer identify what is unique and exciting in their work, as well as what might be getting in their way. If you are embarking on something new, it is okay to submit a skeletal description. We will then focus on helping you sketch and fill out your memoir project.

We will emphasize issues of craft with discussions on:

 Prologue: How to hook readers, set up the stakes and foreshadow the arc of the story.

 Structure: How to shape through Conflict and Turning Points.

 Character/Dialogue: Making characters dimensional through desire and contrast.

 Desire Line: Ask yourself, “What did I want more than anything else? What is my underlying question, my underlying want?” Create a desire line. It’s all about wanting.

 Writing the personal outward and within the context of history.

 Setting/Place: Creating setting, mood and emotion of place.

 Emotional authenticity

 Theme and how to weave it in so that it informs all the aspects of the story.

 Revision and its various stages.

 The Business/The Writing Life
DELTA WILLIS Travel and Food Writing

Travel Images Expand your reach and profits by submitting sharp photos with your travel reports. Increasingly online magazines want a photo essay, spiced with a few paragraphs. Now smart phone images allow you to compete with professional photographers to illustrate your own articles. This workshop will focus on composition, editing, and social media platforms (Facebook, Instagram) that engage your readers. Three workshops will explore photo ops in the village and harbor of Kinsale; two will be indoors with laptop exercises, including capturing color, light, and sense of place with words, photographing food, when to avoid selfies, the dangers of Photoshop, copyright protection, and photographing people without permission. Minor additional expenses for excursions, workshops in cafes or pubs. Led by Delta Willis; see sample blog with images

DAILY SCHEDULE

AUGUST 4TH  

Arrival

Morning Workshops begin at 8:00 am 12:00

Room #1 Full Manuscript Edit Critique 

Room #2 Memoir Biography Room 

Afternoon Workshop 12:30 4:30

Room #1 Travel Writing  

Room #2 Declan Ryan/Poetry

Readings 5:00 7:00

Welcome Dinner Party at LEMON LEAF

AUGUST 5TH

Breakfast 7:00 10:00

Morning Workshops 8:00 12:00

Room #1 Full Manuscript Edit Critique 

Room #2 Memoir Biography

Afternoon Workshops 12:30 4:30

Room #1 Michele Roberts/Fiction

Room #2 Declan Ryan/Poetry

Readings 5:00 7:00

Dinner Free night out 

AUGUST 6TH

Breakfast 7:00 10:00

Morning Workshops 8:00 12:00

Room #1 Full Manuscript Edit Critique

Room #2 Memoir Biography

Afternoon Workshop 12:30 4:30

Room #1 Michele Roberts/Fiction

Room #2 Declan Ryan/Poetry

 Readings 5:00 6:45

Harbor Cruise 7:00 9:00 

Buffet Dinner on Boat

AUGUST 7TH

Breakfast 7:00 10:00

Morning Workshop 8:00 12:00

Room #1 Full Manuscript Edit Critique

Room #2 Travel Writing

Afternoon Workshop 12:30 4:30

Room #1 Michele Roberts/Fiction

Room #2 Connecting With Your Readers

Readings 5:00 7:00

Dinner at restaurant, Fishy Fishy

AUGUST 8TH

Breakfast 7:00 10:00

Morning Workshop 8:00 12:00

Room #1 Josip Novakovich/Fiction Non-Fiction

Room #2 Jacob Polley/Poetry

Afternoon Workshop 12:30 4:30

Room #1 Historical Fiction Non-Fiction

Room #2 Connecting With Your Readers

Readings 5:00 7:00

Dinner Free night out

AUGUST 9TH 

Breakfast 7:00 10:00

Morning Workshop 8:00 12:00

Room #1 Josip Novakovich/Fiction Non-Fiction

Room #2 Jacob Polley/Poetry

Afternoon Workshop 12:30 4:30

Room #1 Historical Fiction Non-Fiction

Room #2 Connecting With Your Readers

Readings 5:00 7:00

Dinner at Blue Haven

BBQ Fish dinner and Buffet afterwards well listen to music in the bar

AUGUST 10TH 

Breakfast 7:00 10:00

Morning Workshops 8:00 12:00

Room #1 Historical Fiction Non-Fiction

Room #2 Jacob Polley/Poetry

Afternoon Workshops 12:30 4:30

Room #1 Historical Fiction Non-Fiction

Room #2 Travel Writing

Readings 5:00 7:00

Celebration dinner at Lemon Leaf with music

AUGUST 11TH

Breakfast 7:00 10:00

Departure 10:30

Please note that Delta Williss Travel Food Workshop will be in two different rooms at different times.

Price

Resident

Shared Twin Room  $2,600 includes: Full Breakfast, 5 dinners, Workshops, Readings

Single Room  $3,600 includes: Full Breakfast, 5 dinners, Workshops, Readings. Youre welcome to bring a companion for an extra fee of $300.

Uncategorized

22

Jan

2017

abroadwritersconference

Butlers Townhouse, Dublin, Ireland 

December 10 17, 2016  

John Banville

Irish author, Kevin Barry

AUTHORS JOINING US:

JOHN BANVILLE 2005 MAN BOOKER PRIZE for The Sea and shortlisted in 1989, 2011 Franze Kafka Prize, 2013 Irish Book Awards (Bob Hughes Lifetime Achievement Award) and Austrian State Prize for European Literature,  2014 Prince of Asturias Award for Literature

KEVIN BARRY 2015 Goldsmiths Prize, IMPAC Dublin Literary Award and ROONEY PRIZE for Irish Literature

MARK DOTY2008 National Book Award for Poetry, 1995 T.S. ELIOT PRIZE

NOEL DUFFY Shortlisted Strong Award for best debut collection by an Irish author

SARAH GRISTWOODBestselling Tudor Biographer and Regular Media Commentator on Royal Affairs

DEBORAH HENRYKirkus Reviews Best of 2012

JACQUELYN MITCHARD #1 NEW YORK TIMES Bestseller, BRAM STOKER Award and THE SHIRLEY JACKSON AWARD

SINEAD MORRISSEY 2013 T.S. ELLIOT PRIZE for her fifth collection Parallax.

JOSIP NOVAKOVICH 2013 Finalist for the Man Booker International Prize, 3 time winner of Pushcart Prize

MICHELE ROBERTS Shortlisted twice for the MAN BOOKER PRIZE, 1992 for Daughters of the House and 2012 for Ignorance

MICHAEL RUHLMAN Chef, James Beard Award winning author of 20 books, co-wrote 4 books w/THOMAS KELLER

GABRIELLE SELZ 2015 BEST MEMOIR AWARD, AMERICAN SOCIETY OF JOURNALIST AUTHORS

DELTA WILLIS Travel writer nature writer. Published in Audubon, Natural History, Fodors

AND FINISHING LINE PRESS AUTHORS

LITERARY AGENT JEFF KLEINMAN will also be joining us for the week. Jeff will have private sessions with participants who have manuscripts.

Price

$2,250 for a shared twin room we will do our best to match you with a perfect roommate.

$3,250 for a single room

IncludesYour choice of taking as many workshops as you want, room for 7 nights at Butlers Townhouse or Ariel House, 7 Full Irish Breakfast, Nightly Readings and Events.

Michael Ruhlman

Dinners are extra. Food is a very special part of our writers salon. Participants will join authors in the Dinning Room for a fabulous Four Course Dinner with French Wine.  Dinner is prepared by chef Nancy Gerbault and celebrity chef Michael Ruhlman. Price is $75.00 per night.

WORKSHOP SCHEDULE

Author Class Date Time Room

KEVIN BARRY  FICTION Dec. 16TH   11:00 5:00 Ariel House dinning room

MARK DOTY POETRY Dec. 14 16 1:15 5:00 Office Room

NOEL DUFFY POETRY Dec. 17 18 10:00 5:00 Office Room

SARAH GRISTWOOD Historical Fiction Dec. 11 16 11:00 1:00 Ariel House

DEBORAH HENRY Connecting With Your Readers Dec. 11 17 9:00 11:00 LB

JACQUELYN MITCHARD Full MS Edit Dec. 13 16  1:15 5:00 Dinning Room at Butlers

SINEAD MORRISSEY POETRY Dec. 10 11 10:00 5:00 Office Room

JOSIP NOVAKOVICH FICTION Dec. 12 14 9:00 1:00 Office Room

MICHELE ROBERTS FICTION Dec. 10 12 1:15 5:00 Dinning Room at Butlers

MICHAEL RUHLMAN DELTA WILLIS Travel Food Dec. 13 18 10:00 1:00 LB

GABRIELLE SELZ MEMOIR Dec. 13 15 1:15 5:00 Ariel House

Workshop description

Mark Doty

In Mark’s workshop, you will receive constructive feedback on a poem in progress (30 line maximum) or a new poem written to the day’s assignment. He will help you identify your poem’s virtues and offer suggestions to strengthen its weaknesses. Since you already know the basics, he will encourage you to push your boundaries by taking imaginative and linguistic risks so you can make breakthroughs in your poetry.

NOEL DUFFY

Noel Duffy was born in Dublin in 1971 and studied Experimental Physics at Trinity College, Dublin. After a brief period in research he turned to writing and went on to co-edit (with Theo Dorgan) Watching the River Flow: A Century in Irish Poetry (Poetry Ireland, 1999).

He was the winner in 2003 of the START Chapbook Prize for Poetry for his collection, The Silence After , and also won The Firewords Poetry Award (Galway City Council) in 2005. A play, The Rainstorm, was produced for the Dublin Fringe Festival in 2006. His work has appeared widely in Ireland and the UK (including Poetry Ireland Review, The Financial Times and The Irish Times) as well as in the US, Belgium, Argentina and South Africa. His poetry has also been broadcast on RTE Radio 1’s Sunday Miscellany and Today with Pat Kenny. He has been a recipient of an Arts Council of Ireland Bursary for Literature in 2003 and 2012. His debut collection In the Library of Lost Objects was shortlisted for the 2012 Strong Award for Best First Collection by an Irish Poet

Noel holds an MA in Writing from the National University of Ireland, Galway, and has taught creative writing there as well as at the Irish Writers’ Centre, Dublin, and scriptwriting at the Dublin Business School, Film Media Department.

Gravitys Angel

This workshop is aimed at those who have already written poetry and would like to explore in more depth both the general strategies that can applied to approaching subject matter and the more technical aspects of how the music of the poem can be used to ‘enact’ the meaning of the work. The morning sessions will be devoted to exploring certain key concepts using examples from poems as the basis for discussion among the participants, the spirit of which will be far more interactive than didactic. The afternoon sessions will be given over to work-shopping individual poems put forward by members of the group. The main thing is that there will be a relaxed ambiance through both morning and afternoon session and that we all enjoy it!

DEBORAH HENRY

Deborah Henry attended American College in Paris and graduated cum laude from Boston University with a minor in French language and literature. She received her MFA at Fairfield University. 

Deborah Henry has been an expert guest on radio shows across America including CBS, FOX, Clear Channel, SiriusXM and Pacifica Public Radio Networks as well as on NBC, FOX and CBS television in top markets nationally.She is is graduate of the MFA program at Fairfield University. First-class novelists, including Pulitzer Prize Winner Robert Olen Butler, have provided endorsements for her debut

Workshop Description: Connecting With Your Readers

We will discuss in three part sections the myriad ways we can find our niche and connect with our readers in the digital age.

Part One: Four to Six months before publication date.

Part Two: Before and After Launch Date.

Part Three: After initial launch and onward How to build a wider audience.

Throughout the three segments, we will have Q A which will be organic to the flow of discussion as we share the journey including utilizing traditional and social media skills to land an agent, an editor, a publisher, blurbs and much more as well as how to build a global writing community with ever increasing innovative marketing models.

JACQUELYN MITCHARD

Open only to six students, #1 New York Times Bestselling author Jacquelyn Mitchard (‘The Deep End of the Ocean’) will host a full-manuscript intensive critique. Each student will receive advance digital copies of the other writers’ manuscripts and, at Lismore Castle, Mitchard will lead a full half-day session on each completed book of fiction or creative non-fiction. Admission to this class is based on individual manuscript potential, and application must be made well in advance of the conference in order to assure that the extra demands of a full-book seminar can be met. Mitchard also will provide a written critique with editing and revision suggestions to each participant. Contact conference organizer Nancy Gerbault for guidelines and specifics.

Jacquelyn Mitchard has written nine novels for adults, including several New York Times bestsellers and several that have enjoyed critical acclaim, recently winning Great Britain’s People Are Talking prize and, in 2002, named to the short list for the Orange Broadband Prize for Fiction. She has written seven novels for Young Adults as well, and five children’s books, a memoir, Mother Less Child and a collection of essays, The Rest of Us: Dispatches from the Mother Ship. Her essays also have been published in newspapers and magazines worldwide, widely anthologized, and incorporated into school curricula. Her reportage on educational issues facing American Indian children won the Hampton and Maggie Awards for Public Service Journalism. Mitchard’s work as part of Shadow Show, the anthology of short stories honoring her mentor, Ray Bradbury, currently is nominated for the Bram Stoker, Shirley Jackson, and Audie Awards. She served on the Fiction jury for the 2003 National Book Awards, and her first novel, The Deep End of the Ocean, was the inaugural selection of the Oprah Winfrey Book Club, later adapted for a feature film by Michelle Pfeiffer. Mitchard is the editor in chief and co-creator of Merit Press, a new realistic YA Fiction imprint. A Chicago native, Mitchard grew up the daughter of a plumber and a hardware store clerk who met as rodeo riders. A member of the Lac du Flambeau Chippewa tribe, she is a Distinguished Fellow at the Ragdale Foundation in Lake Forest, Illinois. Mitchard taught Fiction and Creative Non-Fiction at Fairfield University and was the first Faculty Fellow at Southern New Hampshire University. Her upcoming YA novel, What We Lost in the Dark, will be published in January by Soho Teen. She lives on Cape Cod with her husband and their nine children.

T.S. ELIOT PRIZE WINNER, SINEAD MORRISSEY

Raised in Belfast, she was educated at Trinity College, Dublin, where she took BA and PhD degrees, and won the Patrick Kavanagh Poetry Award in 1990. She has published four collections of poetry: There Was Fire in Vancouver (1996), Between Here and There (2001), The State of the Prisons (2005), and Through the Square Window (2009), the second, third and fourth of which were shortlisted for the T. S. Eliot Prize. After periods living in Japan and New Zealand she now lives in Belfast, where she has been writer-in-residence at Queens University, Belfast and currently lectures.

Her collection, The State of the Prisons, was shortlisted for the Poetry Now Award in 2006. The same collection won the Michael Hartnett Poetry Prize in 2005. In November 2007, she received a Lannan Foundation Fellowship for distinctive literary merit and for demonstrating potential for continued outstanding work. Her poem Through the Square Window won first prize in the 2007 British National Poetry Competition. Her collection, Through the Square Window, won the Poetry Now Award for 2010.

In 2013 Morrissey won the T.S. Eliot Prize for her fifth collection Parallax.The chair of the judging panel, Ian Duhig, remarked that the collection was politically, historically and personally ambitious, expressed in beautifully turned language, her book is as many-angled and any-angled as its title suggests.

BOOKER FINALIST, JOSIP NOVAKOVICH

Josip Novakovich will be teaching a Fiction/Nonfiction Workshop for us in Dublin.

Josip Novakovich emigrated from Croatia to the United States at the age of 20, and recently to Canada at the age of 53. He has published a novel, April Fool’s Day (in ten languages), a novella in three forms, Three Deaths, and story collection (Infidelities: Stories of War and Lust, Yolk and Salvation and Other Disasters) and three collections of narrative essays as well as two books of practical criticism, including Fiction Writers Workshop.
His work was anthologized inBest American Poetry, the Pushcart Prize collection and O. Henry Prize Stories. He received the Whiting Writer’s Award, a Guggenheim fellowship, the Ingram Merrill Award and an American Book Award, and in 2013 he was a Man Booker Internatinal Award Finalist.
Novakovich has been a writing fellow of the New York Public Library and has taught at the Hebrew University of Jerusalem, Die Freie Universitaet in Berlin, Penn State and now Concordia University in Montreal.
This fall, Esplanade Books will publish his most recent collection of stories in Canada. He is revising a novel, Rubble of Bubles, and putting together another story collection, New and Selected.

Workshop Description:

The Art of the Microforms

A Multi-genre course, concentrating on the short forms, from a short paragraph to vignettes up to approximately 1500 words. The boundaries between narrative poems, lyrical essay, and flash fiction are frequently arbitrary, so let’s not worry about the definition of what we do in the short form, and play. The definition can come later.

Course Objective: To play with words in order to come up with good moments.

Come to class with several short pieces for us to give you constructive feedback now how to revise and improve.

The class time will be divided among the following activities:

Critiquing your work constructively.
Analyzing published paradigms of short form writing.
Sketching and writing vignettes from prompts and assignments.
Even in the short form, the elements of fiction, poetry, and creative nonfiction can be at play productively, so we will concentrate on plotting stories from the basic motives. Man is his desire, sid Aristoteles. We’ll sketch several stories based on primary motives, desire and fear.

Paradigms of microforms to be discussed and covered:

Examples of quick writing
Grace Paley, Robert Coover

2. Myths, Parables

Story of Jonah, Prodigal Son. Tolstoy’s, Three Parables. Johann Peter Hebe, Man is a Strange Creature.

3. Fables and Fairy Tales

Aesop, Brothers Grimm

4. Short-Shorts

Franz Kafka, Kurt Vonnegut, John Cheever, Eudora Welty, Hemingway

5. Flash Fiction

Lydia Davis, Jonathan Wilson, Diane Williams, Dave Eggers

6. Absurdist and Surrealist Stories

Etgar Keret, Daniil Kharms, Dino Buzzati, Aimee Bender

7. The Lyrical Essay

Death of the Moth, Virginia Woolf

8. Very Short Essay, True Story

Mikhail Iossel, Why…, JN, “Ice”

9 Story as one scene:

The Use of Force by William Carlos William. http://www.classicshorts.com/stories/force.html

10. Prose Poems

Sandra Cisneros, Monkey Garden

Reading list:

Parables:

Prodigal Son: http://www.allaboutjesurchrist.org/parable-of-the-prodigal-son-faq.htm

Story of Jonah: http://www.mechon-mamre.org/p/pt/pt1704.htm

Johann Peter Hebel: http://www.amazon.ca/The-Treasure-Chest-Unexpected-Reunion/dp/1870352432 and http://johnshaplin.blogspot.ca/2011/07/two-stories-by-johann-peter-hebel.html

Tolstoy, Three Parables: http://www.nonresistance.org/docs_pdf/Tolstoy/Three_Prables.pdf

Aesop’s Fable: http://www.gutenberg.org/files/21/21-h.htm#link2H_4_0001

Brothers Grimm, Fairy Tales: http://www.pit.edu/~dash/grimm001.html

Franz Kafka Short Shorts: http://franzkafkastories.com/shortStories.php?story_jd=kafka_passers_by

Dino Buzzati, Falling Girl: https://docs.google.com/document/edit?id=1tb7kGoJ3mhPONLIMeWj7ugYJGpJtILy3C5o2uHCQj4k

Lydia Davis: http://www.conjunctions.com/archives/c24-Id.htm

Aimee Bender: http://www.missourireview.com/anthology/we-content/uploads/2011/10/theremembererwithmaterials.pdf

JN: http://www.thebluemoon.com/4/spr99prevnovakovich.html

Mikhail Iossel: http://www.newyorker.com/books/page-turner/why-why-why and http://www.classicshorts.com/stories/mouse.html

Daniil Kharms: http://www.sevaj.dk/kharms/kharmseng.htm

John Cheever, Reunion: http://www.puffchrissy.com/wp-content/uploads/2011/03/REUNION.pdf

Ernest Hemingway, A Very Short Story: http://records.viu.ca/~lanes/english/hemingway/veryshort.htm

Robert Coover: http://www.newyorker.com/magazine/2011/03/14/going-for-a-beer

Diane Williams: http://www.brooklynrail.org/2005/11/fiction/stories

Eudora Welty: http://grammar.about.com/od/shortpassagesforanalysis/a/Weltyteacher07.htm

Virginia Woolf: http://bcs.bedfordstmartins.com/everythingsanargument4c/content/cat_020/Woolf_DeathoftheMoth.pdf

Jonathan Wilson: http://www.esquire.com/fiction/napkin-project/wilson-napkin-fiction

Etgar Keret: http://www.theguardian.com/books/interactive/2012/feb/23/unzipping-etgar-keret-short-story

Grace Paley: http://www2.southeastern.edu/Academics/Faculty/scraig/paley.html and http://biblioklept.org/2014/03/08/wants-grace-paley/ and http://radashort.blogspot.ca/2008/06/mather-by-grace-paley.html

Dave Eggers: http://www.theguardian.com/books/2005/jun/11/shortshortstories.fiction

Kurt Vonnegut: http://www.tnellen.com/cybereng/harrison.html

MICHELE ROBERTS

Michele Roberts is an English writer of mixed French-English background, the author of numerous highly acclaimed novels, dramas, poems, short stories and essays. She examines the nature of love and the female identity, based on her experience as a woman, of two cultures – French and English, and, later, comparing women through history blurring time, paces, and identities. This way she attempts to re-write the history and to imagine what the future might have been in the light of different historical events. Inspired by the Feminist Movement, she is deeply concerned with the identity of women, but not only the way society view it. She pictures the women as a productive and successful member of society, but also as an individual in search for true self, regardless of social restrains. Her heroines are “whole”, individuals who recognize and live in peace with their own contradictions and differences. They love, interrogate the nature of love, sexuality and explore the possibility of sharing the experience in more than one-way, symbolically representing a conflict between the public and the private, and modes associated with masculinity and femininity.
One of the most significant themes in her work is the mother-daughter relationship. Her style uniquely combines fantasies and myths, described in classical and religious language.
She was Poetry Editor for Spare Rib (1974) and City Limits magazine (1981), formed a writers collective (with Sara Maitland, Michelene Wandor and Zoe Fairbairns) as a feminist activist with the Womens Liberation Movement, serves as a Chair of the British Council literature advisory panel, and is a regular book reviewer and broadcaster (contributor to “Night Waves” and “Woman’s Hour”), as well as a strong literary translation supporter.
She won the Gay News Literary Award 1978 for “Piece of the Night”, the W.H.Smith Literary Award 1993 for “Daughters of the House.” Michele Roberts is Chevalier dans l’Ordre des Arts et des Lettres.

CREATIVE JUICES OF FOOD AND SEX

One of the pieces of advice I offer in the morning workshop to students tackling writers block is to have something delicious to eat. Another tip is to practise automatic writing. Given a phrase, you then write non-stop for three minutes, whatever comes up, without censoring. A good way to get the juices flowing is to begin with I hate or I am disgusted by . . . Hate and disgust are helpful energies and provoke original writing.

None of us gets nostalgic about school dinners, do we? From primary school, I remember fatty mutton in greasy gravy. Rice pudding, tapioca pudding, semolina pudding, macaroni in warmish sweetened milk. Slimy and disgusting. At secondary school, a convent, the nuns speciality was carrots boiled to a pulp, tasting of soap. Slimy. Or spinach, bitter and sour and, yes, slimy. Too close in texture and appearance to spit and sick, to all those bodily wastes we shun, which the feminist author Julia Kristeva calls the abject. Giving an abstract name to wanting to throw up helps keep it at bay. Kristeva refers somewhere to those currents of bodily feeling we call emotion. In the writing workshop, we begin by translating abstract words like bliss and desire and contentment into sensual, physical images.

GABRIELLE SELZ

3 Day Memoir Intensive

The American essayist and poet, Kenneth Rexroth wrote, “Against the ruin of the world, there is only one defense: The creative act.” Memoir is a creative act, one that marks the intersection of truth and storytelling.

Whether writing personal essay-length pieces or a book, this workshop will show you how to best tell the stories from your life.Together, we will analyze methods for creating a narrative through imaginative reconstruction. Participants will be asked to submit a 2,500-word sample—a stand-alone essay or an excerpt.

After introductions, we will begin with a series of essential questions that will guide us in clarifying and defining our projects. The answers are meant to be flexible, opening us up to an ongoing process that will help illuminate our material and choices as we progress.

Over the course of our three days together, each writer’s work will be work- shopped in a safe, honest environment. The whole group will help the writer identify what is unique and exciting in their work, as well as what might be getting in their way. If you are embarking on something new, it is okay to submit a skeletal description. We will then focus on helping you sketch and fill out your memoir project.

We will emphasize issues of craft with discussions on:

 Prologue: How to hook readers, set up the stakes and foreshadow the arc of the story.

 Structure: How to shape through Conflict and Turning Points.

 Character/Dialogue: Making characters dimensional through desire and contrast.

 Desire Line: Ask yourself, “What did I want more than anything else? What is my underlying question, my underlying want?” Create a desire line. It’s all about wanting.

 Writing the personal outward and within the context of history.

 Setting/Place: Creating setting, mood and emotion of place.

 Emotional authenticity

 Theme and how to weave it in so that it informs all the aspects of the story.

 Revision and its various stages.

 The Business/The Writing Life

TRAVEL FOOD WRITING

MICHAEL RUHLMAN and DELTA WILLIS

MICHAEL RUHLMAN wrote more than twenty books, mostly about food and cooking, half with chefs, some non-food non-fiction, and a lot of opinions here on the fundamental importance of food and cooking to our families, our communities, our world. He

Michael co-authored four cookbooks with celebrity chef, Thomas Keller, of the French Laundry. He was a contributor to the Alinea Cookbook with chef, Grant Achatzs tour de force on the new cuisine. He wrote Charcuterie: The Craft of Salting, Smoking and Curing.

Michael has been on several television shows, Cooking Under Fire on PBS, a judge on Next Iron Chef and Iron Chef America. He has also been a featured guest on Travel Channels Anthony Bourdains No ReservationsLas Vegas and Cleveland episodes.

Michael is a James Beard Award Winning Cookbook writer. List of some of his books: How to Braise, How to Roast, Egg: A Culinary Exploration of the Worlds Most Versatile Ingredient, Ruhlmans Twenty, Ration: The Simple Codes Behind the Craft of Everyday Cooking, Charcuterie: The Craft of Salting, Smoking and Curing, The Book of Schmaltz, The Elements of Cooking: Translating the Chefs Craft for Every Kitchen, Salumi, Books about Chefs and Professional Cooks, The Reach of a Chef: Professional Cooking in the Age of Celebrity, The Making of a Chef: Mastering Heat at the Culinary Institute of America, A Return to Cooking with Eric Ripert, Michael Symons Live to Cook, Ad Hoc at Home, Bouchon, The French Laundry Cookbook, Under Pressure.

DELTA WILLIS A member of The Explorers Club, Delta Willis profiled Richard Leakey for The Hominid Gang and has written for Adventure Travel, Audubon, Diversion, Outside, People and The New York Times. A former publicist for the National Audubon Society and Earthwatch, she tracked lions in Kenya. She is currently writing My Boat in the City, about living onboard her houseboat at New York’s 79th St. Boat Basin, base camp for journeys to Africa, Australia, China, New Zealand and Papua New Guinea.
In the footsteps of James Joyce, we’ll become flaneurs, discovering the streets and tastes that inspired him.

Willis will teach the first 3 days on travel writing, then chef MICHAEL RUHLMAN, will lead the group. A James Beard award-winning author of 20 books including 4 co-authored with chef Thomas Keller of the French Laundry, one of the top 50 restaurants in the world,

EXPLORING OFF THE BEATEN PATH

In the footsteps of James Joyce, we’ll become flaneurs, discovering the streets, alleys and voices that inspired Joyce to employ Homer’s Odyssey. I always write about Dublin,” Joyce explained; because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal.”
In a shrinking universe, we’ll focus on how your travel reports can tap readers’ hunger for discovery (including themselves) gain insights from other cultures, and travel frugally and sustainably. Anthony Bourdain’s Parts Unknown challenges us to taste a region with our senses, and taps the power of video in storytelling, which demands at least one visit to a classic pub with music. We’ll seek new ways to cover a popular destination, revisit adventure travel in the age of Siri, and discuss how to profile, or become, a modern-day explorer or digital nomad. How To Pitch your stories to editors, and other industry tips will be one day’s workshop, but most classes will focus on feedback to your submissions, how to discover the particular that is universal, and finding mentors beyond Joyce to follow.

Uncategorized

25

May

2016

abroadwritersconference

I would like to thank everyone who joined us in Dublin for making our Abroad Writers Salon a great success.

Ruth Padel

John Banville

Irish author, Kevin Barry

John Boyne with Deborah Henry

Michael Ruhlman

Uncategorized

27

Dec

2015

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