HOLBEIN, SIR THOMAS MORE THE PRINCES IN THE TOWER

Web Name: HOLBEIN, SIR THOMAS MORE THE PRINCES IN THE TOWER

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TheHans Holbein Foundation resource centre for research and development

Vol.V, No. 3., August 2004.

HOLBEIN, SIR THOMAS MORE THE PRINCES IN THE TOWER

Thedisappearance of two boy princes from the Tower of London in 1483 remains thegreatest,

mostbaffling and longest running case of missing persons in the history of royalEngland. It is unsolved.

Read theremarkable “Sir Thomas More and The Princes in the Tower”

--encrypted messages for posterity by More’s friend Hans Holbein the Younger.

Holbeinclaims he met both princes, now married with families, in More’s house in thereign of Henry VIII.

Holbeingives us their cover names. We know where they are buried. Holbein’s claim is“testable” -- by DNA profiling.

                                                                             

                                                                                                 

                                                         

The Author

JackLeslau was born in London in 1931. His discovery of the so-called Holbein Codessurprised the academic world

since itwas unpaid work by a self-taught amateur.

What the UK Media say about Jack Leslau :

“How Holbein Hid aRoyal Secret”

‘Thepicture on the right may or may not have been painted by Holbein in Chelsea in1540. According to Jack Leslau, this

portraitof Sir Thomas More and his family contains clues proving that Richard III didnot murder the little princes in the Tower

–and that no such murders took place at all.’ Report by Geraldine Norman,SPECTRUM Article, The Times, 25 March 1983, p. 12

“Painting unveiled again.”

‘The LordChancellor, Lord Hailsham, talks to Lord St. Oswald after yesterday’s unveilingof the painting.’

Articleby Michael Hickling, The Yorkshire Post, 26 March 1983, p. 3

“Princes in the Tower lived on with secret identities.”

Articleby Annabel Ferriman, The Observer, 11 August 1991, p. 7

“GeneticHunt for Princes in the Tower.”

Articleby Peter Pallot, The Daily Telegraph, 13 August 1991, p.14

“DNA may solve Princes’ riddle.”

Articleby Lewis Smith, Sunday Express, 6 August 1995, p. 31

“Will DNA prove the princes lived?”

Articleby Annabel Ferriman, Independent on Sunday, 6 August 1995, p. 8

“The Princes in the Tower”

‘Thetrue fate of Edward and Richard, the two young princes who disappeared from theTower of London in 1483, is under

multi-disciplinaryreview. “The greatest mystery in English history will be resolved byscientists,” says Jack Leslau of the

Friendsof Thomas More. Scientists in the United Kingdom, Europe and the United Stateswill test Leslau’s theory that the

princeswere in fact not murdered and that the story was a successful Tudor deception.’Article by Sir Gordon Wolstenholme,

formerHarveian Librarian, Royal College of Physicians, BRITISH MEDICAL JOURNAL,Vol. 303, p. 382, 17 August 1991.

 “BBC NEWS CURRENT AFFAIRS : SPECIALCURRENT AFFAIRS PROGRAMMES, RADIO.”

‘Dear Jack Leslau, Thank you very much for coming toBroadcasting House to take part in our arts pilot programme.

Ithought your remarks during the discussion were fascinating and I shall watchnews of your bid for the DNA tests

withgreat interest.’ Signed, Sheila Cook, Senior Producer, BBC News Current Affairs Programmes, 22 August 1991.

RICHARD III SOCIETYPatronH. R. H. The Duke of Gloucester

‘DearJack, Many thanks indeed for your lecture on Tuesday last. Next time, maybe weshould start specially early so as

notto run out of time! I hope you felt it was worth while: we certainly did, andwe had our all time maximum audience – 108.’

SignedE. M. Nokes, General Secretary, dated 17 September 1992.

“Copy or Original?” The Family of Sir Thomas More

‘A number of tests carried out during its recentrestoration, and extensive research carried out by Jack Leslau, have once again

reopenedthe controversy as to its authorship, date and interpretation. The restoredcanvas, measuring 12ft by 9ft, was unveiled

lastmonth by More’s successor in office Lord Hailsham, and is once again on view atNostell Priory, Wakefield, Yorkshire.

Articleby Susan of COUNTRY LIFE, p. 924, 14 April 1983.

“Pass Notes” No.667: The Princes in the Tower

‘Ages?:That depends.

Onwhat? On whether Richard III had the two princes donein at the ages of 14 and nine.

Everyoneknows he did. You try telling that to Jack Leslau…’

TheGuardian, Weekend Front 2/3, August 1995.

Comment from abroad :USA, Europe, Asia and Oceania

“Universityof Arizona confirms Holbein painting is authentic.”

Articleby Carla McClain, Tucson Citizen, 2 March 1983, p.4

 “The Hidden Rebus in Hans Holbein’s Portraitof the Sir Thomas More Family.”

‘Althoughthe authenticity of the Nostell Priory portrait of the Thomas More family as aHolbein original has become the subject

ofa raging controversy in art history circles, the discovery of the hidden rebusin the painting may cause significant change

inthe recorded history of 16th-century Tudor England.’ Article byThomas Van Ness Merriam, EXETER,

Bulletinof Phillips Exeter Academy, Exeter, N. H. 03833, USA. Summer 1983.

“How Holbein hid a royal secret.’

SydneyMorning Herald, N. S. W., 18 June 1983, p. 42

 “SECRETARIAT OF STATE -- FROM THE VATICAN”

‘DearMr. Leslau, The Holy Father has directed me to acknowledge your letter and tothank you for the copy of your lecture.

HisHoliness appreciates the sentiments which prompted this devoted gesture and heinvokes upon you and your colleagues

thepeace and joy of our Lord Jesus Christ. I also have the honour to convey hisApostolic Blessing. Yours sincerely,’

Signed,C. Sepe, Assessor, dated 28 February 1989.

“11 January 1990. Jack Leslau delivers a lecture, filmedfor a TV documentary, on the Princes in the Tower,

at the Athenaeum Club, London.”

BULLETINTHOMAS MORE, January 1990, p. 21 (Moreana, thebi-lingual [French and English] review of Thomas More Studies,

servesas bulletin to the International Association Amici Thomae Mori, at theCatholic University of the West at Angers, France.

 “Historian findsclues to 500-year-old whodunit.”

Articleby Lee Levitt, JEWISH CHRONICLE, London, 23 August 1991, p. 5

“Centuries on, they’re still arguing about Richard III.”

Articleby Randi Hutter Epstein, SAUDI GAZETTE, Riyadh, 26 August 1991, p.1

“The Craziest Story I Ever Heard.”

‘Itis a wonderful story and my hands itch to get those skeletons over here.’ Thespeaker is Vice-Rector Herman Van Den Berghe

ofthe Catholic University of Louvain (KUL) whose Centre of Human Genetics hasworked out a technique with which the history of England

canbe rewritten. ‘It started when Nobel Prize winner De Duve called me. Next wasthe craziest story I ever heard but that was in fact

asprobable as the other version of the history of The Princes in the Tower.’ Articleby Peter Van Dooren, Science Editor, De Standaard,

4September 1991, p. 12

§1 THE PRINCES IN THE TOWER

 

The mystery of the Princes in the Tower has anuncomfortable feel about it.

But no longer. A witness lefttestimony in a painting and no one saw it

because it was hidden and incode. Not everyone knows that !

The witness is POSITIVELY identified, the codetext decoded andinterpreted.

If you want to know more...click on.

 

Introduction

More than five hundredyears after the disappearance of two English princes, thirteen-year-old EdwardV and his younger brother, Richard, Duke of York, people still dispute andcontradict what happened.

Since theprinces disappeared from the Tower of London in the reign of Richard III, oneside say Richard had them killed, relying on a confession made some nineteenyears later by a person promptly beheaded by order of Henry VII. The other sidesays it was a false confession extracted under torture. ‘Why wasn't there a publictrial ?’

And so thedispute was born.

And as theturbulent history receded further back into the past, the likelihood ofdiscovering new evidence of the true fate of the princes became more and moreimprobable. But the outcome of this royal tragedy, which saw the birth of theTudor dynasty in England, the story of its remarkable consequences and theextraordinary way in which those consequences came to be interactive andinextricably intertwined with our story, begins very simply.

It begins witha painting.

The person whobroke the code tells the story…..

JACK LESLAU : ‘I would liketo introduce you to the persons depicted in this painting. But first, I wantyou to see if there is anything strange about the picture itself. For instance,the clock door above Thomas More’s head is open.

To the right, in front of anunstrung table harp there is an extremely odd vase with each handle upside-downin relation to its companion handle.

In the right foreground, twosisters wear dresses with sleeves made from material of the other sister’sbodice : red velvet and cloth-of-gold.


There are more than eightyanomalies in this painting and you may conceivably decide to identify them,work out what they mean and what the artist is trying to communicate. You willhave help.

For the present, I have todraw attention that this painting has been in the possession of the More familysince it was painted by Hans Holbein the Younger (1497/8-1543) during the artist's secondvisit to England (1532-1543). Recent investigation revealed an anti-Catholicslogan on the painting, which appeared in the mid-18th century and was laterover painted with a spurious date and signature, 'RowlandasLocky 1530' or '1532'. Since theonly Rowland Lockey in the literature is known from about 1593, the latestexaminations in the UK and USA give this beautiful painting to Holbein, theradiocarbon date corroborating authentic documentation and traditional Morefamily history. The scientific reports are published for the first time today.(See : BOOKSTALL).

Pointand click first :

  ThomasMERRIAM “Unveiling of the More Family Portrait at Nostell Priory” Moreana XX79-80 (Nov. 1983) 111-116

Thomas MERRIAM “John Clement : his identity and hisMarshfoot House in Essex” Moreana XXV 97 (March 1988) 145-167

Jack LESLAU “The Princesin the Tower” Moreana XXV 98-99 (Dec.1988) 17-36

Jack LESLAU “The More Circle : theAntwerp/Mechelen/Louvain Connexion”

(AmiciThomae Mori International Symposium MAINZ 1995)

Seealso: EUROPA: Wiege des Humanismus und der Reformation Publ. PETER LANG, 1997p.167-172

Sir Thomas More and his Family is reproduced by kind permission of the owner, the Lord St Oswald andTrustees, and is on view to the public at Nostell Priory, Nr. Wakefield, WestYorkshire, England. Further details are available from the National TrustOffice in York. Photograph, by Sir Geoffrey Shackerley.

 

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The Contents of this Web site linkdirectly to the above published articles :48.2MB in 510 Files:

§2SIR THOMAS MORE AND HIS FAMILY

byHans Holbein the Younger

Part One¶The “new” History Theory

Part Two

¶Cryptology

Thecase for a Holbein attribution

Theartist’s communication security

Artand Information theory

Artand Academia

Artand NIET

Notes References

¶Theroyal styling on the tomb of Lady of Jane Guildford,

Duchessof Northumberland,

Inthe Thomas More Chapel of Old Chelsea Church

‘YeRight Noble and Excellent Princess’ :

aninterpretation.

¶Photographof the memorial plaque on the Northumberland Monument.

Therank and styling of:

SirRichard Guildford

SirEdward Guildford

The‘High and Mighty’ styling of:

JohnDudley, Duke of Northumberland.

Whyis the Duchess of Northumberland buried in an obscure parish church ?

Whyisn’t the Duchess buried in one of the Dudley family vaults ?

Thecontemporary witness Holbein provides compelling new evidence to explain themystery.

Theroles played by Chroniclers :

EdwardHall

RaphaelHolinshed

“RoyalCousins”

Anecdotalhistory of a great grandson of Edward IV,

SirPhilip Sidney --

(“arightful heir”)

Anda great granddaughter of Edward IV,

ElizabethI --

(“alegal heir”)

JamesIV of Scotland: the King James Version of the Bible.

Theon going inquiry: Elizabethan, Jacobean Stuart.

§3NOTES AND REFERENCES

Acknowledgements

Addenda Corrigenda

¶BenedictusSmythe : The illegitimate son of John Clement.

§4FREQUENTLY ASKED QUESTIONS

Theon going method of inquiry

NegativeIntelligence Evaluation Theory (NIET)

Investigationin Flanders

Report

Investigationin England

Report

TheSaint

¶Reactionsto John Guy’s BBC documentary

Monarchy

HenryVIII : ‘A sexual impediment of some consequence’ : an article

Read:

1.Holbein’s cryptic comment on the prime cause of the re-marriages of the king

2.The published opinions of Royal Physicians on Henry VIII’s medical case history

3.The NIET investigation of the genetic case history

Theamazing and definitive conclusion

…………………………………………….

Readers’Comments

NationalSecurity Agencies

AgencyComments

Writersand Publishers

¶B.Fields ; G. Tournoi ; A.J. Pollard ; A. Weir ; D. Wilson ; D. Baldwin.

“Gentlemen versus Players

Theamateur takes on the professionals in a one-wicket match.

Theprofessionals have batted (five centuries) and now it’s the turn of theamateur.

Heis using the latest bat made by science : A “Nike DNA Profile”.

Thefielding side do not have modern technology.

Theymove in ever decreasing circles.

Thebatter bats steadily on.

“Read andReap”

.

”TheFemale of the Species”

(Atranslation of history into drama for the stage)

Ifyou are sensitive to this sort of thing, Jack Leslau’s “Female of the Species” (2003)outstrips in horror Akiro Kurosawa’s “Ran” (1985)’

Thenumber is 5.

JohnClement MD : Scholar/Warrior.

¶ThomasClement MA, son of John Clement, Godson of Thomas More.

¶CaesarClement DD : the illegitimate son of Thomas Clement

¶TheWill of Caesar Clement

(‘Willsand daily books of record are meat and drink to a researcher!’)

¶’TalkingPictures’

#4.Mona Lisa” by Leonardo da Vinci.

PartsI II

1503: Leonardo tells us his model is Magdalena Offenburg in the world’s most famouspainting.

1526: Holbein confirms this identification in the same secret method ofcommunication invented by Leonardo.

Bothmen paint a famous hetæra.

MagdalenaOffenburg, now in a position of distinction, is scandalized.

Holbeinis more interested in his tribute to Leonardo.

Thereis more. For instance, the unknown provenance of the Holbein and Leonardo itemsin the Royal Collection.

Forthe first time we have a complete theory.

Itis new. It is astounding !

#3.The Ambassadors by Hans Holbein the Younger.

1.The restoration of The Ambassadors at the National Gallery, London : ascientific analysis.

2.North J.D. The Ambassadors’ Secret ; a critical review.

3.The artist’s secret method of communication : the cryptosystem.

4.Interpretation of the personal and political information : the decrypts.

‘JackLeslau points to a major anomaly post-restoration by the National Gallery’.

#2Henry Pattison : “The Henry VIII ‘look-alike’”

Holbeinclaims this former servant of Thomas More lost the Lord Mayor ‘s sword!

(TheSword Bearer still carries the giant ceremonial sword in procession on LordMayor’s Day)

#1.Sir Henry and Lady Mary Guildford : “New” evidence from the Court ofHenry VIII

 ‘Up close personal and political’.

#0“Figs and Figments”.

Thefig leafs in the Holbein paintings : an interpretation.

TheLESLAU Conjecture

RichardIII

SirJames Tyrrell

PerkinWarbeck

GeneralHistory

Sovereignssince the Norman Conquest

GenealogicalCharts I to VIII

Lancaster York

Beaufort

Tudor

Neville

Woodville

Bourchier

Dukesof Buckingham

¶Calendarof Events

(1470-1572)

§5FAQS FORYOUNGSTERS

THE JACK LESLAU NEWSLETTER NOTICEBOARD

Anintroduction to Tudor history

Theplay : The Debt.

What’s the difference between an overt and a covert rebus?

From direct inspection,this drawing above is obviously a puzzle and you are invited, in an open way,“Solve the puzzle !” This is an overt rebus and I am today inviting YOUto solve it. You will have help at jack.leslau@skynet.be.

On the other hand, the covertrebus is not at all obvious. Encryption adds the element of secrecy to the wordtransformations. OK ? Decryption strips away the secrecy leaving the linguisticequivalents, which make sense (they MUST make sense!), relevant to knownhistory.

Please don’t worry if you do not immediately graspthe significance of the remarkable covert rebus. You are in good company. Ittook nearly five hundred years to work out that Holbein was risking his life tocommunicate personal and political history for posterity, for US, andhow brave and clever he was.

 

§6BOOKSTALL

Thomas MERRIAM                                                   Moreana XX, 79-80 (Nov. 1983), 111-16

UNVEILINGOF THE MORE FAMILY PORTRAIT

AT NOSTELLPRIORY

Onthe afternoon of Friday, 25th March 1983 (Lady Day), the RightHonourable, the Lord Hailsham of St. Marylebone, Lord Chancellor of England,unveiled the newly restored 8 x 12 foot (2,5 x 3,5 meters) Group Portrait ofSir Thomas More and His Family at Nostell Priory, Wakefield, WestYorkshire before a distinguished audience. It was a glittering occasion withflashbulbs and television lights, contrasting in their brilliance with thesombre stone hall. Lord Hailsham chose his words with care and precision worthyof the senior law officer. He spoke of his admiration of the painting and hisbelief it was by Holbein. He suggested a parallel between the situation of Moreand Boethius, whose De Consolatione Philosophiae features in the painting.

Thefamily portrait 1 is one of severalversions that appear to be based upon a Holbein sketch in Basel (No. 402). Amodified copy by Rowland Locky hangs in the National Portrait Gallery inLondon. This painting measures approximately 7 x 11 feet and is curious in itsincluding four descendants of More, who were alive in 1593, with seven of theThomas More family, as portrayed from life in the 1520s (No. 404). A muchsmaller Locky version in the Victoria and Albert Museum contains further minorvariations (No. 405).

SirRoy Strong states, in his Tudor and Jacobean Portraits in the National PortraitGallery, that the Nostell Priory painting is a copy by the same Elizabethanminiature painter, Locky 2. The evidence headduces for the attribution is the signature in the lower right-hand corner ofthe canvas. The name – Richardus, Rogerus, or Rolandus /Rowlandas Locky – bearswith it the date 1530 or 1532. Sir Roy has rejected the apparent date (Lockywas probably born in the 1540s) and has assumed it to be variously 1592 or1593. 3 The Holbein original painting, fromwhich it is presumed to have been copied, is believed to have been destroyed byfire in 1752 at Kremsier, Germany (No. 401).

TheWinn family have been in possession of the Nostell portrait since the marriageof Sir Rowland Winn to a Roper heiress in the eighteenth century. At that timeit was taken from Well Hall, Eltham, to Yorkshire. The family tradition hasheld the painting to be a Holbein painted for Margaret Roper and her husbandWilliam. Both John Lewis and George Vertue described it as a Holbein in theirtime. In 1717 Lewis remarked on items in the painting only three inches fromwhere the Locky signature appears today, without mentioning the Lockyattribution.

Isit possible that the signature was added after 1717 ?

Thepresent owner, Lord St. Oswald, had received some highly interestinginformation before the unveiling. On 7th January 1982, Dr. PaulDamon of the Laboratory of Isotope Geochemistry at the University of Arizonareceived for radiocarbon dating a strip of the original canvas, cut from thelower sight edge of the painting during restoration. After he had washed thelinen free of paint and animal glue, the original eight grams shrank to fourgrams of pure linen cord. These four grams were insufficient to create therequired volume of carbon dioxide gas for the 2.5 liter counters operated atthree atmospheres. Dr. Damon had to dilute the specimen gas with pure inert CO2,containing no carbon 14. Additional delays were caused bycontamination of the sample with radon gas ; a month was required for storingthe gas to allow the radon to decay to insignificance.

Finally, on February14, 1983, he produced his report with its startling conclusion the thecalendar age of the harvesting of the flax lies between A.D. 1400 and A. D.1520 . Thus it was compatible with the painting being anauthentic Holbein the Younger . It was, in other words, unlikely thatRowland Locky had chosen a seventy-year-old canvas to execute a difficult majorwork in or about 1593.

Armed with this newpiece of knowledge, Lord St. Oswald informed the press. The first announcementin the national press was a short article by Donald Wintersgill in TheGuardian of March 2, 1983, headed Painting of More could be aHolbein . Sir Roy Strong, Director of the Victoria and Albert Museum,was quoted as doubting the conclusion of Dr. Damon : How developed asa science is the carbon dating of the canvas ? he asked. Inmy opinion, in no way is this a Holbein. It is a very complicated subject. Theoriginal was confiscated when More fell from power.

One edition of The Guardian for the same day contained a further quotationfrom Sir Roy : If canvas can be carbon dated, it would be of greatsignificance. I would like to see it done on authentic paintings of which thedates are known.

When I queried thisquotation, he wrote me that it was not quite true that he stated that it wasdoubtful that canvas of the sixteenth century could be carbon dated. Theimportant point, he emphasised, was that the canvas was signed and datedRowland Locky, 1592. 4

Not only was thisprominent art historian opposed to the Arizona findings ; E. T. Hall, of theOxford Research Laboratory for Archaeology and the History of Art, reported toGeraldine Norman of The Times (25 March 1983) that the odd hump in the radio carbon calibration chart for the sixteenthcentury made it impossible to distinguish the early years from the late ones.Dr. Damon’s dilution of carbon dioxide in order to stretch it, moreover, made the results liable to error of 150 years. Professor Hallwrote to me that he believed the dates 1580 and 1620 were as likely as the date1520 cited by Paul Damon. 5

Dr. V. R. Switsur,of the Sub-Department of Quaternary Research at the University of Cambridge,was more favourable to Dr. Damon’s report. He estimated the dates 1407 and 1495as the limits for the 95 per cent level of confidence, using the data fromArizona. Should the level of confidence be increased to 99 per cent, there wasa slight possibility of a confusion between 1525 and the 1600-1620 period.6

Writing in May to Mr.Jack Leslau, Dr. Damon referred to the successful completion of a blind inter laboratory test which gave confirmation to his findings onthe dating of the canvas of the Nostell portrait. Dr. Switsur was Dr. Damon’schoice as an expert on radiocarbon calibration in the United Kingdom.

Although thescientific controversy has still to be resolved, Lord St. Oswald wassufficiently satisfied by the reports from Dr. Damon and Dr. Switsur to invitethe present Lord Chancellor to officiate at the elegant ceremony at Nostell.After its restoration in a Chelsea stable, formerly part of More’s estate, thenewly framed painting was resplendent.

But what of thesignature on the painting and the disputed date, 1530/1532 ?

Aninfra-red photograph, taken in 1951 at the National Portrait Gallery, revealedinterference and a partially disfigured date, possibly 1752. An examination bymicroscope in January 1987 by the Courtauld Institute indicated that anoriginal eighteenth century date had apparently been changed by additions ofbrown/grey and blue/black semi-transparent overpaint tocreate the 1530 or 1532 now visible. 7Further examination by the Hamilton Kerr Institute of Cambridge indicated thatthe Locky signature was a later addition and spurious. A pig’s snout had beenclearly superimposed on the nose of the little dog, directly in front of St.Thomas More, probably at the same time as the other alterations.

Onthe day of the unveiling, The Times published a long articleby Geraldine Norman, entitled How Holbein hid a royal secret .It described the discovery by Jack Leslau in 1976 of a concealed rebus in theNostell painting, similar to others in the work of Hans Holbein the Younger.Seen from a special point of view, the single glove held by Elizabeth Daunceymay read le pair lui manque for le pèrelui manque , and covertly refers to the illegitimacy of her visiblepregnancy.

Thepurple peony on the left of the canvas is an unconventional symbol ; itsecretly marks one of the persons with the symbol of royalty and medicine . ( Peony was anickname for a doctor, as Paion was physician to the gods in Greek mythology).

Anotherflower is a Richard-Lion-Heart and marks analleged Plantagenet in the painting. The carpet on the sideboard signals acover-up -- faire la tapisserie à la crédence or cacher la crédence sous le tapis .

Thecover-up referred to is the concealed existence of the younger son of EdwardIV, Richard, Duke of York, as Dr. John Clement. His alleged murder by RichardIII, described by More thirty years after his disappearance, was a blind to protect him. Est-ce (esses) gauche ou réflexionfaite, est-ce (esses) à droite? ask the reversed S’s on the chain(of the Duchy of Lancaster) that hangs from More’s neck. Clement stands,depicted at half his age, in the doorway ; he is dressed in the Italian style,having studied medicine at Siena and probably at Padua.

The Times later published four letters referring to Geraldine Norman’sarticle. Mark Bostridge (April 4, 1983) argued that the Nostell painting was aLocky copy of the lost Holbein original, given to William Roper, son of Williamand Margaret Roper. Holbein would not have dared paint a huge canvas for theRopers while serving as court painter to Henry VIII after the martyr’sexecution. Furthermore, the date 1530 was incompatible with Holbein’s sojournin London. The cramped perspective was inconsistent with Holbein’s practice. IfJohn Clement was in fact Richard Plantagenet, he would have died at theunlikely age of ninety-nine in 1571.

One point should bemade in passing : the painting was not given to a son of William Roper of thesame name. No such person existed and the error is traceable to a publicationof the National Portrait Gallery ; Angela Lewi’s The Thomas MoreFamily (1974), p. 7. 8

A second letter,from Lady Jacynth Fitzalan-Howard (April 6, 1983), accused Mr. Leslau of anexuberant imagination. The single glove was merely a mark of rank in TudorPortraits. The customary place for carpets in the period was on tables and thetops of cupboards. The purple peony was a mistake by the artist, like thefive-petalled Madonna lilies in the Locky version at the National PortraitGallery.

A third letterfound fault with Mr. Leslau’s French. P. J. Barlow (April 9, 1983) claimed thatjoncachet was not French for a rush-strewn floor. Faire tapisseriemeans to be a wallflower . Crédence did not mean belief , and a Turkish carpet was a tapis, not a tapisserie.

Finally,a fourth letter by Eric Lyall (April 15, 1983) took issue with Mr. Barlow’scriticisms. Mr. Lyall claimed jonchée was near enough to Jean cachéto serve as a sixteenth century rebus pun for a hidden John Clement. Tapisseriecould also mean a carpet and crédence was belief . Heconcluded with an opinion based on a different interpretation of one of Mr.Leslau’s rebuses. Porter à faux means to be inconclusive.

Thusended the correspondence to The Times . Jack Leslau’srebuttals to the three critical letters were not printed. 9 Although many letters were received by The Times in connection with the Geraldine Norman article, popularinterest had by this time, no doubt, shifted to the feigned Hitler Diaries. Hadit not been for Jack Leslau’s absorbing interest and energy in the face ofnumerous rebuffs, however, the Nostell portrait would never have been closelyexamined by the Courtauld and the Hamilton Kerr Institutes. The carbon datingwould not have taken place. Without the carbon dating, is it likely that LordHailsham would have lent his dignity to the unveiling of a work commonly heldto be a copy ? Jack Leslau’s hours of work deserve more than an unconsidereddismissal by art historians and scholars, and, above all, lovers of St. ThomasMore.

Basingstoke, Thomas MERRIAM.

NOTES

1. See The Likeness of Thomas More by Stanley Morisonand Nicolas Barker, London, 1963, chapters 6 7, for a discussion. TheNostell portrait is catalogued by Morison as No. 403. Figures in parenthesisrefer to this book.

2. Roy Strong, Tudor and Jacobean Portraits in theNational Portrait Gallery, London 1969. Vol. I, p. 349.

3. Ibid, p. 349 Locky executed threeversions in all : (i) an exact copy of the Holbein as it then was. This is nowat Nostell Priory and, although it bears the impossible date 1530 it would seemreasonable to conclude that it was painted at the same time as no. ii in1593… The reference no. i is to Morison’s No. 403 ; no. ii is toMorison’s No. 404. In a letter to the author, Sir Roy Strong stated the Nostellportrait was dated 1592. See our next note.

4. The undated letter was received from Sir Roy Strongin May 1983 in answer to the author’s request for a clarification of hisnewspaper statement published in The Guardian . The authorstated that he was preparing an article for a journal. Sir Roy said in theletter, …The important point is that regardless of the date of thecanvas, the picture is signed and dated by an Elizabethan artist, RowlandLocky, 1592. In respect of canvas dating, I feel that this is an area ofresearch that may prove to be highly interesting but at the moment could hardlybe regarded as in any way being beyond an exploratory stage. (End ofletter) The author further queried Sir Roy Strong’s date in the light ofevidence that the signature and date are spurious. Sir Roy has yet to reply.

5. Letter from Professor E. T. Hall, dated May 201983, with specific permission to quote from it. Calibration charts included.

6. This information is contained in a detailedletter to Lord St. Oswald, dated March 21 1983, calibration charts included.

7. An infrared photograph of theinscription on the Group Portrait at Nostell, taken at the National PortraitGallery, London, in 1951, revealed an hidden and partially disfigured date,possibly ‘1752’, which has been inexplicably overlooked in the past. Apreliminary and inconclusive microscopic examination of the portrait in January1978 by Robert Bruce-Gardner, Acting Director of the Technology Department, TheCourtauld Institute, revealed (in part) three separate applications of paintand the relevant missing outline of the date (identified by me) which I deducewas probably due to the interference reported in writing by the NationalGallery in 1951. The recommendation was made that the date and inscriptionshould be examined further, the possibility of my date-identification notexcluded ; and although Bruce-Gardner was willing to do this the portrait wastoo large to permit entry to the workrooms of the Courtauld Institute. Jack Leslau wrote this in The Ricardian, Vol. V, No. 64, (March 1978),p. 24.

8. Kai Kin Yung, Registrar of the National PortraitGallery, confirmed in a letter to the author, April 26 1983, that this was anerror.

9. They are dated April 7, 9 and 14, 1983.

HOLBEIN’SCOVERT REBUS

In the summer 1983issue of Exeter, the bulletin of Phillips Exeter Academy, New Hampshire,Summer 1983, the leading article, by Thomas V. N. Merriam (class of 1950), isentitled The Hidden Rebus in Hans Holbein’s Portrait of the Sir ThomasMore Family. The illustrations, essential for the thesis, include theportrait of Richard III (p. 12), since Jack Leslau finds a resemblance betweenhim and the young man standing in the doorway of the Nostell painting, and usesthis air de famille as further evidence foridentifying the young man as Richard of York. The Basel sketch of the Morefamily group (p. 13) and the Nostell canvas (pp. 58-59) are reproduced, so weare challenged to detect some of the eighty-odd differences in lay-out anddetail which J. Leslau interprets as symbols giving cumulative support to his revisionist history of the Tudor period . A few photographsshow Jack Leslau with the author, and with Lord Hailsham and Lord St. Oswald.Much is made of negative evidence : thus the total absence of any portrait orany holograph record (were it only a signature) of Dr. John Clement while hewas President of the College of Physicians is exploited to confirm that he wasa notional person , merely destined to cover the identity ofPrince Richard, rightful heir to England’s throne from 1528,after the death of Edward V (covered by another notional person, Sir EdwardGuildford). Other elements – carbon dating against Locky’s claims, etc. – aretouched in much the same was as in Mr. Merriam’s article (supra,pp. 111-16). We reproduce the Basel drawing to invite comparison with theNostell painting.

G.M.

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ThomasMERRIAM                  Moreana XXV, 97(March 1988), 145-152

John Clement :

his identity and his Marshfoot House in Essex.

Students of More need no introduction to John Clement, the puermeus of Utopia. His origins and date of birth areunknown. He is said to have attended St. Paul’s School in London, studyingunder the classicist William Lily. There appears to be no independentcorroboration from school records. By the year 1514 he is reported to have beena member of More’s household, where he was tutor to More’s children in Latinand Greek. Unless this be part of More’s affabulation, he took the boyClement along to Bruges and Antwerp on his 1515 embassy. In More’shouse Clement met his future wife, More’s adopted daughter,Margaret Giggs, whose age in 1527, according to the sketch of the More familyportrait in Basel, was 22, exactly the same as her cognata Margaret MoreRoper.

In 1518 or 1519 Clement is reported to have been appointed CardinalWolsey’s reader in rhetoric (Latin) at Corpus Christi College, a collegefounded by Bishop Richard Foxe of Winchester and dedicated to the newhumanistic curriculum. 1 Somewhat later,Clement was made reader in Greek at Oxford 2and he lectured to a larger audience than anyone before. 3 Nonetheless he left Oxford in the 1520s in orderto study medicine in Italy. He appears to have travelled via Louvain and Basel,where he met Erasmus. 4 He brought a copyof Utopia to Leonico at Padua in 1524. 5 ByMarch 1525, he received his M. D. at Siena ; his combined skills in classicsand medicine enabled him to help Lupset, his successor at Oxford, complete theAldine edition of Galen at about the same time. 6

In 1525 Clement wasa member of the royal household as Sewer [Server] of the Chamber ultra mare.7 His name, listed as from London, is includedamong the other sewers of the chamber in the accounts for 1526. 8 On his return to England, Dr. Clement wasadmitted to the College of Physicians in London on 1 February 1527-8. He was inthe king’s service when sent with two other royal doctors under Dr. Butts in1529 to attend Cardinal Wolsey, now out of favour and languishing at Esher. 9 In 1535, he was consulted on the liver of JohnFisher, then a prisoner in the Tower. 10Three years later, the records show him receiving from the royal household asalary of £10 semi-annually. 11 In 1539,however, the salary was cancelled. 12 Clementwas made president of the College of Physicians in 1544. Jack Leslau has foundthat the College possesses no documents signed by him as president. This hasbeen confirmed the Wellcome Foundation. 13

The biographical articlein the DNB fails to mention a number of curiosities regarding JohnClement. It is customarily assumed that he was born around 1500 making him aboy when he first joined the More Household, and hence the puer meus of Utopia(1516). 14 There is, nonetheless, anentry in the register of the University of Louvain of the enrolment of a Johannes Clemens on 13 February 1489, with the note non juravit added. 15 Thename John Clement is not common on the Continent except as a combined Christianname. The note non juravit is unusual in the Louvainregister, and it is remarkable to find the undoubted John Clement of ouraccount appearing in an entry of January 1551 with the unique note :

Joannes Clemens, medicine doctor,anglus, nobilis (non juravit ex rationabili quadam et occulta sed tamenpromisit se servaturum consueta). 16

The chances ofthere having been two non-juring John Clements without family background orspecific place of origin within sixty-two years of each other are negligible.

It is interestingto read also of Clement’s imprisonment in the Fleet following More’s ownimprisonment in the Tower. A letter written by John Dudley to Thomas Cromwellon 11 October 1534 states :

farthermore as towchyng maistrClements mattr I beseche your maistership not to gyue to much credens to somegreat men who peraventure wyll be intercessours of the matter and to make thebeste of it for Mr Clement / by cause peraventure they theym selves be thegreatest berers of it / as by that tyme I have shewed you how whotly thesendyng of Mr Clement to the flete was taken, by some that may chawnce youthynke to be your frende / you wyll not a little marvayle / … 17

One authoritystates that Clement was imprisoned in the Tower with More refusing to take theOath of Supremacy. 18

In 1545 JohnClement and his wife were granted the lease of Friar’s Mede, Marshfoot inHornchurch, Essex, for thirty years at 20 shillings per annum by New College,Oxford. 19 In 1549, Friar’s Mede wasleased, as it were, from under Clement : the new regime under Edward had begun.Clement left the country for Louvain. He lost his extensive library at his townhouse in Bucklersbury, consisting of 180 books, and was unable to regain themon his return to England in the reign of Mary. 20

The site of Marshfootis discernible today at Ordinance Survey grid reference TQ 513 825. It lies notfar from the electric railway linking Rainham with Dagenham. Slightly sunkenfrom the lane, the plot can be made out on the edge of the former marsh landwhich stretches south towards an invisible River Thames.

The Public RecordOffice in Chancery Lane contains an inventory of Marshfoot house listing theitems which were confiscated by Sir Anthony Wingfield with the approval of no lessa personage than Sir William Cecil, the future Lord Burghley. The inventory isdated 28 August 1552, twelve days after the death of Wingfield. 21 The complete listing is too tedious totranscribe. In the chamber over the hall there were cusshins withdragons pictures and an olde turkey carpet amongother items including a shefe of arrows , ij paire ofsplents ij salletes / an armyngswerd(e?) a poole axe / iii bills .Whether such weaponry was common among physicians of the time, I am unable tosay.

Therewas a chapel chamber in Marshfoot and it contained the following items, whichwere notably Catholic : an awlter / a picture of our Lady / a pictureof the v wowndes / a masse booke / ij cruetes , a surples, iij latten candlesticks for tapers , ahallow water potte , a portesse with claspes of silver andgilte / .

Thepicture of the Five Wounds calls to mind the banner insignia of the Pilgrimageof Grace, the most serious of all the rebellions under Henry VIII. But thepicture may have been common in such a liturgical context. There is a touch ofpoetry in the dove house with a smalle flight of doves / with a hansomgarden place but overgrowne with grasse / . It is a description of aplace waiting for the overdue return of its owner. Clement was unable to regainhis lost possessions after he returned to England on 19 March 1554.Nonetheless, his former importance was restored under Mary. In 1554 his son,Thomas Clement, M.A., was granted a royal annuity of £20. 22 With Mary’s death and the accession ofElizabeth in 1558, the Clements took leave of England for the last time. Fouryears later (March 1562) John Clement appears in the Louvain register : Dominus Joannes Clemens, nobilis, Anglus. 23 The similarity with the previous entry inJanuary 1551 is unmistakable. What is the meaning of nobilis ?Why Dominus ? Nothing in the known history of the More family suggeststhat the Greek and Latin tutor was of noble birth.

Thelast Louvain entry, dated 1568, is brief : Dominus Joannes Clement,in theologia . 24 The possiblespan of the Louvain register entries is an astonishing 79 years ; it meritsfurther examination.

Shortlybefore his death Clement moved from Bruges to Malines. He took up residence at1 Blokstraat, a few feet from the church of Saints Peter and Paul, where liethe remains of Margaret of Austria, 25 aunt ofCharles V and patroness of Erasmus, More, 26and Josquin Des Prés. Margaret Clement died on 6 July 1570, the anniversary ofMore’s execution, and was buried in St. Rombout’s cathedral in the Grote Markt.Clement himself died on 1 July 1572 in the year that the Spanish sacked theancient imperial town, and was buried beside his wife near the high altar ofthe cathedral. 27

ThomasMerriam

35Richmond Road

Basingstoke,Hants RG21 2NX

*Theauthor would like to acknowledge the kind assistance of the following : Dr.Marjorie McIntosh, Mrs. Anne Hawker, Mr. Jack Leslau, New College Oxford,Corpus Christi College, Essex County Records Office, the Rijksarchief Antwerp,the Royal College of Physicians, the Wellcome Foundation, the Institute ofHistorical Research of the University of London, and the Public Record Office.

NOTES REFERENCES

1. TheDictionary of National Biography, IV, 489. Mention should be made of theone published biography, John Clement by E. A. Wenkebach (Leipzig,1925).

2. DNB,IV, 489. Sir Kenneth Dover, President of Corpus Christi College, Oxford wroteto the author, 22 February 1984, as follows : So far as I can discover(from Fowler’s very detailed History of C.C.C.) (pp. 88, 369) the soleevidence for Clement as lector is Harpsfield. Hist. Eccl. Angl.p. 644. Clement was lector in Greek (not rhetoric humanity) from 1518(?)to 1520, there is no record of his ever having been a student at theCollege. The fact that his appointment was in Greek makes all the difference, Ithink : there weren’t many people around who could teach Greek.

3.Maria Dowling, Humanism in the Age of Henry VIII (London, 1986), p. 31.

4. A. B. Emden, A Bibliographical Register of theUniversity of Oxford A.D. 1501-1540 (Oxford, 1974), p. 121.

5. F.A. Gasquet, Cardinal Pole and His Early English Friends (London, 1927),pp. 69-71.

6. Emden, p. 121.

7. A.W. Reed, John Clement and His Books . The Library,4th Series, vi (1926), p. 330

8. Letters Papers of Henry VIII (17 Henry VIII, 1526), IV, Part I, No. 1939(8).

9. DNB, IV, 489.

10. L P Henry VIII (27 Henry VIII, 1535), VIII, No. 856 (45).

11. L P Henry VIII (30 Henry VIII,1538), XIII, Part 2, No. 1280 (f. 11b). This was the same amount as he receivedfrom the same source in 1529 ; see L P Henry VIII (20-23 HenryVIII), V, 310.

12. L P Henry VIII (31 HenryVIII, 1539), XIV, Part 2, No. 781 (f. 68).

13. Most of the information on John Clement containedin this article was uncovered by Jack Leslau and is taken from his researcharticle Holbein and the Discreet Rebus .

14. The Complete Works of St. Thomas More,Vol. IV: Utopia ed. Edward Surtz, S. J., and J. H. Hexter(New Haven, 1965), p. 40

15. A. Schillings, Matricule de l’Université deLouvain, III, Août 1485 – 31 Août 1527 (Brussels, 1958), Entry No. 128, p.42. Jack Leslau has pointed out that this entry stands out among the adjoiningentries it its absence of family, place of origin, or qualifying status.

16. A. Schillings, Matricule IV, Février1528- Février 1569 (Brussels, 1961), entry no. 86, p. 423. During theperiod covered by volume IV, out of some 26,000 students inscribed, theclassification non juravit was applied in eight othercases, five of them due to absence of the student at time of registration.

17. L P Henry VIII (26 Henry VIII, 1534), VII, No. 1251, PRO SP1/86. p. 75.

18. Sir Michael McDonnell, The Register of St.Paul’s School 1509-1748 (privately printed for the Governors, 1977).

19. Marjorie McIntosh, References topeople surnamed Clement in the Havering/Hornchurch/Romford materials used byMarjorie McIntosh (Unpublished research report).

20. A. W. Reed, pp. 329-39. His library contained 40books in Greek, 139 in Latin, and one in English. Reed estimates their monetaryvalue at £30 13s 4d, or about US $50,000 today according to my estimate.

21. PRO SP10/14/71

22. Calendar of Patent Rolls (1 Mary, 1554) I, 309, dated 8 May 1554.

23. A.Schillings, Matricule IV, entry no. 3, p. 634.

24. A.Schillings, Matricule IV, entry no. 55, p. 738.

25. For the place of residence, DNB.Notice the proximity of 1 Blokstraat to the church. I was informed by theMechelen tourist office that part of the body of Margaret of Austria is buriedbehind the altar of the church.

26.See Elizabeth F. Rogers, Margaret of Austria’s Gifts to Tunstal,More and Hacket (1529) in Moreana 12 (Nov. 1966), pp.57-60.

27.Jack Leslau, art cit. Part II, p. 5. Also DNB, IV, p. 489. See TheCorrespondence of Sir Thomas More, ed. Elizabeth Frances Rogers (Princeton,1947), p. 79. Also De illustribus Angliae Scriptoribus, item 768 -- In exilio Confessor obijt Mecliniae primo die Julij, anno postaduentum Messiae 1572, sepultus est in Ecclesia S. Romboldi propetabernaculum, iacentque in eodem tumulo coniuges…

POSTSCRIPT

Thefollowing additional document concerns the age and status of John Clement. Tomy knowledge, it is unique among written materials in tending to confirm theevidence otherwise available solely from continental sources ; first, forClement belonging to an earlier generation than indicated by the presumed birthdate of 1500, and, second, for being of noble birth.

Thereis a listing in Letters Papers Henry VIII (2 Henry VIII), I, Part2, Appendix, p. 1550 (f. 10d) of the challengers and those answering thechallenge at a feat of arms pas d’armes plannedfor the afternoon of Wednesday, 1 June 1510. The list is as follows :

King – Lord Howard                       King– John Clement

Knyvet – Earl of Essex           Knevet– Wm Courtenay

Howard – Sir John Awdeley     Howard– Arthur Plantagenet

Brandon– Ralph Eggerton              Brandon – Chr. Garneys

It would appear thateach challenger took on two opponents during the afternoon. Of the ten participantsbesides Henry VIII himself, Lord Howard, Thomas Knyvet or Knevet, the Earl ofEssex, William Courtenay, and Arthur Plantagenet were closely related by bloodor marriage to the king.

Two participants,Lord Howard and Charles Brandon, were to become the premier peers of the realmas the Dukes of Norfolk and Suffolk.

Those related to theking belonged all to the generation of the king’s mother, Elizabeth of York.Who were the five relatives ?

Lord Thomas Howardwas to become better known as the third Duke of Norfolk when his father, thesecond Duke, died in 1524. Born in 1473, he was 37 or thereabouts in June 1510.The king was less than 20. Thomas Howard II was then married to AnnePlantagenet, sister of King Henry’s mother. He was the king’s uncle bymarriage.

Sir Thomas Knyvet orKnevet was the son of Eleanor Tyrrell, sister of Sir James Tyrrell, reputedmurderer of the Princes in the Tower. He was married to the sister of LordThomas Howard. His brother Edmund seems to have studied under Colet, beingnamed in Colet’s Will.

Henry Bourchier,second Earl of Essex, was Henry’s cousin, the son of his great aunt, AnneWoodville, sister of Elizabeth Woodville. He too belonged to the oldergeneration, possibly born in 1471. If this is true, he would have been about 39in 1510.

WilliamCourtenay, 18th Earl of Devonshire, was married to Henry’s auntCatherine, sister of Elizabeth of York.

ArthurPlantagenet was the illegitimate son of Edward IV by his mistress DameElizabeth Lucy. He was therefore half-brother to the king’s mother and to thewives of Lord Howard and William Courtenay.

Howard, Bourchier,Courtenay and Plantagenet were of the blood royal in their own right,irrespective of other links in the case of ties by marriage.

Charles Brandon, futureDuke of Suffolk, would become Henry’s brother-in-law after his marriage to theking’s sister Mary on the death of her husband, the French king. He was youngerthan the others, having been born in 1484.

If we look at theages of the noble guests on the afternoon of 1 June 1510, we find that theconventional John Clement, puer meus of ten years of age, would benotably out of place. However, a John Clement who had been in his teens atLouvain in 1489 would be a contemporary. Furthermore, a noble John Clementwould be an appropriate answerer to the king’s challenge in the company of suchdistinguished companions.

Résuméen français.

Pourle Dictionary of National Biography, John Clement est un homme de naissance modestequi à 15 ans accompagne More à Bruges en 1515, étudie puis enseigne à Oxford,devient docteur en medecine a Padoue, épouse une fille adoptive de More,preside le Collège des Médecins, s’exile outre Manche sous Edward VI puis sousElizabeth, meurt à Malines en 1572. Ce curriculum vitae ne rend pas compte detout. Non content de l’étoffer en décrivant le manoir occupé dans l’Essex parClement et l’inventaire de ses biens, Thomas Merriam relève son nom dansplusieurs documents qui suggèrent une ascendance mystérieuse :

En1510 (postscript) John Clement participe à un pas d’armes avec Henry VIII etdes seigneurs de la plus haute noblesse, tous nés au 15e siècle. Un JoannesClemens anglais immatriculé à Louvain en 1489 puis en 1551 est dispensé duserment, la seconde fois pour une raison occulte . Les 62 ansd’intervalle peuvent suggérer deux personnages, mais ce nom est rare, et ladispense exceptionnelle. En 1534, Cromwell fait allusion à un secret concernantJohn Clement et parle des ‘grands porteurs’ de ce secret. Bref, le dernier motn’est pas dit sur le puer meus de l’Utopie. Jack Leslau essaie avec l’auteur derésoudre l’énigme de John Clement.

G. M.

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Jack LESLAU                                              Moreana XXV, 98-99(Dec. 1988), 17-36

The Princes in the Tower

In her clever novel TheDaughter of Time (1951) Josephine Tey presents an intriguing defense ofRichard III (1452-1485) in the matter of the death of two princes in the Towerof London (1483?). In her book, it was not Richard III but the first Tudor kingHenry VII (1457-1509) who was responsible for the death by murder of Edward V(b. 1470) and Richard, Duke of York (b. 1473), the sons of Edward IV(1442-1483).

Since historicevidence to date has not produced conclusive proof that the two boys werekilled at all, 1 leaving the case open torenewed examination, I propose to consider a third option ; that they were notin fact killed but were destined to live on under false names and identities as notional persons (persons who only apparently exist). 2

A considerable amount of research and professionalassistance from various disciplines will be required in order to verify thisthesis. In the present article I can only point to a number of indications,which seem to support the theory and my personal view. In this connexion, Iwill have to introduce a negative intelligence (or evidence) evaluationtheory (NIET), which may, for its own sake and on its own merits, attract ascholar’s attention. 3

I will summarise my initial observations andfindings under three headings :

1)Interpretation of Thomas More’s manuscript/book (1513-1518), The History ofKing Richard the Third  ;  4

2)Interpretation of Holbein’s large portrait of More’s household, in comparisonwith the sketch he made in Chelsea (1526-1528) ; 5

3) Certain documentary evidenceregarding Doctor John Clement, one-time secretary of More and member of hishousehold, who married (in 1526?) More’s adoptive daughter Margaret Giggs. 6

                                                        

Section 1

The History of King Richardthe Third

by Thomas More

(1477-1535)

A worrying featureof the material I have to present shows that these matters were being canvassedover a substantial period of time. 7 Interested parties raised the inherent contradictionsas a subject for discussion. It is not at all clear that the problems were readand minuted for systematic objections. My reservations concern the officialresponse to the public interest – which was required to assume that all waswell. 8 This is a little troubling and wewill revert to it later.

The time-honouredpractice before tackling a work on which official reliance is placed is to askwhether that reliance is well placed.

At the time ofwriting his book (which later circulated as a manuscript and was not printeduntil 1557), Thomas More was Reader at Lincoln’s Inn and Under-Sheriff of theCity of London. His public career ended as Lord Chancellor of England(1529-1532). He was put to death for High Treason, a martyr for the unity ofthe Church. He was also known as the cleverest lawyer in Europe and he indeedacts as a patron saint of common lawyers. He was canonised in 1935.

At another level, he was the most famous intellectual ofhis day in England. It might seem foolish to challenge the trustworthiness of abook written by an author of such high intellectual and moral standing. Andyet, at the time that the princes disappeared, he was not much more than sixyears old. Thomas More had no direct first-hand knowledge of the events he sographically and dramatically relates. He names no source. To be blunt, he wasrepeating thirty-year-old street gossip.

A lawyer risks hisreputation as a serious person by allowing his name to be associated with abook of unsubstantiated hearsay evidence. 9

The central mostserious allegation in the book – written down by a well-known and muchrespected person – is that the princes had been murdered at the instigation oftheir paternal uncle, Richard III.

The impression isof a lawyer lending respectability to the story that the princes were dead. 10

However, at no timedoes the author say that these things really happened. This is negativeevidence (see Note 3). Close reading shows that what the author does say isthat Men really say these things happened.

My reservations are concerned with those officials responsible forpermitting a misreading of matters of fact. 11

Some points are not contradicted and are not in dispute. It is amatter of common agreement that 191 years after the disappearance of the twoprinces (1483), the skeletons of two young bodies were found by workmen in the Towerof London (1674). Investigation reveals that the remains were of two children(sex uncertain) aged about 13 and 10 years respectively at death. 12 An inquirer may be surprised to read that noevidence of identity was present with the remains. What is the basis for theassumption that the bodies were indeed those of the princes ?

It is widely agreed that reliance has been placed upon the informationcontained in More’s book, commenced in 1513 (some 161 years before thediscovery of the bodies in 1674) ; i.e. the alleged murder of the two princesat the ages of about 13 and 10 years.

The time period between the undoubted disappearance of the princes(1483) and the date when the book was written (1513-1521), some 30 years,merits further investigation, just as does the evidence of identity based uponthe apparent ages of the remains of two young bodies.

For the moment, myreservations are concerned with the remains, which were removed to their finalresting place in Westminster Abbey. We may safely conclude that officialapproval was sought and was given – and the public interest required to assumeall was well. 13

And yet, we mustreturn to the simple fact that the negative evidence was omitted. The negativeevidence – what was not there and which, reasonably, we might have expected tofind there – was disregarded.

First, the negativeevidence concerning the mother of the two princes, Elizabeth Woodville(1437?-1492).

When a mother doesnot claim that her sons are dead or missing, we may reasonably conclude thather sons are neither dead nor missing. 14

Neither did the mother attribute responsibility for their undoubteddisappearance to her deceased brother-in-law (Richard III), nor to her livingson-in-law (Henry VII).

We may assume there was considerable risk of disclosure by the mothershould either her brother-in-law or her son-in-law attempt to abduct her twochildren against her will.

This negative evidence directly contradicts the official view that theprinces were murdered and that the person responsible was either the mother’sbrother-in-law or her son-in-law. 15

My reservations concern the possibility that the princes were neitherdead not missing but had disappeared from public view with the knowledge andconsent of the mother, her brother-in-law and, later, her son-in-law.

An inquirer may be surprised to read that the possibility of acollusive arrangement between the principals, which resulted in thedisappearance of two young children, was never tested.

It was overlooked that the disappearance of two male children from acontested dynasty might be directly related to the silence of their mother andthe subsequent marriage of their sister (in 1486) to the leader of thecontesting dynasty.

To save her life and children’s lives and ensure the continuedwell-being of her large family, the widow of Edward IV remained silent upon thecontinued existence of her two sons and consented for her daughter, Elizabethof York (1465-1503), to marry the newly-crowned Henry VII – a collusivearrangement with her son-in-law.

The impression is of danger to an entire country from Henry VII in theevent of any show of non-compliance ; and the activities required of a dirtytricks department and their conscious and unconscious agents in Richard III,Henry VII, Henry VIII and thereafter. 16

For the present, we may safely assume all was not well – far from it –and that there is a case to answer on why the official view prevails and isregarded as definitive.

We may also decide that there was a motive for the official relianceplaced upon a misreading of the book. Similarly, that there was a motive behindthe writing of the book. That motive becomes cogent if the princes lived on, asconjectured.

Fear of disclosure was that motive, from first to last.

Upon the assumption that secret history is true history, I must nowintroduce the new evidence of a contemporary witness, Hans Holbein the Younger(1497/8-1543), that More’s story was a blind to lay down a smokescreen over thecontinued existence of the two York princes, the uncles of Henry VIII, the brothersof the Tudor king’s mother. 17

Section 2

The Group Portrait of Sir Thomas More and hisFamily

at Nostell Priory, West Yorkshire.

The portrait is the property of the Lord St. Oswald and Trustees andhas not been out of family possession since it was painted for Margaret andWilliam Roper, daughter and son-in-law of Sir Thomas More. Family documentsshow that it was painted by Hans Holbein the Younger, probably in the GreatHall of the Roper family home of Well Hall, at Eltham in Kent, some time duringhis second visit to England, after 1532. The painting descended to the presentowner after the marriage, in 1729, of a young Roper co-heiress, SusannahHenshaw, to Sir Rowland Winn ; who, after payment to two brothers-in-law, inorder to gain sole ownership, brought the painting from Eltham to Nostell,where it is on view to the public. 18

I now have to draw attention to the discreet placement by the artist ofconventional symbols in an end-on relationship with unconventional symbols (andother unconventional elements) in the composition of this large oil-on-canvaspainting (approximately, 3,5 x 2,5 metres). But first, I have to inform thereader of the results of my own amateur investigations into the art world.

Because there is no authority in this particular field – indeed, theunconventional symbols are unrecorded – I tested the theory that these latterwere pictorial representations of linguistic equivalents ; and I repeated theexperiment upon several hundred similar unconventional elements contained inseventy-three works attributed to Holbein, successfully.

I concluded that the artist had left information for posterity –personal and political, concerning his sitters, mostly in the French language –in a hitherto unknown secret method of communication, some sort of rebus, whichI named a covert rebus. 19

I then made a comparative study of Holbein’s original sketch of thefamily group (made in 1526? and taken by him to Basel in 1528?) and observed onemajor and some eighty minor changes in composition in the post-1532 portrait.In each case the changes were relevant to the rebus. We may usefully considerone of those changes, which concern us.

The most striking change is the artist’s inclusion of another figurein the family group, omitted from the sketch, the man in the doorway.

For a substantial period of time this person has been conjecturallyidentified as John Harris, More’s secretary. And yet he is depicted highest inthe portrait (a position conventionally reserved for the person of higheststatus). The fleur-de-lys marks him (a symbol of the French kings, fromwhom the Plantagenets are descended). The artist also marks him with a buckler,a warrior’s status symbol (Oxford English Dictionary : ‘buckler’ – ‘todeserve to carry the buckler’, ‘to take up the bucklers’ – which has earlyassociations with ideas of ‘worthiness’, ‘to enter the lists’).

These conventional symbols are in close relationship withunconventional symbols – which conjecturally identify John Harris reading abook in a back room.

The person of highest status is marked by unconventional symbols whichindicate a notional person who holds the right and title of nobility, a doctorwho is royal, husband of Margaret Clement, whose real identity is Richard, Dukeof York (depicted wearing Italian style of dress), conjecturally identified asDr. John Clement, who did gain his M.D. in Siena. 20

Clement is depicted with dark hair, of medium height and build. Thepose is a close reflected mirror image of the standard portrait of Richard IIIand might be said to favour the cingularis image. 21  Althougha Neville descendant, like his uncle, Richard III, Clement does not favour thetall, blond, beefy Neville men. Perhaps it should be mentioned here, withoutwishing to imply that the artist’s information is prime evidence, that upon thedeath of his elder brother, Edward V (who conjecturally lived under the covername of Sir Edward Guildford and allegedly died in July 1528), Clement becamethe rightful heir to the throne of England.

We may conceivablyconclude that the story that Richard, Duke of York, was murdered (1483) isfalse and that the book was indeed More’s blind to lay a smokescreen over thecontinued existence of the princes and their descendants (who must be protectedfrom retrospective identification). 22

Although we cannotbe certain how the artist obtained his information, Holbein appears to say heis deeply concerned that More is risking his life in such a way, that thewriting of the manuscript and its circulation may be clumsy or clever –implying that time will tell.

However, More mayhave served rightful heirs as well as legal heirs. This remains to be assessed.The artist has sacrificed the aesthetic quality for the sake of the rebus insome 73 pictures, something unheard of in the world of great art and, inconclusion, I must return again to the witness, Holbein. 23

We will have toconsider carefully his paintings and whether he suffered from mythomania and ifwe should believe him. Or, was it all a pack of lies ?

We must also look for a motive and explanation for the method in whichhe left his information.

Clearly, he could have left his story in a diary, possibly in code,hidden somewhere in a building, or buried in the ground for someone to find ata later date. In this way, there would be little personal risk. But again, whyshould the story be believed at any future time ? It is this central point ofrisk to which I must finally draw attention.

It might seem undeniable that Holbein’s paintings were left by him,literally ‘on the wall’, for anyone to see. They were not hidden away. Therecould be no guarantee of security for his method of communication. At anymoment an enemy might have seen and understood. There was a considerable riskof discovery, of which we may assume he was aware. In the event, the risk wasnot merely confiscation of goods and chattels, but death.

Perhaps we should listen with respect, neither believing nor disbelieving,but just remembering one brave man among many. Alternatively, we may concludethat Holbein was a credible and independent witness at the English court, aGerman observer and competent reporter of the great persons and events of thesixteenth century – a man whose art concealed his art for posterity — which mayrequire some change to the recorded history of Tudor England. It is a matterfor the reader to decide what recommendations should be made and to ensure thatthose recommendations should not be shuffled off until another century.

Section 3

John Clement and negative intelligence

(or ‘evidence’) evaluation theory.

A slightly worrying feature of the material I have to present shows thatwe have often allowed ourselves to rely on positive evidence, such as documentsand artefacts, over a substantial period of time, without a proper system ofchecks and balances. My reservations concern a system that apparently placedreliance upon positive evidence without proper checking of the negativeevidence as, for instance, in the case of the genealogies of the royal housesof Europe.

Few records were better kept, if any, or were moreofficially authenticated. The royal genealogies are widely regarded asunchallengeable. And yet, we must return to the simple fact that the negativeevidence was overlooked. Because of this, the risk existed that any conclusionbased upon the positive evidence was solely the product of the criteria appliedand those criteria had omitted the negative evidence which was not there ;namely, the multiple births.

In a sample of some 50,000 royal births since thefifth century, there is not one set of twins recorded. And yet the incidence oftwins is well known and can be predicted : at least one in one hundred births,ten in a thousand, and some 500 in 50,000. We must not invent a new biology forroyal families. Clearly there is a case to answer concerning the apparentnon-records of the incidence of royal multiple births.

We may further conclude that positive evidence can be faked bycommission or omission -– but not negative evidence. This is our centralpoint.

In this section we are concerned with methods and, as in thisdeveloping case, the method of approach to a problem is sometimes moreimportant – in order to obtain a correct hypothesis – than the seeminglyall-important problem itself, which may be resolved by other means.

In the case of Dr.John Clement, we observe that he became president of the College of Physicianswithout any record of family credentials, place of origin or birth. Theposition was in the gift of the king.

                                                        

The most careful search has revealed no official document bearing his signature.Signatures or records of their former existence remain extant for everypresident since the granting of the letters patent to the college in 1518 –except for Dr. John Clement. Similarly, portraits or records of their formerexistence remain for every president up to the present day – except Clement.This NIET negative evidence has been confirmed by the Royal College ofPhysicians and the Welcome Foundation Medical Museum, London.  However, an entry in the register of theUniversity of Louvain, for January 1551 (already quoted in Moreana No.97, p. 146), states (in full):

Dominus JoannesClemens, medecine doctor, anglus, nobilis (non juravit ex rationabili quadam etocculta causa), sed tamen promisit se servaturm juramenta consueta.

     Author’s translation :

The Lord John Clement, doctor of medicine,English, of noble birth 24 (has not swornthe oath for a reasonable hidden cause), but has nevertheless promised to keepthe customary oaths.

 

The entry is in the rector’s hand, in accordance with universitycustom and rule. The rector’s bracketed explanation is unique for the period 31stAugust 1485 to February 1569, when a total of 49,246 names were inscribed.

We may assume the rector was not naïve and realised that Clement wasnot the name of a noble family, that he indeed knew who he was and that hecould not permit Clement to swear the oath under a false name, that perjury wasa serious matter, and the university might lose its right to the privilegiumtractus if discovered. Similarly, if this were to happen, that Clementwould no longer be protected from prosecution by the civil and ecclesiasticalauthorities and that his name must be on the register in order to gain theprivilege.

The open declaration by the rector of Clement’s noble status impliesthat he was aware Clement was living under an assumed name, though not for anyfraudulent purpose. This was not illegal. Clement’s profession and country oforigin are openly stated. The rector could prove that John Clement had neversworn nor had need to swear the customary oath, that he was a special case,for, as far back as 13th February 1489, a John Clement was firstinscribed. (See : Matricule de l’Universitéde Louvain, Vol. III, ed. A. Schillings, publ. Louvain, 1958, p. 42. #128,  Johannes Clemens (non juravit)Feb 13 1489’. 25)

In 1489 the customary age for entry to university was between sixteenand seventeen years. On August 17 in that same year, Richard, Duke of York,born 1473, would have reached sixteen years of age. More’s possible role inproviding a false early background for Clement, essential for a notionalperson, remains to be assessed. 26

Fortunately, advances in modern technology enablethe case to be tested, reliably and conclusively. 27

If Sir Edward Guildford and Dr. John Clement were indeed brothers, itis scientifically possible to prove (or disprove) consanguinity from a geneticstudy of a suitable sample taken from each body – a small residue of tissue, orhair. If the test proves negative, the present historical case falls to theground. If the test proves positive : we have grounds for further investigationof the claim that these men were notional persons, either one or the other, orboth. At the same time, since we know that the genetic material in every humanbeing is derived from each parent at conception and that approximately half ispaternal and the other half maternal in origin and identifiable in theoffspring, a reasonable point of departure might be a similar examination of asample taken from the bodies of Edward IV and Elizabeth Woodville, the parentsof the two princes, in order to fully verify the present argument concerningthe real identities of Sir Edward Guildford and Dr. John Clement. 28

The solution to this scientific problem provides a solid core foron-going historical conjecture based on NIET criteria. (See Note 3 et passim)

If what Holbeinstates is found to be true on the point of the real identity of Dr. JohnClement, the reader may not be surprised that due to a family difference ofopinion the younger prince was exiled or exiled himself to Flanders where(except for the Marian period when he returned to England) he lived for therest of his life with his family and much of More’s circle. He remained true tothe old religion, lived to an advanced age, and was buried beside the highaltar of St. Rombaut’s Cathedral, Mechelen, in 1572. At the time, burial at thehigh altar was reserved for the scions of the royal house of Burgundy, thefamily-by-marriage of his paternal aunt, Margaret of Burgundy, née Margaretof York, whose court was at Mechelen, former capital of Flanders.

Finally, all thisdoes not imply that academia has failed in its duties. This is not the case.Those duties have been carried out with great care and undoubted success over asubstantial period of time. My reservations are concerned with what appears tobe a system that had developed which did not match advances and procedures inother scientific fields. There must be a proper and effective checkingprocedure and the inquiry will want to know what was the system for checking :was it a good one and was it operating properly.

I have argued that any method which omits to state criteria or failsto follow systematic verification (and falsification) or all known evidence,positive and negative, without offering a best-fit hypothesis basedsoundly upon a balance of probability, in an on-going method of inquiry, is aninherently inadequate procedure. However, I trust that the initial evidencepresented above, both positive and negative, is sufficient to sow the seeds ofreasonable doubt required to justify and make possible an open minded andmulti-disciplined re-opening of the case.

10 Glenwood Grove                                          Jack LESLAU

Kingsbury

London NW9 8HJ

NOTES

1. For the mostauthoritative argument, I will rely on The Complete Peerage ofEngland, Scotland, Ireland, ed. G. E. C. Cokayne, Vol. XII (2), 1959, Richard,Duke of York, with special reference to Appendix J. The impressionis that all writers on the princes, before and since Cokayne, omit the presentthesis, first presented by the author in 1976. See : Did the Sons ofEdward IV Outlive Henry VII? , The Ricardian, Journal of theRichard III Society, Vol. IV. No. 62. Sept 1978, pp. 2-14. See also Ricardiana in Moreana by M.-C. Rousseau, published in  Moreana 87-88 (Nov. 1985), pp.175-176. Re. The actual fate of the princes, Cokayne documents conclusivelythat there exists no conclusive proof ! (See Appendix J, op. cit. pp.32-39).

2. For an insight intothe theory of notional persons, I recommend The Double-Cross System in theWar of 1939-1945 by J. C. Masterman, Yale University Press, New Haven,1972.

3. Evidence that is notthere is defined as negative evidence , and evidence, which isthere, is defined as positive evidence . We assume thatpositive evidence can be fake – negative evidence cannot – and thus investigatethe potentially more reliable evidence. The significant absence of informationis tested on the basis of negative evidence -- people, things and ideas –-which is not there and which we might reasonably expect to find there. We testthe assumption that negative evidence is, fundamentally, positive evidence(negative evidence does not mean ‘negative’ evidence, which latter uniquelyimplies falsification of an hypothesis). In Conan Doyle’s short story Silver Blaze , ‘the dog that did not bark’ is negative evidence.Sherlock Holmes stressed the importance of what was not there and what,reasonably, he expected to find there. The dog did not bark because the unknown thief was its master.

4. The History of KingRichard the Third written in or about 1513 (according to his nephew WilliamRastell, publisher of the 1557 edition of More’s Workes) facsimileby Scolar Press, 1978.

5. See The Paintingsof Hans Holbein the Younger by Paul Ganz, First Complete edition, PhaidonLondon 1950, pp. 282-283.

6. Margaret Clement (d. 1570). Daughter of Thomas and Olive Gygges of Burnham in Norfolk.Kratzer says ‘Margaret’s cognata’, referring to More’s eldest daughter,Margaret (G. Marc’hadour conjectures co-born ). There isindeed pictorial evidence that they were born in the same year (1505, afterHolbein). More does not speak of adoption or wardship. He only ‘numbers heramong my own’ and ‘she’s no less dear to me than if she were my child’ (TheCorrespondence of Sir Thomas More, E. F. Rogers, ed., Princeton, 1947,letters 43 107). Curiously, More does not include her name in the poem tohis children, which unlike the letters from court, was published by him. About1526, she married Dr. John Clement, out of More’s house. (I wish to thank theCanonesses of Windesheim for kindly permitting publication of research intocontemporary and other material on the Clement family in the archives now atThe Priory of Our Lady, Sayers Common in West Sussex, formerly of St.Augustine’s Priory, Newton Abbot in Devon ; community now disbanded since1983).

7. See Cokayne, Note 1,above.

8. TheTudor theory concerning the disappearance of the princes: It is not at allclear, but there does exist a contemporary rumour, unsupported by documentationand from an uncertain source, that sometime during the period April 9-July 6,1483; i.e. from the death of Edward IV to the coronation of Richard III – aclaim was made that a pre-contract between Edward IV and Lady Eleanor Butlerinvalidated the king’s second secret marriage. The Bishop of Bath Wells,Robert Stillington, had claimed in Parliament that indeed he had performed theceremony. When challenged he protested that he had been overtaken by laterevents, but now that the question of the rightful royal succession was laidbefore him, his conscience made him speak out. Parliament agreed that if thesecond marriage was bigamous, the children were indeed illegitimate. A fullhearing of the case was envisaged and a date set down, but there is no officialrecord that it did indeed take place. It was about this time Richard saw hischance and usurped the throne. From other reports, the princes disappeared fromthe Tower later that year. The current rumour was that before the death oftheir uncle Richard III at the Battle of Bosworth (22 August 1485), the princeshad been murdered. The major implication is clear : Richard was responsible fortheir deaths.

TheYork theory assumes that theprinces were not killed at all. If Stillington’s allegation was true as claimed– and he did not retract it – Richard III was the rightful and legal heir indescent from Edward III. However, the accession was announced openly anddefined narrowly in the highly unconventional ‘title of king’ (The Act of TitulusRegius). The negative evidence shows that Elizabeth Woodville and EleanorButler at no time are reported to have either publicly acknowledged or deniedor confirmed the central major implication of Stillington’s allegation.Information left for posterity in Holbein’s method implies Richard loyallytried to cover up his elder brother’s extremely bad behaviour but was obligedby force majeure to declare an impediment in the children. Thefuture victor at Bosworth (later Henry VII) saw the main chance and prepared toinvade England from France. For the protection of the realm, Richard tookcharge in the title of king. The two princes were hidden for their own safetywith friends, the Tyrrells, with maternal consent. The over-anxious andambitious Elizabeth Woodville still felt at risk from the traditional Yorkfamilies (who had not forgotten her undistinguished entrapment of the late king).Richard’s repeated attempts at reassurance failed. Rather than run with theYork hounds she knew, the widow of Edward IV fell prey to a Tudor fox she cameto know, whose dirty tricks department notionally murdered her sons. Tobe assessed.

9. The very fact that More did not go into printsuggests two possible motives : (a) a circulating manuscript has a strongergossip-effect ; (b) More would not like to see a pack–of-lies in print ; itmight make him more formally responsible to his friends for all the nonsensetherein.

10. Dirty(and other) Tricks: In security agency jargon, the person who tells anofficial lie, knowingly, is a conscious agent ; andthe person who repeats the lie, unknowingly, is an unconscious agent. If the princes indeed lived on, the investigation reveals theexistence of conscious and unconscious agents reporting the blackwashing of Richard III. Requiring assessment (see Cokayne, loc.cit.):

1)Thomas More (conscious) – in The History of King Richard the Third.

2) Thecontemporary author of The Chronicles of Croyland (conscious) – whonever identified himself.

3).Dominic Mancini (unconscious) – an Italian visitor to England (See: DeOccupatione Regni Angliae, edited and translated by C. A. J. Armstrong,London, 1936.)

4)Polydore Vergil (conscious ?) – an Italian resident in England, royalhistoriographer, who for many years held the position of sub-collector toCardinal Adrian de Corneto, Bishop of Bath Wells, who held the office ofCollector for England in Henry VII’s reign. Arguably, in the pay of the Tudors.See Letters Papers, Foreign Domestic, Henry VIII, Vol. I,part I, 1509, ed. R. H. Brodie, publ. HMSO, London 1920, p. xiv. Seealso Polydore Vergil’s Anglia Historia, ed. Denis Hay, Camden Society 1950,and cf. Denis Hay, Polydore Vergil, Oxford, 1952.

We maybe surprised to read that the wartime technique is described as a tacticalmuddying of the waters – and leaving them muddy (Masterman). Wemay also be surprised that in order to cause harm to an individual orindividuals, false information is deliberately planted in fertile soil in orderto grow. Similarly, misinformation is scattered (also known as ‘trailingbirdseed’) to be picked up by hungry little chatterboxes and deposited far awayfor consumption by others. Essentially, the information is intended, quitedeliberately, to distort others’ perceptions of matters of fact, and the methodis widely used as part of the overall strategy of a special dirty tricksdepartment within a national security agency. (Masterman. See Note 2)

11. See Richard III, by R. S. Sylvester, TheComplete Works of St. Thomas More, Yale University Press, New Haven, 1963, Vol.2, p. lxxviii:

Inactuality his narrative seldom claims to be more authoritative than his sourcesit asks us first of all to credit not that what ‘men say’ really happened, butthat men really say that it did happen. If we construe these appeals toauthority as merely rhetorical devices which lend an aura of objectivity toarrant falsehood then we are forced to deny the demonstrable fact that othermen had indeed ‘said’ what More makes them say in his narrative.

Seealso Richard III and his Early Historians 1483-1535 by A. Hanham,Clarendon Press, Oxford, 1975, p. 190, Sir Thomas More’s SatiricalDrama :

As a joke against historians,the History of King Richard the Third has indeed had a success brilliantbeyond anything that its creator can have intended.

12.Thomas More wrote that the bodies of the murdered princes had been buried atthe foot of a staircase in the Tower of London. There is no earlier account ofthe alleged place of burial. Like ‘The Man who Never Was’, the bodiesmay have been a plant. Alternatively, there may be some other reason for theirburial there. Upon the basic assumption that the princes lived to maturity, itfollows that the remains of the two young bodies now resting in WestminsterAbbey cannot be those of the princes. This still has to be assessed.

13. The remains of the bodies were found in 1674,during the reign of Charles II (1630-1638) who, we may assume, authorised theirreburial. Investigation reveals that Sir Edward Guildford ,allegedly a notional person whose real identity was Edward V (1470-1528?), theelder of the two princes, was appointed Standard Bearer by Henry VIII(1491-1547). His descendants remained close to the Court there after ; forinstance, his grandsons Guildford Dudley (1530?–1554), husband of Queen JaneGrey (1537-1554) and Robert Dudley (1532?–1588), the famous Earl of Leicester,during the reign of Elizabeth I (1533-1603). The rightful heir was courting thelegal heir. The present descendant is Viscount de L’Isle Dudley who, nodoubt, expects me to convince the historians of his descent from the Princes inthe Tower !

14.From the death of her husband in 1483 until her own death in 1492 there is noreport of a claim by Elizabeth Woodville, the one undoubtable source,that her children were either dead or missing.

15. Objectionby historians (See Cokayne, cf. Note 1). The principal objection ofsome historians, lest blame for murder be attributed to Henry VII, is that theprinces disappeared during the lifetime of Richard III. My reservations concernthe unsafe assumption of murder, and only murder, in order to account for theirdisappearance.

16. OnJuly 21 1978, an injustice done to Sir Thomas More more that 400 years ago wasremedied in the House of Commons by the passage through all its stages of theStatute Law (Repeals) Bill, a consolidated measure, which had already passed theHouse of Lords. The Bill repealed 222 Acts dating from 1421 to 1977 and 136parts of Acts and a Church measure on the grounds that they were no longerpractical. Among them was an Act of 1535 that had taken away from Sir ThomasMore a conveyance, on the grounds that he had obtained his land at Chelsea,fraudulently. Mr. Arthur Davidson, Parliamentary Secretary to the Law Officers’Department, in charge of the Bill said:

It seemsto suggest that in the court of Henry VIII there was a dirty tricks department,and a very effective one.

(Forsummary report, see The Times of London, July 22nd,1978, p. 1)

17.Erasmus tells a story of More taking him to visit ‘the royal children’ atEltham in 1499. The impression is that More, as a young man, was on friendlyterms with the Queen of England. Remaining to be assessed. (See OpusEpistolarum Des. Erasmi Roterodami, P S H M  Allen, Oxford, Vol. I, No. 1)

18.Investigation of reports from the National Gallery, London (1951), the CourtauldInstitute at the University of London, the Hamilton Kerr Institute at theUniversity of Cambridge (1981), and radiocarbon dating of the canvas in theDepartment of Geosciences of the University of Arizona at Tucson (1983),substantially verifies the family documentation. Despite a raging controversyin the art history world, that the Group Portrait is a copy, the evidence givesthe painting to Holbein. Upon receipt of the news from Arizona, the paintingwas re-dedicated before a distinguished audience, in the presence of the LordChancellor, Lord Hailsham of St. Marylebone – a tribute to a former LordChancellor, Sir Thomas More. (Reported in the Spectrum article HowHolbein hid a royal secret by Geraldine Norman, in The Times of London, 25. 3. 1983) See also Unveiling of the More FamilyPortrait at Nostell Priory by Thomas Merriam, Moreana 79-80(Nov. 1983) 111-116. The radiocarbon findings were challenged on thepossibility of error in the time scale. (See The Times ,loc. cit.) Merriam followed up the objections in The Times (see Moreana, loc. cit.)

19. It is not yet possible to quantify theprobability (so-called) of the cryptographic concealment. Such an assessmentmust be based on statistical arguments, and to be valid, large samples arenecessary. The evidence described here is sufficient to suggest that a thoroughinvestigation of the area is justified. Holbein’s paintings and drawings shouldbe brought together and assembled for open discussion in a public exhibition. Themathematical and cryptographic techniques needed to reach a conclusion shouldalso be of interest.

20.Clement is depicted in clothes normally associated with the Italian style,notably the sleeves and hat. John Clement was promoted M.D. at Siena, 30/31stMarch 1525 : Mr Io Clemens, Anglus, filius mriRuberti, in art. et med. doctorandus , Arch. di Siena, Vol. III,fol. 59v. See also : inconclusive research of E. Wenkebach in John Clement,ein Englishcher Humanist und Arzt des sechzehnten Jahrhunderts, Leipzig,1925, Anmerkungen, n. 49 ‘filius mri Ruberti’, et passim.

21. Richard III was known to be physically differentfrom his brothers. His badge was a white boar, given to him by his father, theold Duke of York. The colour white was a symbol of the House of York. Cingularis is the Latin word for a young boar at birth (when its back isstriped, not unknown in human babies) – a near-homophone of singularis or ‘one who is different’ or, ‘singular’. Only Moreattributed the famous humpback and withered arm. For a substantial period oftime, some thirty-three years, Richard III’s lifetime, there is no report thathe had some physical impediment. Investigation of certain portraits of RichardIII reveal subsequent over painting of a hump, a withered arm, and coarsefeatures – suggesting the dirty tricks department at a time when most peoplecould not read but, like children, understood pictures. Remaining to beassessed.

(I wish to thank M.-C. Rousseau for kindly revealing to me theconnexion of the cingularis/singularis homophone and its historicalsignificance. I also thank G. Marc’hadour for pointing out that sangliercomes from singularis and that, to some etymologists, this meansthe inherent ‘singleness’ [non-gregarious character] of the wild boar.)

22.The reader may not be surprised that investigation into the offspring, basedupon the theory of notional persons, has provided circumstantial evidence thatpoints retrospectively to a cover up of the noble ancestry of both SirEdward Guildford and Dr. John Clement .

23.Hans Holbein’s first visit to England began in 1526 as a guest in More’s house.He returned to Basel in 1528. He came back to England in 1532 and remained hereexcept for journeys abroad on the King’s business until he died of the plaguein 1543 in London.

24. In Utopia,More refers to John Clement as puer meus. This tallies with the vitathat places his birth about 1500. More does not refer to his nobleancestry. See : John Clement his identity, and his Marshfoot house inEssex by T. Merriam, Moreana 97 (March 1988), pp.145-152. Since publication of Merriam’s article, the College of Arms supportshis view, on the basis of the English documentary evidence, that Clement wasindeed of gentle or noble birth, and that this goes without saying. Similarly,the Rijksarchief in Antwerp, on the basis of the evidence in Flanders, issatisfied that the contemporary nobilis descriptions in the Matriculesde L’Université de Louvain conventionally reflect the status of nobility,and that John Clement was indeed of noble birth. In view of the absence of anyevidence of ennoblement (Lord Spiritual or Temporal), thisnegative evidence suggests the foregoing authoritative opinions uponsubstantive matters may also be correct in fact ; requiring verification (See :Note 27, below)

25. Matricules de l’Universitéde Louvain

See : (1) Vol. III, ed. A. Schillings, publ. Louvain,1958. 31 August 1485 – 31 August 1527. During this 42-year period, 23,479 nameswere inscribed : an average of 559 each year.

See : (2) id. Vol. IV, ed. A. Schillings, publ. Louvain,1961. Feb 1528 – Feb 1569. During this 41-year period, 25,767 names wereinscribed : an average of 628 each year.

Before entry, at minimum age of about 16 years, eachstudent was required to swear the following oath (text taken from Vol. III,fol. 2) :

Juramenta intitulandorumin manibus rectoris prestanda. Primo quod observabitis jura, privilegia,libertates, statuta, ordinationes et consuetudines laudibiles universitatisstudii Lovaniensis ad quemcumque statum deveneritis. Secundo quod observabitispacem, tranquillitatem et concordiam dicti studii in se, suis facultatibus etmembris, sub regimine et obedientia unius rectoris. Tertio quod universitati etejus rectori pro tempore existenti in licitis et honestis parebitis, ac debitumhonorem sibi impenditis. In principio libri precedentis habentur, et ibi videde stipendio rectoris quo ad sigillum de modo recipiendi scolares et familiaresad usum privilegiorum de qualificatione transportium et scolarium in quos fiunt.

See Schillings’s note inVol. III, (p. xii) :

Prendre un engagement solennel sousla foi du serment revient évidemment à accomplir un acte juridique pour lequel iffaut avoir la capacité requise.

Obviously, for a student to swear anoath under a false name would be a serious crime, namely perjury.

See also the note of FEES in Vol. III(p. xiii) :

Lesétudiants devaient payer un minerval pour leurs études. Au début, cette sommeétait remise entre les mains du recteur. Plus tard, elle sera payée au receveurde l’Université. Le montant de la somme était fixé.

It is not at all clear if Clement hadto pay his fees direct into the hand of the rector – or, as a politicalrefugee, whether he paid any fees at all. However, at a later date (see. p. xiv),we find :

…que les nobiles payaient plus queles divites et que la somme soldée par ces derniers était supérieure à celledes pauperes.

Nobility paid more for their tuitionthan the commoners and paupers. Dr. W. Rombaut, Director of the Rijksarchief atAntwerp, notes that upon occasion, nobles failed to declare their nobleancestry, in order to pay less !

See also Vol. III (p. xiv), re.the origin, significance and practical importance of privilegium tractus:

Lors de sa fondation l’Alma Materreçut beaucoup de privilèges notamment en matière d’impôts. Le plus importantde ceux-ci ètait incontestablement le privilegium tractus ou le privilège dejuridiction. Les fondateurs avaient estimé que l’Université ne pouvait pasjouir d’une indépendance complète si ses members n’étaient pas soutraits àtoute autorité ecclésiastique et civile autre que celle du recteur, presidentdu tribunal de l’Université.

And also, Vol. III (p. xv) :

Mais l’inscription dans lesmatricules était la condition indispensable pour pouvoir invoquer lesprivileges.

And, Vol. III (p. xv) :

L’étudiant n’était inscrit qu’uneseule fois, lors de son entrée à l’Université. Toutefois il n’était pas exclu quepour des motifs sérieux, par example une longue absence ou interruption, onjugeât utile d’immatriculer une seconde fois (renovavit juramentum). Le recteurdevait inscrire les noms des étudiants de sa main propre (which the editor discusses in the text).

According to custom and rule, therector is directly involved with the actual registration, which must be made inhis own hand. John Clement was unconventionally re-registered by more than onerector (see below) without the formally required renovavit juramentum.The impression is that the rectors are implicated in a collusive arrangementwith Clement. The best-fit hypothesis is that the rectors were loyallyprotecting the person known as John Clement, and that they knew his realidentity.

From the rectors’ point of view, it wasessential for Clement’s name to be on the register (in order to protect himfrom possible prosecution by the civil and ecclesiastical authorities) but theycould not permit him to swear the oath under a false name, which, in the caseof discovery or denunciation, might lose the university its right to the privilegiumtractus and cost the rector his job !

The impression is that the problem washonestly solved (almost !) by the earliest rector when he registered a JohnClement, without the students’ oath, on 13th February 1489.

Either this rector was an old man,forgetful and incompetent, or he deliberately omitted details of statusand origin.

In the latter case, the rector riskedthe possibility that the classification ‘non juravit’ (orsimilar) would be applicable (on just thirteen occasions from August 1485 toFebruary 1569) to privileged college servants (Schillings) and absentees, withcustomarily given status and/or origins – except in the case of John Clementand that this first entry would be revealed as unique for the period.

In Vol. III :

Tulpinus Causmans, servitor etpistor Mgri Johannis Moeselaer regentis in Castro, solvit juraintitulationis et non juravit. (p. 4, #58. 27.11.1485)

Denea filia Wissonnis ancilla MgriJohannis Petri de Capella, solvit jura intitulationis et non juravit.(p. 4, #59. 17.12.1485)

Johannes Clemens (non juravit).(p. 42, #128. 13.2.1489)

Bartolomeus de Stapel, servitorlaicus Spierinck non juravit. (p. 115, #103. 9.1.1495)

Urbanus Andree de Florenis, nonjuravit quia absens. (p. 368, #252. 2.10.1508)

In Vol. IV :

Joannes Pierz de Ostendis (nonjuravit). (p. 12, #1. 31.8.1528)

Jacobus de Namursi (iste nonprestitit juramentum quia non comparavit). (p. 87, #8. March 1533)

Carolus le Dusereau, Lymaliensis(non juravit). (p. 521, #435. 26.8.1555)

Arnoldus Proeven de TrajectoSuperiori, non juravit. (p. 526, #161. Feb 1556)

Nicolaus Bahuet, Bruxellensis, nonjuravit propter ejus absentiam. (p. 541, #95. Jan 1557)

Urbanus Beringerius, Cameracensis,non juravit quia absens erat. (p. 541, #101. Jan. 1557)

Johannes Op den Berch, Bruxellensis,non juravit quia absens (p. 543, #177. Jan 1557)

Wilhelmus Bonen, Velpensis, nonjuravit quia absens. (p. 544, #189. Jan 1557)

The unique John Clement entrypresupposes a unique cause and/or a most compelling reason. The rectorship ofMgr Balduinus Wilhelmi of Delft commenced the last day of August 1487. Therectorship of Conrardus de Sarto commenced on the sabbath before the last sabbathin the month of August 1488 and lasted until 26 February 1489, when the newrector was Petrus de Thenis. However, the Clement entry was recorded earlier,under the rectorship of Mgr Balduinus Wilhelmi, and the entry is in his hand.There is no fully satisfactory explanation except that pre-inscribing of anunder-age student was not unusual – indeed, it was common.

See also :

Dominus Doctor Joannes Clemens,nobilis, Anglus. (Vol. IV, [op.cit.], #3, March 1562)

Dominus Johannes Clement, intheologia. (Vol. IV, [op. cit.], #55, 3 June 1568)

                                                            

26. The true year of birth of John Clement :

The 1518 edition of Utopia containsa frontispiece showing Clement as a young boy. It is still uncertain who drew theoriginal sketch, either Hans Holbein or Ambrosius Holbein, his brother.However, the impression is that Hans Holbein deduced Clement’s age (as we havedone) from the text and may have further confirmed this with Erasmus who wasliving at the time in the home of the Basel printer, Johannes Froben, probablyseeing his friend More’s work through the press. We may imagine Holbein’ssurprise when he met John Clement for the first time in More’s house in Londonin 1526-1527. He was expecting to meet a man of about 27 years (born about1500) and instead he was introduced to a man of 54 years. There was littlepoint in Thomas More insulting his guest’s intelligence by denying what he hadwritten and that Erasmus was involved. This extraordinary story of Clement’salleged real age and true year of birth (1473) is referred to in the rebus inthe Group Portrait Sir Thomas More and his Family.

27. See : Testing Times for fathers byLiz Gill in The Times of London, 20th July 1987,p. 15. See also DNA ‘advance of the century’ by Craig Seton in The Times of London, 14th November 1987, p. 3 and, Geneticfingers in the forensic pie in New Scientist by SteveConnor, 28 Jan 1988, pp. 31-32.

28. Precedents : The coffinof Edward IV was opened at Windsor in 1789. (See : Dictionary of NationalBiography, Oxford, Compact Edition, Vol. I, D-F, p. 500). The supposedremains of Edward V and Richard, Duke of York, were inconclusively examined in1933. (See Cokayne, op. cit.) The remains of Anne Mowbray(1472-1481), the child bride of Richard, Duke of York, were examined upon theinstruction of the coroner, after being found in a coffin buried in a sealedvault on the former site of a medieval nunnery belonging to the order of St.Clare. On May 31, 1965, with the approval of the Dean Chapter ofWestminster, she was re-interred in Westminster Abbey, where she had beenburied originally in the Chapel of St. Erasmus. (See: The Times of London, Jan 15th 1965)

Footnote :

For the best defence of Richard III ina work of fiction (acknowledged by Cokaynes’s The Complete Peerage), seeThe Daughter of Time by Josephine Tey. (cf. beginning ofthe present article and Note 1)

Résumés

The Princes in the Tower disappeared in1483, aged 13 and 10 years. In his History of King Richard III, Morecuriously repeats what ‘men say’, that they mere murdered by their ambitiousuncle, Richard of Gloucester, later King Richard III. Why does a man of truthtake on board a rumour from a previous century – not to be printed during hislife time ? No less impressive : why doesn’t the mother of the princes,Elizabeth Woodville, claim that her children are either missing or dead ? Couldthe children have re-appeared under false names and identities, the elder asSir Edward Guildford and the younger as John Clement, the latter in the Morefamily ? The presence of Richard, Duke of York, is confirmed by the artistHolbein in the Group Portrait of Sir Thomas More and his family. Upon the deathof his elder brother, Clement-the-rightful-heir occupies the position ofhonour highest in the portrait, marked by fleur de lis. The theory ofroyal status is supported by what we find in the registers of the University ofLouvain. Do not these trails merit deeper investigation ?

Jack LESLAU

Les enfants de la Tour, neveux etrivaux potentials de l’ambitieux Richard de Gloucester, disparurent en 1483,ages 13 et 10 ans. Dans son History of King Richard III, More accréditeleur assassinat en répétant ce que men say (les gens disent).Mais lui, l’homme intègre qui mourra pour la vérité, se garde bien de prendre àson compte cette rumeur. En outré, son oeuvre, rédigée entre 1513 et 1518, nesera pas publié de son vivant. Pourquoi une telle reserve ? Un autre silence n’est pas moins impressionnant ; celui de la mère des jeunesprinces, Elizabeth Woodville. Alors, les enfants n’auraient-ils pas simplementdisparu sous des noms d’emprunt, l’un de Sir Edward Guildford, l’autre de JohnClement, ce dernier appartenant à la maisonnée de More? C’est ce queconfirmerait la présence de ce John, sous ‘nom de guerre’ de Heresius,dans une grande composition, La Famille de Thomas More, par HansHolbein. Clement-Heresius-Richard d’York y occupe une position honorifiqueinattendue, et ce dans un cadre de fleurs de lis. L’hypothèsede l’ascendance royale du personage est confortée – du moins elle n’est pasébranlée – par ce que nous apprennent de John Clement les registresd’inscription de l’Université de Louvain.Toutes ces pistes ne méritent-elles pas des investigations plus poussées ?

Henri GIBAUD

The holograph page 17v ofthe Louvain register shows the ‘Johannes Clemens’ entry with ‘nonjuravit’ abbreviated in the left hand margin (tenth line). The handwritingchanges with the entry : ‘Johannes Mere de Aldenardo filius Wilhelmi,Tornacen, dyoces, stud. in fac. artium.’ (12.2.1489, eighth line) Note thateach name in this section is followed by an identifying qualifier except ‘JohannesClemens’ (13.2.1489).

Reproduced by courtesy of the ArchivesGénérales du Royaume, 2-4-6 Rue de Ruysbroeck, 1000 Brussels with manythanks to Dr. E. Persoons. (See text above, p. 15)

Last Reviewed: 14 March 2004

ã2000 Holbein Foundation. All rights reserved. Termsof Use.

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5th International Thomas More Symposium

Europe -- Cradle of Humanism and theReformation

Mainz, Germany, May 20-27, 1995.

MAINZ 1995

The More circle : the Antwerp/Mechelen/Louvainconnexion

Jack Leslau

This new research paper The More circle : theAntwerp/Mechelen/Louvain connexion (1985-1995) has numbered Notes Referencesjoined in its final printed version. Early research and findings (1976-1985)are described and explained in The Princes in the Tower (Leslau J, MOREANAXXV, Vol. 98-99, Dec. 1988, pp.17-36). Readers are cordially invited tosubmit questions on any matter under review.

The members of the More circle in Flanders have comeunder close scrutiny by readers of Moreana, as perhaps we should expect,following publication of The Princes in the Tower. We focus oncemore on John and Margaret Clement, their family and extended family ; firstly,the documentation that the Clements were buried in Mechelen, 1 three children were buried in Louvain, 2 and Sir Edward Guildford was buried inEngland. 3

Let me say, first of all, that thanks to advances incertain modern technology, namely the self-describing 'geo-radar', which, verysimply, finds holes in the ground -- we have found a vault in preciselythe location shown in an old painting, and confirmed by document, of thelong-lost Rastell tomb in St Peter's church in Louvain. 4 Of this, there can be no measure of doubt.Similarly, we have probably found the Clement tomb in St Rombold's cathedral inMechelen, though not all experts agree. 5Application has therefore been made to pass an endoscope into each vault with aview to possible exhumation and further investigation by DNA profiling of theremains. 6 Permission has not been grantedto date.

Thegrounds for these exhumations, as already described and made clear(Princes p. 28), are, firstly, that on the ninth day of April inthe year 1483, King Edward IV of England died. Secondly, that some three monthslater, on sixth of July 1483, his younger brother, Richard of Gloucester --oddly ignoring the hereditary claims of the two sons of Edward IV, namelyEdward V and Richard, Duke of York -- ascended the English throne as KingRichard III. Thirdly, and finally, the two boy-princes disappeared forever ;the greatest and most baffling case of missing persons in the royal history ofEngland.

As we now knowfrom More's nephew, William Rastell : some thirty years later, in or about theyear 1513, the most famous intellectual in the reign of Henry VIII,our Thomas More, began to write down the central and most importantallegation in his History of King Richard the Third (Princesp. 18) : that the princes were dead.

We further knowthat Hans Holbein flatly contradicts Thomas More in his group portrait SirThomas More and his Family some fourteen or more years later, after 1527.Holbein shows the survival of the two princes (Princes p.31). Now, More and Holbein cannot both be right. One of them is wrong. Butwhich one ?

Holbein affirmsthe recent death (mid-July 1528) of Edward V (also known as Sir EdwardGuildford) and the continued existence of Richard, Duke of York, (also known asJohn Clement), married to More's adoptive daughter, Margaret (née JoanGiggs), 7 living openly with Margaret inMore's house in Chelsea. More was Clement's father-in-law.

If we want onesafe, single reason for More's Richard ; that would do. If we want onemore : William Rastall, More's publisher, was Clement's son-in-law (marriedto Winifred Clement). There is also More's part in saving Clement and hisfamily from an early death and England from a coup d'état and thehorrors of probable, almost certain, civil war in the 16th century. But thereis more.

I have to informyou, and first of all, that no one has come up with a better interpretation ofthe significance of the hidden messages in the Nostell painting to date. Second,if the central allegation of the survival of the princes is proven beyondreasonable doubt with science : then, More's Richard was indeed a“blind” to lay down a smokescreen over the continued existence of the twoprinces. Lastly, if true, it would certainly verify my 'no-other-option' of thesurvival of the two princes, making any contra-argument extremely difficult;  providing historians with anextremely strong case for a new approach to the study of Tudor history.

In thisconnexion, I am able to inform you that the former Harveian Librarian of theRoyal College of Physicians, Sir Gordon Wolstenholme, supports this view. Inaddition to missing official documents, presidential signatures and hisuniquely missing portrait in the archives, the evidence that Richard, Duke ofYork, was also known as John Clement might go some way to explain, firstly,Clement answering the royal challenge of Henry VIII at a pas d'armes tournamentat Greenwich on 1 June 1510 (See : Merriam T, John Clement: his identity,and his Marshfoot House in Essex, MOREANA XXV, Vol. 97, March1988, pp. 145-152). Henry's challenge was to his answerer-uncle, his mother'sbrother, the friendly Richard, Duke of York, also known as John Clement ; andHenry subsequently underwrote his meteoric rise to fame within the hierarchy ofthe Royal College.

If true, itmeans that More authorially killed-off the person known as John Clement(Richard, Duke of York, b.1473) in More's Richard (after 1513) ; andreplaced him with a notional John Clement (born about 1500) in Utopia(after 1515). The aim of the cleverest lawyer in Europe, as we should expect,was to dead-end any retrospective investigation into the real identity of eitherJohn Clement. If true, it also means that each odd detail of Clement's lifeshould now, theoretically, fit neatly into place and it does.

G. Wolstenholmeexpertly describes the rise to eminence in the Royal College as 'slow'.Clement's extremely rapid rise to fame is considered 'unique'. Aftergaining an MD abroad, 30/31st March 1525, in Siena, Clement was admitted aFellow, on 1 February 1527, and notwithstanding that we do not know the natureof the competition in those days, it is odd indeed that some three monthslater, on 16 April 1528, Clement was admitted an 'elect'...anextremely important position within the College. The seniority enabled highfees to be charged by holders of the office : conjecturally providingsubstantial (and essential) financial support for a VIP notional person,Clement, following the theory of notional persons. 8

If we continuethe case for just one minute : the conjectured case officer blundered by notfinding and destroying this particular record of the pas d'armes atGreenwich, as we should expect, since the document was not an officialrecord but merely a single parchment found hanging on a tree, pinned to ashield, at the tournament ground. (See : Letters Papers, Foreign Domestic, Henry VIII (2 Henry VIII), I, Part 2, Appendix, p. 1550 (f. 10d),'pas d'armes' 1 June 1510, H.M.S.O.)

Thanks to thisinterest of the Royal College in an early president, possibly King Richard IV,a successful recommendation was made to Clement's alma mater inFlanders, the ancient Catholic University of Louvain (KUL), to the departmentof human genetics (Centrum voor Menselijke Erfelijkheid), where certainnew techniques of DNA profiling have been perfected. Briefly, with the kindagreement and consent of the vice-rector, H. van den Berghe, the DNA scientistsand other forensic experts will test each separate strand of thetestable history theory on the princes and publish all findings forindependent assessment. They merely await the opportunity.

Those personswho would rather think good than ill of a person will indeed be delighted if itcan be shown that the two princes were not murdered by Richard III after all,as we had been brought up to believe. If ever there were a royal history inwhich believable myth was unnecessary, where simple fact could be leftunadorned, it would be the story of the Princes. For more than five hundredyears, that has not been the historical case. The case-list of myths andmisconceptions about the royal mystery in the Dictionary of NationalBiography is equally a long one. Politically correct historians declaredthat they died in the Tower : and authoritarian editors stuck limpet-like untilthey lost nerve and muscle. The location was then revised. The time, place andperpetrator, and new studies downplayed the part of Thomas More,suggesting that his part was smaller and grimmer than the view generallyaccepted today. 9 This is thehidden legacy of The Princes in the Tower. After investigation,another remarkable battle begins : who controls the meaning of the Louvainfindings ? After more than half a millennium : facts now prevail. But even inthe silence of their tombs the Princes cannot rest in peace. The name alonemeans instant recognition, a symbol of monstrous crime, the shedding ofinnocents' blood.

In the past,many erroneously believed that the story was created to denigrate Richard III.The facts are more complex. And if the facts are less well known, it is becausethere were almost no survivors who could testify to what happened withoutimmediate terminal risk to their families, property and themselves. Certainnews items began to spread some time before the war between the legal heirs andthe rightful heirs began in 1485. Subversive groups received word, and were heard,on the missing princes. In the post-war era, the Tudors imposed theirideological version of the fate of the York princes : oddly extolling thewisdom and heroism of their own timely ascent to the English throne. In the16th century, a dispute between Catholics and Anglicans triggered angryaccusations that each group was denying and refusing to acknowledge the trueMorean symbolism of the Princes for the other. To ease these tensions,officialdom set up loose-knit groupings made up of many groups. Althoughcritics charge that the pace was too slow, the situation has changedsignificantly since then. The expert British batting-list was ousted in theoffending Dictionary of National Biography and certain signs wereexchanged to emphasize that the new playing field was open to all-comers. Suchchanges have helped. In the new climate, different groups can finally recognizeeach other’s claims to the legacy of the history, no longer fearing that thissomehow diminishes their own scholarship. 10

Finally, asalready described and made clear, the work is on going. Research in thePlantin-Moretus museum, Antwerp, shows new evidence of the Clement family. Thisevidence was misread and therefore misinterpreted in the past : confirmed bythe museum authorities. 11 Other newresearch suggests that if this case were presented for review in a court oflaw, with only the new scientific and documentary evidence obtained to date,and in the absence of any concrete evidence to the contrary, we would havejudgment and a positive verdict from the court...that we have probably foundthe two missing persons. However, the 'balance of probability' finding isprobably insufficient in this truly remarkable case.

In conclusion,one 30-minute television documentary programme ALLE VIJF BRT1 has been shown inBenelux (23 May 1995). A British TV documentary HOLBEIN AND THE PRINCES IN THETOWER has been made (by CLASS Productions) but not yet broadcast in UK. Eachprogramme argues the need for the higher proof of the DNA findings. I agree.Thank you.

Jack LESLAU                             Organized by Dr.H. Boventer

10 GlenwoodGrove                Thomas-Morus-Gesellschaft e,V.

Kingsbury                                 Deutsche Sektion der intenationalenVereiniging

London NW98HJ                      AmiciThomae Mori

                                                Hubertshöhe 9

                                                Bensberg 51429

b

                                                 Bergisch Gladbach

                                                Germany

NOTES REFERENCES

These notes arehopefully in keeping with allotted space in the published volume.

1. '...the Clements were buried in Mechelen :'

    1. An English visitor abroad wrote downthe text of the epitaph on the tomb of John and Margaret Clement (d.1572 d.1570) near the High Altar in St Rombold's cathedral, Malines. (See: PITS J, Deillustribus Angliae Scriptoribus, 768, “De Ioanne Clemente” [BritishLibrary] publ. 1600 ) :

     ...falté hoc vnum epitaphium vxoris luxhic subnectere minimè pigebit :

Clementis coniux hoc Margarita sepulchro

Dormit, qua nulli charior vlla fuit.

Hac mihi plus quàm quadriginta et quatuor annos

Iuncta fuit, rara norma pudicitiae

Gnatos et gnatas docuit Graecè atque Latinè,

Sed magis instituit iussis tenere Dei.

Ex his pars nupsit Christo, pars altera mundo,

Utraque sed viuit dispare sorte Deo.

Posthabuit Christi fidei patriamque domumque,

Aula peregrino credere membra solo.

Margarita vale mihi dilectissima coniunx,

Moribus eximijs et pietate pari

Vos sursum pater et fili, nataque valete,

at pro ... abiduae fundite, quaeso preces.

In exilioConfessor obijt Mecliniae primo die Iulii, anno post adventum Messiae 1572, etsepultus est in Ecclesia S. Romboldi prope tabernaculum, iacentque in eodemtumulo coniuges, illa autem ante maritum integro ferè biennio diem suum obieratsexto videlicet Iulii anno Domini 1570, regnante in Anglia Elizabetha.

See also : 2

TheLife of Mother Margaret Clement (d.1612) by Sister Elizabeth Shirley(d.1641), in the Chronicles of St Monica's, Louvain withacknowledgement, and many thanks, to Sister Mary Salomé and the Canonesses ofWindesheim, at The Priory of Our Lady, Hassocks, Sussex :

...her body [MargaretClement, mother of Mother Margaret Clement] was buried at ye Cathedrallchurch of St. Romwals [Sint Romuldus, St Rombaut, or St Rombold] behindye hygh Aullter before ye memory of our Blessed Sauiour lyinge in his graue,wher allso her husband was layd by her within two years after. [p. 9]

2.  '...three children were buriedin Louvain :'

The Exhibitioncatalogue of the English Convent in Bruges (1972), item 161, refers to the ObituaryList of St Ursula's Monastery 1415-1786 (later, St Monica's). This documentshows that the prioress, Mother Margaret Clement, and her only brother, ThomasClement M.A., died and were buried at St Monica's, Louvain. Their sister,Winifred Rastell (née Clement) (d.1553), was buried beside her husband,William (d.1565), in the Rastell tomb, in St Peter's church, Louvain [SintPieterskerk, Leuven].

3.  '...Sir Edward Guildford wasburied in England :'

The deduced dateof death of Sir Edward Guildford, as seen in official correspondence of MasterSecretary Thomas Cromwell, is recorded as 4 June 1534. Holbein disputes thisdate and affirms that Edward V (also known as Sir Edward Guildford) had died inmid-July 1528. The official place of burial is given as Leeds Castle in Kent :no trace can be found. Holbein affirms the place of burial as Chelsea Church.If true, and Guildford's body is indeed found buried beside his daughter, LadyJane Guildford, Duchess of Northumberland, in the More chapel of Old Chelseachurch : this is evidence of precisely the kind of deception practiced by caseofficers, over a considerable period of time, in the case of notional persons.There is more. The criteria of the theory of notional persons suggest that theeminent case officer of Edward Guildford in 1534 was Master Secretary ThomasCromwell who perhaps instructed a Kent civil servant 'Antony' (cryptonyms arestill used in the civil service today) to write a certain letter to his master(See : Letters Papers, Foreign Domestic, Henry VIII, Letterto Thomas Cromwell from John Johnson, alias 'Antony', reporting the death ofSir Edward Guildford on 4 June 1534) :

'Yesterday,I was informed that Sir Edw. Goldford, warden of the Five Ports, was buried inthe morning at one o'clock at Ledys, and died without confession or any othersacrament of Church, neither had torch nor taper, nor bell-ringing, but was putinto the earth without ceremony. I shall be with you on Friday'. Rochester,Sunday morning. Hol. p. 1.

Sir Edward Guildford was a veryimportant person in his own right. He was not a criminal. You may conceivablydecide that the likelihood of Edward Guildford being buried unshriven, withouttorch, nor taper, nor bell-ringing, and without ceremony, at a midnight funeral,and unattended by his only child and sole remaining heir, Lady Jane Guildford,wife of John Dudley, Duke of Northumberland, their family and extended familyand friends : is so remote as to be readily dismissed. Holbein's word, oncemore, needs to be tested by science.

4.  '...the long-lost Rastell tombin St Peter's church in Louvain.' See 1 : The Chronicles of St Monica's,Louvain (Dom Adam HAMILTON, Vol.1, p.10) : 'The Rastell chapel was in theright hand of the altar of the Virgin Mary', conjecturally identified as theright hand side of the altar 'Sanctae Mariae sub oxali' of VAN ESSEN inNotre-Dame de St Pierre siège de la sagesse [1129-1921],p.28, quoting MOLANUS, before 1585.

See 2 : EenBezoek aan de Collegiale Sint-Pieterskerk te Leuven (Paul REEKMANS, publ.PEETERS-LEUVEN, 1989) shows the former chapel Sanctae Mariae now opened up aspart of the new choir screen (Fig.71, p.92). Cf. Le Jubé deSaint-Pierre placé en 1488 in Les Stalles et le Jubé del'Église Saint-Pierre by Van EVEN, p.355 Louvain dans lepassé et dans le présent, 1895.

See3 : There is a fragment in Les Quatorze livres sur l'histoire de laVille de Louvain, 1861, p.785 (probably translated from MOLANUS'sLatin text) that William RASTELL was buried in the same TOMB as his wife ('ineodem sepulchro'), and a MONUMENT to his wife, Winifred, was placed underthe organ ('monumentum uxori suae Wenefridae...posuit ad S. Petrum suborganis').

See 4 : Pre-1944, on page 31 ofREEKMAN's book, Fig. 20 shows the chapel and organ (built by Jean CRIMONin`1556) in an engraving of the interior of St Peter's church (after a 17thcentury painting by an unknown artist).

See 5 : On page 92 of REEKMAN's book,Fig. 71 shows a monument, possibly the Rastell monument, on the wall in thelate 19th century 'under the organ'.

See 6 :Post-1944, on page 25 of REEKMAN's book, Fig. 16 shows the point of impact of awartime British bomb, some fifteen metres approximately from the former SanctaeMariae chapel, which left the screen intact but destroyed the monument,organ and oxalus.

See 7 : Thereport of the geo-radar examination (Geo survey nv; Sint Pieters Leuven,Report no. R930107A WFK, January 1993, Client : Centrum voor MenselijkeErfelijkheid, Mr Jack Leslau, Heresstraat 49, 3000 Leuven) confirms theexistence of a hidden vault under the new marble flooring in theright hand side of the chapel (conjectured to be the long-lost Rastell vault)and that it was undamaged. It was perhaps protected from the blast by the outerwall of a pagan church on top of which St Peter's was built. This undergroundstone wall (some one and a half to two metres thick, approximately) can be seenon the 1958 plan of the church LEUVEN: ECCL. SANCTI PETRI byJ. MERTENS (see : centre pages of La Crypte Romaine on salein the church).

See 8 : The textof the epitaph of Winifred Rastall (d.1553), recorded by J. PITS in 1600 (DeRebus Anglicis) :

hic sita estWenefrida Coniux Guilhelmi Rastalli ac Joannis Clementia filia: quae Angliampatrium solum diuturna haeresum lue infestatam relinquens, Lovanium cum maritoac parentibus commigravit. Ubi transactis annis tribus cum dimidio Deo spiritumreddidit decimo septimo die Julii anno 1553. Vixit annos viginti sex cumdimidio, quorum nomen in coniugio egit, Latinae linguae non imperita, Graecamvero eximie callens, sed moribus et vitae sanctimonia nemini postponenda. Cui,pic lector, Deum quaeso deprecare propitium.

The epitaph ofWilliam Rastall (d.1565) :

PosteaGuilhelmus maritus, Ecclesiae jam pace restitute in Angliam rediens, cum nonita multis post annis Catholicae Fidei status illic denuo perturbaretur,amplissimo cum inter Regis confessus indices obtinebat, honore repudiato clamin Brabantiam remigravit, ibique postea annis plus minus tribus exactis, nonsine multorum ob merita sua moerore febri extinctus, nunc cum charissimaconiuge, a qua ne mortuum quidem illum secubare Deus voluit, hac humo quiescit.Vixit annos quinquaginta septem. Mortuus est 1565, Augusti 27.

5.  '...though not all expertsagree.'

The expertadvisors in the cathedral argue there is 'no substantive proof' (of the Clementvault in St Rombold's cathedral, in Mechelen). I disagree. First, there isnear-contemporary documentary evidence for guidance (See Notes 1 2).Second, there is a centrally placed tombstone or vault capstone, perhaps apalimpsest, half-hidden beneath a new marble floor behind the HighAltar. Thirdly, there is a matching walled area in the crypt preciselywhere one would expect to find the walls of the Clement vault underground'behind the High Altar'. Finally, a prima facie case exists for drillinga small hole and passing an endoscope into the disputed area, which is hiddenby 16th/17th century brickwork. The case has been discussed and favourablyconsidered on radio, television and in the serious press (See Note 7 below).

6.   '...DNA profiling of the remains.'

See : TheObserver 11 August 1991, an article by Annabel Ferriman, ThePrinces in the Tower lived on with secret identities'. p. 7

See : TheTimes 13 August 1991, comment by Alan Hamilton, Historian saysprinces did not die in tower. p. 14

See : TheDaily Telegraph, 13 August 1991, comment by Peter Pallot, Genetichunt for Princes in the Tower. p. 14

See : TheYork County Press 17 August 1991, an article by Alison Bramham,Richard is innocent. p. 3

See : TheBritish Medical Journal, 17 August 1991, a letter from Sir Gordon Wolstenholme,former Harveian Librarian, Royal College of Physicians, The Princes inthe Tower. Vol. 303, p. 382.

See :Knack Magazine, 4-10 September 1991, an article by Dirk Draulans,Een Prins onder het Altaar...Kardinal Danneels ligt dwars.p. 176-178

See : DeStandaard, 4 September 1991, an article by Pieter van Dooren, ElsGroessens, Hilde van den Eynde, '...Het gekste verhaal dat ik ooit hoorde',p. 1 p. 12

See : DeStandaard, 7 September 1991, an article by Pieter van Dooren, GrafJohn Clement nog niet meteen open, p. 6

See : Two-page Fax ('to allnewspapers'), dated 6 September 1991, from Dr Toon Osaer, Press Officer to HisEminence Godfried Cardinal Danneels, Archbishop of Malines-Brussels, Wollemarkt15, B-2800, Mechelen, Belgium. Tel (015) 21 65 01. Fax (015) 20 94 85. TheArchbishop states his side of the case. There is no mention of an examinationby endoscope (See : Note 6 above).

7. 'Margaret (née Joan Giggs)'

The parents ofMargaret Clement (née Giggs) are conjectured as 'Thomas and OliveGygges' (See : Visitations of Norfolk 1563 1580, f. 1613[undated], Harleian Society, Vol. XXXII, 73, p. 159 'Olive, ux. ThomasGiggs of Burnham in Norfolk'; and, The Life of Mother MargaretClement by Sister Elizabeth Shirley (d.1641) in the Chronicles ofSt Monica's, Louvain, where Margaret's father is described as a'gentleman of Norfolk'). If true, the Will of Thomas Gygges shows that he diedin the same year Kratzer (and Holbein) suggest Margaret Clement was born(1505). If true, then the infant Margaret received a small bequest from herfather to whom she was known as 'Jone' (Joan). Norfolk Record Office, N.C.C.Wills 1505 (289, Ryxe). The Will of Olive Gygges shows that she died in 1510.Norfolk Record Office, N.C.C. Wills 1510 (24,25 Johnson). Both wereburied in the Chapel of Our Lady in the church of Burnham St Clement, inNorfolk. I am indebted to Dr John Giggs of the University of Nottingham for hiskind assistance : and his recent article Surname Geography : a Study ofthe Giggs Family Name 1450-1989. (See also: G. Marc'hadour More'sfirst wife...Jane ? or Joan ?, MOREANA XXIX, Vol. 109, March 1992,pp.3-22).

8. 'theory of notional persons'

In 1976, I wasinvited to discuss my discoveries with the late Sir John Masterman,self-declared amateur of the double-cross, whose work with MI5 during World WarII is described in the official record of the XX ('Double-Cross') Committee TheDouble-Cross system in the war of 1939-1945, Masterman J, publ. YaleUniversity Press, 1972. I was encouraged to continue and 'ignore all rebuffs'.Masterman's theory of notional persons is explained and made clear, for thefirst time, in my unpublished book The Princes are out of the Tower, 'Apersonal view of Thomas More by Jack Leslau'.

9. 'the view generally accepted today'...

R. W. Chambers (ThomasMore, London, 1976) shows that certain historians of the 19th and 20thcenturies could only see the author of More's Richard, as we should expect,as a man who 'allowed his sentiments to be moulded by the official theology ofthe court' (Lord Acton, Historical Essays and Studies, 1907, pp. 30-31); who 'turned his back on the ennobling enthusiasms of his youth' (ThomasLindsay, History of the Reformation), London, 1907, p. 91) and 'became amerciless bigot' (Mandell Creighton, Persecution Tolerance,London, 1895, pp. 107-108) ; 'an official engaged in justifying what wasconvenient for the moment', 'deceiving himself', 'repeating platitudes','putting his principles aside'. (James Froude, History of England from thefall of Wolsey to the defeat of the Spanish Armada, London 1856, (1) pp.73-74, 227 ; (2) pp. 344-345). And so we may, from these and other oddjudgments handed down by historians in the past, learn not to judge withoutscience : in an on-going method of inquiry.

10. '...diminishes their own scholarship.'

The changed newclimate for different groups of historians is the legacyof the 20th century.

11. 'confirmedby the museum authorities'.

Mr. G. Van den Boschof the Plantin-Moretus museum, Vrijdagmarkt 22, B-2000, Antwerp, confirms thatthe title page of the Epistolae diversorum philosophorum, oratorum... publishedby Aldus Manutius, Venice, in 1499, and recorded in Christophe Plantin'sprivate collection, shows the inscription 'dorothea cle. liber'. Thereis a further record in Plantin's account book : '29 October liber D. Clemensvendidit C. Plantin'. I have to draw attention that the inscriptionhas been mis-read 'Doctor' not 'Dorothea' Clement, by Leon Voet and MauritsSabbe, over a substantial period of time. Dorothy Clement studied Greek andLatin and was later professed a Poor Clare nun at Louvain.

Addendum :

Several yearshave passed since my Moreana article on The Princes, it is true, and Ido not know how well informed my audience is. The photocopies reproduced today,thanks to the kindness and trenchant generosity of amicus G. van denSteenhoven, are '...to fresh up the memory even of those who have read Moreanaand to dispel any notions of phantasmagoria among the participants at theSymposium'.

LastReviewed: 14 June 2000

ã 2000 Holbein Foundation. All rights reserved. Termsof Use.

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