The Global Contemporary. Art Worlds after 1989 - The Global Contemporary
Time 2020-09-22 12:02:59Web Name: The Global Contemporary. Art Worlds after 1989 - The Global Contemporary
WebSite: http://www.global-contemporary.de
ID:55708
Keywords:
Contemporary,Global,The,TheGlobalContemporary,Kunstweltennach1989,ZKM,Karlsruhe,Description:
The exhibition The Global Contemporary arose from the research project Global Art and the Museum (GAM) at ZKM | Karlsruhe. If you would like to know more on the project Global Art and the Museum, please visit our Website. You can download the exhibition brochure with introductions to the exhibition's concepts and texts on all of the shown work here. The accompanying publication of the show was published in March 2013: The Global Contemporary and the Rise of the New Art Worlds, ed. by Hans Belting, Andrea Buddensieg, Peter Weibel. - Cambridge, MA : MIT Press, 2013. - 496 S. ISBN: 978-0-262-51834-5 Shop_ZKM: http://shop.zkm.de With essays by Hans Belting, Jacob Birken, Andrea Buddensieg, John Clark, Manthia Diawara, Liu Ding, Thomas Fillitz, Patrick D. Flores, Sara Giannini, Thomas Hauschild, Oskar Ho Hing Kay, Carol Yinghua Lu, Antonia Marten, Jean-Hubert Martin, Clare McAndrew, Birgit Mersmann, Gerardo Mosquera, Piotr Piotrowski, Raqs Media Collective, Terry Smith, David Spalding, Jim Supangkat, Sabine B. Vogel, and Peter Weibel Blog Over a period of six months, the blog interviewed artists, curators and visitors. With the conclusion of the exhibition the blog closes as well. We are very grateful for the numerous and creative participation! The Global Contemporary. Kunstwelten nach 1989 - ZKM | Museum für Neue Kunst, 17.09.2011–05.02.2012TAGS:Contemporary Global The TheGlobalContemporary Kunstweltennach1989 ZKM Karlsruhe
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The Global Contemporary. Kunstwelten nach 1989 - ZKM | Museum für Neue Kunst, Karlsruhe, 17.09.2011–05.02.2012 - Die Ausstellung The Global Contemporary. Kunstwelten nach 1989 untersucht mittels künstlerischer Positionen und dokumentarischer Materialien, wie die Globalisierung mit ihren dominanten Marktmechanismen einerseits und ihren Utopien der Vernetzung und Freizügigkeit andererseits auf die unterschiedlichen Sphären der Kunstproduktion und -rezeption einwirkt.Websites to related : National Endowment for the Arts
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