Allegory | Volume 41/68
Time 2022-09-26 19:56:21Web Name: Allegory | Volume 41/68
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Volume 41/68
Spring/Summer 2022
Biannual Online Magazine of SF, Fantasy & Horror
Original Fiction by
Bethany Browning
Arthur Davis
Kevin R. Doyle
Paul Elwork
Daphne Fama
Angelique Fawns
S.K. Green
Albert N. Katz
Matt McHugh
LF Mills
Wendy Nikel
Brennie Shoup
Plus Stories & Previews by Staff Members
Ty Drago
Kelly Ferjutz
Terek Hopkins
Carrie Schweiger
J. E. Taylor
Volume 41/68
Spring/Summer 2022
Allegory
Biannual Online Magazine of SF, Fantasy & Horror
"A blank piece of paper is God's way of telling us how hard it is to be God." — Sidney Sheldon
Are you a writer?
I've been in this business for more than thirty years as an author, editor, publisher and, most recently, a teacher.
For the past few years, with a signifant break thanks to Covid, I've been teaching short story and novel writing to adults. It's been a wonderful, rewarding experience, and it's really reminded me of the angst and uncertainty that new writers struggle with every day. It's been a long time since my first sale and I've sold plenty of stuff since. Yet I still remember the sometimes crippling lack of confidence and the "drowning man"-esque need for some kind, any kind of validation.
In my classes, the question I get most often from students is some variation of this: "Do you think I'm a writer?"
This is, of course, perfectly understandable. Writing is a solitary endeavor and, while some of us are lucky enough to be bolstered by friends and family with epithets like "It's good!" and "I like it!" and the ever-popular "I'm sure it'll be published," there remains a huge chasm between your mother or roommate praising your written words and an editor, agent, or publisher doing the same thing.
So, when a student asks me that most common of questions, I take it seriously and I answer it as truthfully as I can.
The answer is always "yes."
There's an old joke I rather like. A writer walks into an elegant cocktail party. When one of the guests asks what she does for a living, the writer replies, "I'm a writer." The guest gushes, "How wonderful! I've always wanted to be a writer!" And the writers responds, "Really? I've always wanted to be a brain surgeon!"
If you want to be a writer, you write. There is no other requirement. That's not a very practical approach to brain surgery.
With that in mind, let me break it down for you. If you keep a diary or journal of any kind, you're a writer. If you pen long letters or emails to friends, sharing your life and experiences, you're a writer. If you draft, edit, and publish a holiday newsletter, wherein you list your annual accomplishments and those of your family members, you're a writer. If you compose limericks in the doctor's waiting room or pen fan fiction for Firefly or Game of Thrones, you're a writer. See where I'm going with this? If you create and your medium is the written word, then you are just like me...and just like all of the names listed in this ezine.
You are a writer.
It doesn't matter if you've never been published. Emily Dickinson published seven poems in her lifeline. The overwhelming majority of her work didn't see print until after she died. Besides, and I'm going to put this as delicately as I'm able, publication does not imply quality. Crap is published all the time, folks, while great works languish unknown and certainly unread. Consider the case of John Kennedy Toole, who penned a masterful comedy called A Confederacy of Dunces in 1965. After long efforts to see it published ultimately failed, Toole became despondent and took his own life at the age of just 31. Years later, his mother got the book published and it ended up winning the Pulitzer Prize. It breaks my heart to imagine the body of work this brilliant young talent might have produced had he not been lost to us too soon.
So consider this just a bit of encouragement from somebody who used to be (and, in many ways, still is) as nervous and uncertain in my craft as you are. You are a writer and the only dues you need pay to be a member of that club is the act of sitting down and writing. The rest of it: publication, fame, fortune, etc, etc, etc, really has nothing to do with it.
Now, go write something.
Ty Drago
Author
Allegory is not a business. We're strictly "not-for-profit" and all of our staff members, myself included, are volunteers. We do this for the love of it, for the satifaction we get when great short fiction by new or established voices is published for all the world to enjoy. We charge no subscription, and we pay our authors for their work.
This means our entire existence rests on donations.
So, if you've read and enjoyed this e-zine, please consider sending us a little something so that we can keep it going. Doing so is ridiculously easy. Simply click the button below and PayPal will do the rest. I hope you'll consider it.
Ty Drago
Founder and Publisher
Allegory
In This Issue
Fiction
"The Medium" by Matt McHugh"The Snail That Lived" by Brennie Shoup"Why Is?" by Kevin R. Doyle"Bonfire Night" by LF Mills"Jack Mary Ann and the Loch Arkaig Treasure" by Albert N. Katz"Only Superman Can Fly" by Paul Elwork"Follow Me Home" by Bethany Browning"Route 301" by Daphne Fama"The Guanche, the Iguana, and the Kidnapping of Anita Brown" by Angelique Fawns"Mind Maps and Streetlamps" by Wendy Nikel"The Headless Café" by Arthur Davis"La Boutique Humaine: A Novelty Shop" by S.K. GreenShowcase
"Dragons" by Ty Drago"Torq" by Ty Drago"Brief Interludes" by Kelly Ferjutz"That Room at Ardenwycke" by Kelly Ferjutz"Jaume and the Dragons" by Terek Hopkins"An Eye for Fairy" by Carrie Schweiger"Crystal Illusions" by J.E. Taylor"Messiah" by J.E. Taylor"Silencing the Siren" by J.E. TaylorHonorable Mentions
Allegory deals with submissions in the way that, as far as I know, remains fairly unique in the publishing world. Each story is individually reviewed and, if considered publishable, is placed in our "Maybe" pile. At the end of each submission period, these "Maybes" are reviewed, and the best twelve chosen to appear in the next issue. This final cut is made on the basis of issue balance, and does NOT reflect the overall quality of these stories.
That said, here—in no particular order—are the "Maybes" who just missed publication in Allegory. Each one is a fine tale that we would have been proud to publish. Remember these names, friends and fellows. You'll be hearing from them in the future. I guarantee it!
Note: Excplicit permission was secured from each author before either their name or the title of their story was included in this list.
"Vespid Discord" by Kajetan Kwiatkowski"Remembrance Day" by Lara Pasternak Robicheaux"The Jimmie-Goo" by Devin Marcus"The Father and his Merry Murderers" by Alexander Winfield"The Things You See on the Night Shift" by Yvonne Lang"My Time Traveling Friend" by Scot Branchfield"The Antique Bed" by SJ Clevenger"Grange Ghosts" by Douglas Gwilym"Covered" by J. Anthony Hartley"Just One Simple Test" by Pamela Love"Somatic" by Emma Murray"Reading Sloane" by Jason A. Wyckoff"In the Cards" by David Charlton"Mirror Ball" by Liam Hogan"Minewalker's Plank" by Alexandra Haverská "The Black-Winged Bird" by Maureen Bowden"Annie Don't Cry" by Chris Grillot"Dead and Gone" by Kelly Piner"The Girl with the Silver Eyes" by John Sanders"Tucker the Trucker" by Paul Wilson"A Dance with Samantha Cowell" by John Oakes"Only the Rotten Ones" by Chris Preston"Big Tam" by Sam StaffordName In Lights
This issue’s Name in Lights goes to one of Allegory Senior Editor Jim Miller!
He's been with us since 2014, volunteering huge swaths of his time to reading and critiquing author submissions from all over the world. He's contientious, hard-working, and fiercely optistic. But, more than any of that, he stepped up when Allegory was in pretty dire straits and was more than instrumental in keeping us afloat.
Jim, on behalf of myself, our staff, out authors, and the our worldwide readership, thank you. We honestly wouldn't be here without you.
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