FATHOM - a French e-journal of Thomas Hardy studies

Web Name: FATHOM - a French e-journal of Thomas Hardy studies

WebSite: http://fathom.revues.org





PresentationFATHOM is the e-journal of the French Association for Thomas Hardy Studies ( FATHOM ), a non-profit association whose purpose is to promote studies on Thomas Hardy in France and abroad. FATHOM intends to explore Hardy from various angles, using various critical approaches so as to throw new light on the author and his work. It publishes a selection of articles on Thomas Hardy, most of them being papers delivered at the international conferences organized each year, on a definite subject, but will alsowelcome individual contributions and issue occasional theme-based calls for papers. All papers, either individually submitted or given at conferences, will be peer-reviewed before publication. The language used is preferably English. Latest issue6|2019Objects in Hardy and Conrad Les objets chez Thomas Hardy et Joseph Conrad Edited by Annie Ramel and Isabelle Gadoin Annie Ramel Introduction: Objects in Hardy and Conrad [Full text] Introduction : les objets chez Hardy et Conrad J.B. Bullen Thomas Hardy’s Tess of the d’Urbervilles, Apollo, Dionysus, and Stonehenge [Full text] Tess of the d’Urbervilles, Apollon, Dionysos et Stonehenge Robert Hampson Joseph Conrad’s Objects [Full text] Les objets chez Joseph Conrad Nathalie Martinière “He had tied a bit of white worsted round his neck”: Focusing on Details in Heart of Darkness [Full text] « Il s’était attaché un bout de fil blanc autour du cou » : le souci du détail dans Cœur des ténèbres Adrian Grafe Observing Objects as Mutability and Meaning in Thomas Hardy’s Human Shows (1925) [Full text] Les objets dans Human Shows de Thomas Hardy : sens et mutabilité Isabelle Gadoin ‘Looking into Glass’: Moments of Unvision in the Poetry of Thomas Hardy [Full text] « Dans le miroir » : le vu et l'invu dans la poésie de Thomas Hardy Stéphanie Bernard Boats and Knitting Machines: Objects of Doom in Hardy and Conrad [Full text] Navires et autres machines : objets de malheur chez Hardy et Conrad Catherine Lanone Kairos and Mistiming: Clocks, Watches in Thomas Hardy’s Far from the Madding Crowd and Joseph Conrad’s Lord Jim [Full text] Pendules, réveils, montres : l’objet et la poétique de l’intempestif dans Far from the Madding Crowd de Thomas Hardy et Lord Jim de Joseph Conrad Josiane Paccaud The “Obscure Odyssey” of the Object in Conrad’s “Karain” [Full text] L’« obscure odyssée » de l’objet dans « Karain », de Joseph Conrad Annie Ramel The Ring in The Mayor of Casterbridge: Gaze and Voice as Surplus Objects [Full text] L’anneau dans The Mayor of Casterbridge de Thomas Hardy : le regard et la voix comme objets en trop. Andrew Hewitt The Use of Weapons for the Production of the Uncanny in Hardy and Conrad [Full text] L’utilisation des armes et l’inquiétante étrangeté chez Hardy et Conrad Ludovic Le Saux Objects or Subjects? Pictoriality and Domesticity in Tess of the d’Urbervilles [Full text] Objets ou sujets ? Picturalité et domesticité dans Tess d’Urberville de Thomas Hardy Jane Thomas The Footprint as Object in Thomas Hardy’s The Woodlanders (1887) and Joseph Conrad’s Almayer’s Folly (1895) [Full text] La trace de pas comme objet dans The Woodlanders de Thomas Hardy (1887) et Almayer’s Folly de Joseph Conrad (1895)

TAGS:journal French FATHOM langage littératures literature

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FATHOM est une publication électronique de l’association FATHOM (French Association for THOMas Hardy Studies) dont le but est de promouvoir les études hardyennes en France et à l’étranger

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