Full Stop|Reviews. Interviews. Marginalia.

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by Kara Laurene Pernicano My Art is Killing Me reflects what it’s like to intimately carry someone else’s exhale; Dawn’s work becomes like a release of the tension, a liturgy on the job. My Art is Killing Me and Other Poems – Amber Dawn My Art is Killing Me reflects what it’s like to intimately carry someone else’s exhale; Dawn’s work becomes like a release of the tension, a liturgy on the job. by Jonathan Pfeffer The snare sound was designed to obliterate, but on the other side of each strike was a celestial overtone — a halo that hung above the chaos. A Cultural History of the Cranked Snare Drum The snare sound was designed to obliterate, but on the other side of each strike was a celestial overtone — a halo that hung above the chaos. by Jason Katz Nathan Holic toys with the role of writer as creator in his book BRIGHT LIGHTS, MEDIUM SIZED CITY. Bright Lights, Medium-Sized City Nathan Holic Nathan Holic toys with the role of writer as creator in his book BRIGHT LIGHTS, MEDIUM SIZED CITY. w/ Franziska Lamprecht You can disappear in a variety of ways – you can just not be spoken about, you can not be seen, the media disappears people all the time. Ama Birch You can disappear in a variety of ways – you can just not be spoken about, you can not be seen, the media disappears people all the time. by Kara Laurene Pernicano My Art is Killing Me reflects what it’s like to intimately carry someone else’s exhale; Dawn’s work becomes like a release of the tension, a liturgy on the job. My Art is Killing Me and Other Poems – Amber Dawn My Art is Killing Me reflects what it’s like to intimately carry someone else’s exhale; Dawn’s work becomes like a release of the tension, a liturgy on the job. by Jason Katz Nathan Holic toys with the role of writer as creator in his book BRIGHT LIGHTS, MEDIUM SIZED CITY. Bright Lights, Medium-Sized City Nathan Holic Nathan Holic toys with the role of writer as creator in his book BRIGHT LIGHTS, MEDIUM SIZED CITY. by Cherilyn Elston The majority of the stories in Cockfight end on an uneasy note that suggests the continuity of violence and the messy reality of living with its legacy. Cockfight – María Fernanda Ampuero The majority of the stories in Cockfight end on an uneasy note that suggests the continuity of violence and the messy reality of living with its legacy. by Anna Kasradze By narrating natural destruction in a neutral tone, Fauna models one way that climate-fiction can serve environmentalism. Fauna Christiane Vadnais By narrating natural destruction in a neutral tone, Fauna models one way that climate-fiction can serve environmentalism. w/ Franziska Lamprecht You can disappear in a variety of ways – you can just not be spoken about, you can not be seen, the media disappears people all the time. Ama Birch You can disappear in a variety of ways – you can just not be spoken about, you can not be seen, the media disappears people all the time. w/ Samuel Gold Sometimes the work of a given story is to trace the contours of a question or a problem, and the story ends the moment the question snaps into focus or the problem reveals itself. That’s very different from trying to answer the question or solve the problem. Justin Taylor Sometimes the work of a given story is to trace the contours of a question or a problem, and the story ends the moment the question snaps into focus or the problem reveals itself. That’s very different from trying to answer the question or solve the problem. w/ Kyle Williams Even more than I ever wanted to write a book, I wanted to have health insurance. Megan Cummins Even more than I ever wanted to write a book, I wanted to have health insurance. w/ Jed Munson But we are hopefully past the stage where the Anglophone world is only willing to provide space for three, four big writers per country/language at a time. David Karashima But we are hopefully past the stage where the Anglophone world is only willing to provide space for three, four big writers per country/language at a time. by Jonathan Pfeffer The snare sound was designed to obliterate, but on the other side of each strike was a celestial overtone — a halo that hung above the chaos. A Cultural History of the Cranked Snare Drum The snare sound was designed to obliterate, but on the other side of each strike was a celestial overtone — a halo that hung above the chaos. by Jaime Groetsema The statue was renamed, or named twice: the Dionysus-Sardanapalus. Each name is a mirror of itself and the opposite. The statue embodies the unstable relationship between history, narrative, and artifact. Dionysus-Sardanapalus The statue was renamed, or named twice: the Dionysus-Sardanapalus. Each name is a mirror of itself and the opposite. The statue embodies the unstable relationship between history, narrative, and artifact. by Yuxin Zhao To write fan-fiction is to re-write, to bend time, to insert oneself into a queer narrative that is both already-impossible and newly-possible through the projection of desire onto fictional proxies. Winter Dreaming To write fan-fiction is to re-write, to bend time, to insert oneself into a queer narrative that is both already-impossible and newly-possible through the projection of desire onto fictional proxies. by Eric Jett Our thoughts about the mind or our minds themselves? Popular science at the edge of meaning. Zones of Darkness Our thoughts about the mind or our minds themselves? Popular science at the edge of meaning. by Greg Gerke “Hate” is a much ballyhooed word of the zeitgeist: We lob softballs like “I hate tofu,” “I hate Knausgard,” or, “I hate Bernie Bros.” Theroux didn t write the book on hatred, but he wrote four novels where the emotion coruscates An Adultery “Hate” is a much ballyhooed word of the zeitgeist: We lob softballs like “I hate tofu,” “I hate Knausgard,” or, “I hate Bernie Bros.” Theroux didn t write the book on hatred, but he wrote four novels where the emotion coruscates by The Editors Full Stop contributing editor Allison Noelle Conner talks with poet and conceptual artist Gabrielle Civil. Podcast #10: Gabrielle Civil Allison Noelle Conner Full Stop contributing editor Allison Noelle Conner talks with poet and conceptual artist Gabrielle Civil. by Alana Mohamed What if an immigrant got tired?What if an immigrant was lazy?I think that s when they send a federal agent to your local masjid. What if we all lay down and everything was fine and no one died? What if an immigrant got tired?What if an immigrant was lazy?I think that s when they send a federal agent to your local masjid. by Robert Yang In 2015, a phone video of young muscular White British men hitting each other with a chair went viral Hard Lads as an Important Failure In 2015, a phone video of young muscular White British men hitting each other with a chair went viral

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