The Double Exposure Blog

Time 2022-10-14 01:45:09

Web Name: The Double Exposure Blog

WebSite: http://www.doubleexposurejournal.com

ID:351700

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Welcome to the blog of Double Exposure, Columbia University's undergraduate film journal. We publish up-to-date film criticism by Columbia students, including reviews, features, columns, lists, videos, interviews, podcasts, and more. JournalArchiveBlogPodcastContactAbout Us ReviewsInterviewsListsRepertory PicksStreaming PicksVideosStaffArchive All

Double Exposure Virtual Journal: Spring 2020

by Double Exposure on Jun 18, 2020 • No Comments This year’s Double Exposure, our 17th issue, is unusual for a number of reasons. Firstly, we were unable to be together as a staff to work on the journal, at least for the large majority of its making. Secondly, we were unable to be together with our contributors and readers to... Latest entries All / Reviews

Beanpole

by Audrey Zhang on Apr 7, 2020 • No Comments Truffaut famously stated that there are no real anti-war movies. Indeed, war film as a genre inescapably fabricates patriotic heroes to praise and brutal villains to condemn, failing to indict war itself for its brutality. Furthermore, these films produce a disconnect between form and content. Even if the movie intends to shock the audience with... All / Lists

The Best Movies of 2019

by Double Exposure on Feb 26, 2020 • No Comments In addition to contributing ballots to our aggregated top 10, a few members of our editorial board wrote about some films that meant something to them, whether or not they made our final list. All / Reviews

A Cinema for the People: Sátántangó

by Alan Wu on Dec 3, 2019 • No Comments The primary reason that Sátántangó is so able to lift its weight across seven-and-a-half hours is because its main vocabulary of long takes naturally generates a blood flow of images that is consistent in tone and utterly hypnotizing. All / Reviews

Retrospective Review: Amour Fou

by Audrey Zhang on Nov 19, 2019 • No Comments Basing Amour Fou upon this ridiculous story from early 19th century Germany, Hausner presents the impossibility of romantic love. Festivals / Reviews

NYFF 2019: Synonyms

by Mohar Kalra on Nov 5, 2019 • No Comments Nadav Lapid’s newest feature offers a deeply intimate and personal look at how identity and language interact and interweave. Festivals / Reviews

NYFF 2019: Uncut Gems

by Etan Weisfogel on Oct 29, 2019 • No Comments The Safdie Brothers make films driven by the ego—I mean that in the psychoanalytic sense mostly, though one detects a bit of the word’s more colloquial definition in their new film Uncut Gems. More on that later, perhaps; for now, Freud. The protagonists of Heaven Knows What, Good Time, and now Uncut Gems are perpetually... Interviews

Interview: László Nemes

by Milan Loewer on Apr 9, 2019 • No Comments The Double Exposure team is hard at work putting together this year's print journal, but we were so excited about this extensive interview contributor Milan Loewer conducted with Hungarian filmmaker László Nemes, whose second film Sunset recently opened in New York, that we decided to share it a little early. All / Features

Mike Nichols Symposium Part I

by Double Exposure on Feb 26, 2019 • No Comments Who’s Afraid of Virginia Woolf? A mere four years after the play Who’s Afraid of Virginia Woolf? premiered on Broadway, Mike Nichols made his directorial debut with a film adaptation of this classic American play. Hewing remarkably close to playwright Edward Albee’s script, which mined the rich quarry of marriage dysfunction, the film unfolds in... All / Lists

Best Movies of 2018

by Double Exposure on Feb 8, 2019 • No Comments As per tradition, Double Exposure took an extra month to catch up on all the best movies that came out last year, but our hotly anticipated list is finally here! In addition to contributing the individual top 10s from which we built our top 15, our staff has also written a little bit about some films, whether... Festivals / Reviews

NYFF 2018: Burning

by Mohar Kalra on Dec 6, 2018 • No Comments The characters in Burning, director Lee Chang-dong’s newest film, exist apart from one another. Even in scenes together they appear to inhabit separate layers of the frame; it’s like they’re superimposed upon one another to create the illusion of proximity while they remain irrevocably isolated. Festivals / Reviews

NYFF 2018: Private Life

by Sasha Starovoitov on Dec 4, 2018 • No Comments Private Life is a heartwarming, at times heartbreaking, work that succeeds in uniting stereotypes, tropes, and genres to remind viewers of the power in “dramedy.” Festivals / Reviews

NYFF 2018: Roma

by Madeleine Collier on Dec 4, 2018 • No Comments Nevertheless, there is enormous power in Cuarón’s decision to frame an epic-scale narrative about Mexico in transition around an indigenous woman; one who speaks in her native mixteca as well as Spanish, who enacts a coveted cinematic role as central voyeur, who brings the viewer into each of many worlds in collision. Older

Archive

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